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MUSICA 1/2012
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COMPUTER MUSIC CIPRIAN-GABRIEL POP,
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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NEW TRENDS IN MODERN MUSICOLOGY. A
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ISTVÁN ALMÁSI gesellschaftliche S
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ISTVÁN ALMÁSI Gebilde angesehen w
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ISTVÁN ALMÁSI Jahre. Zur Mitwirku
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ISTVÁN ALMÁSI Siebenbürgen an di
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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HYMNS OF REPENTANCE IN THE WORSHIP
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HYMNS OF REPENTANCE IN THE WORSHIP
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HYMNS OF REPENTANCE IN THE WORSHIP
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HYMNS OF REPENTANCE IN THE WORSHIP
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HYMNS OF REPENTANCE IN THE WORSHIP
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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PHILOKALIA IN MUSIC iubirii” 4 ).
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PHILOKALIA IN MUSIC 18. The sleep,
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CIPRIAN GABRIEL POP 2. Historic Lan
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CIPRIAN GABRIEL POP In rendering th
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CIPRIAN GABRIEL POP Amplitude modul
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CIPRIAN GABRIEL POP In the work Kla
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OLGUŢA LUPU eternity and ephemeral
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OLGUŢA LUPU But its heyday, a time
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OLGUŢA LUPU - the poem Vox maris 1
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OLGUŢA LUPU suggest the finest nua
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OLGUŢA LUPU Mircea Eliade’s obse
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OLGUŢA LUPU plants and minerals ar
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OLGUŢA LUPU The Metaphor of Water
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OLGUŢA LUPU remains “sheltered i
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OLGUŢA LUPU Enescu, a joyous meeti
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OLGUŢA LUPU uselessness, this sacr
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OLGUŢA LUPU Using the metaphor of
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OLGUŢA LUPU Noica, Constantin, Sim
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OANA ANDREICA from Bach to Berg. Di
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OANA ANDREICA phenomenon: the quota
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OANA ANDREICA and the Shostakovich
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OANA ANDREICA Ex. 4 Quotation of La
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OANA ANDREICA In ms. 15-16, with em
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OANA ANDREICA A variation of Lasso
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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NICOLAS ASTRINIDIS (1921-2010): COM
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NICOLAS ASTRINIDIS (1921-2010): COM
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MARTA CÎRLEJAN began along with ba
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MARTA CÎRLEJAN ensemble, to streng
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MARTA CÎRLEJAN Pleyel. Their works
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MARTA CÎRLEJAN In this direction,
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KATA ASZTALOS years. Scientific jou
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KATA ASZTALOS Events of 1775 On 13
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KATA ASZTALOS abbandonata 15 was pe
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KATA ASZTALOS Events of 1779 Prince
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KATA ASZTALOS Events of 1783 It is
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KATA ASZTALOS service of Haydn. 31
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KATA ASZTALOS Philemon und Baucis (
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KATA ASZTALOS Der Hexenschabbas (17
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KATA ASZTALOS The role of kettledru
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KATA ASZTALOS Other Authors’ Mari
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KATA ASZTALOS a huge amount of gunp
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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THE ORGANS OF THE REFORMED DIOCESE
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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THE HEALING POWER OF MUSIC. MUSIC I
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THE HEALING POWER OF MUSIC. MUSIC I
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THE HEALING POWER OF MUSIC. MUSIC I
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THE HEALING POWER OF MUSIC. MUSIC I
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THE HEALING POWER OF MUSIC. MUSIC I
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THE HEALING POWER OF MUSIC. MUSIC I
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MIKLÓS FEKETE […] Nach der letzt
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MIKLÓS FEKETE ‐ der Gebrauch bes
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MIKLÓS FEKETE Beispiel Nr. 2 Apré
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MIKLÓS FEKETE Beispiel Nr. 6 Teil
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MIKLÓS FEKETE Die unterschiedliche
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MIKLÓS FEKETE arpeggiert die versc
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MIKLÓS FEKETE In der Ausführungsr
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MIKLÓS FEKETE Der in diesem destab
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MIKLÓS FEKETE Beispiel Nr. 18 204
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MIKLÓS FEKETE wo die Tendenz zur
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MIKLÓS FEKETE 208 BIBLIOGRAPHIE An
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LUANA STAN Dans le contexte du XX e
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LUANA STAN (chants traditionnels ou
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LUANA STAN Avant de passer aux brui
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- Page 271 and 272: CONTRIBUTORS Marta CÎRLEJAN, Piani
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- Page 275 and 276: CONTRIBUTORS Szilvia TÖRÖK, born
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- Page 281 and 282: INVITATION FOR PUBLISHING The subsc