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THEATRICAL LIFE AND REPERTOIRE OF THE MARIONETTE THEATRE OF ESTERHÁZ<br />

Fig. 3<br />

Philemon and Baucis (line-engraving from Ovidius: Metamorphoses, 1703) 38<br />

Although there is no clearly identifiable data on the second performance<br />

of Philemon und Baucis, our conclusions are based upon the date of creation<br />

of the borrowed elements. The premiere of Ordoñez’s work – to which<br />

Pauersbach had written the libretto – was in the summer of 1775 at Esterház,<br />

therefore the second version of Philemon must have been made later. Since<br />

Philemon und Baucis appears in the Gotha Theatrical Almanac of 1777, we can<br />

presume that it had been staged in 1776 or early in 1777. If the assumptions<br />

are correct, it means that Haydn borrowed the aria of Il Mondo della Luna from<br />

Philemon und Baucis, since the premiere of the former was in August, 1777.<br />

Since Philemon und Baucis is one of the marionette operas which<br />

remained intact, a gramophone recording had been made with the lead of<br />

Robbins Landon. It is important to note the year 1959, when Siegfried Wehrle’s<br />

ensemble performed the play with marionettes in Eisenstadt.<br />

38 Source: http://en.wikipedia.org/wiki/File:Baucis_and_Philemon.jpg Downloaded: 14.09.2011.<br />

145

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