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YEAR (LVII) 2012 MONTH JUNE ISSUE 1 S T U D I A UNIVERSITATIS BABEŞ-BOLYAI MUSICA 1 Desktop Editing Office: 51 st B.P. Hasdeu Street, Cluj-Napoca, Romania, Phone + 40 264 405352 SUMAR – SOMMAIRE – CONTENTS – INHALT INTERVIEWS BIANCA ŢIPLEA TEMEŞ, New Trends in Modern Musicology. A Discussion with Professor Nicholas Cook ................................................................ 5 FOLK MUSIC ISTVÁN ALMÁSI, Regionale Merkmale Der Siebenbürgisch-Ungarischen Volksmusik........................................................................................... 23 ZOLTÁN GERGELY, Typical Wedding Tunes of the Northern-Mezőség (Câmpia Transilvaniei) ......................................................................... 33 CHURCH MUSIC ÉVA PÉTER, Hymns of Repentance in the Worship Practice of the Reformed Church of Transylvania ....................................................... 53 PETRUŢA-MARIA COROIU, Philokalia in Music ....................................... 65
COMPUTER MUSIC CIPRIAN-GABRIEL POP, The Evolution of the Interference of New Technologies in Musical Creation ........................................................ 71 MUSICAL STYLISTIC OLGUŢA LUPU, From the Metaphor of Water to Correspondences between Enescu, Eminescu, Blaga and the Romanian Spirituality ..... 79 OANA ANDREICA, Alfred Schnittke’s Polystylistic Journey: The Third String Quartet..................................................................................... 103 VANGELIS KARAFILLIDIS, Nicolas Astrinidis (1921-2010): Compositional Languages in His ‘Deux Pièces en Style Grec’ for Violin and Piano ...... 117 MUSICAL GENRE MARTA CÎRLEJAN, The Genesis of The Piano Trio................................ 123 MUSICAL HISTORIOGRAPHY KATA ASZTALOS, Theatrical Life and Repertoire of the Marionette Theatre of Esterház ........................................................................... 131 ISTVÁN ZOLTÁN KISGYÖRGY, The Organs of the Reformed Diocese from Erdővidék - Examination Paper about the History of the Organs - Part I .................................................................................................. 155 MUSICAL THERAPY SZILVIA TÖRÖK, The Healing Power of Music. Music in Practice .......... 173 MUSICAL ANALYSES MIKLÓS FEKETE, Die Lisztsche Ironie in der Schilderung des Mephistophelischen im Dritten Teil Der Faust-Symphonie ................ 187 LUANA STAN, Le Paysage Sonore de Murray R. Schafer ...................... 209 ŞERBAN MARCU, Elements of the Musical Discourse in Fum (Smoke) by Doina Rotaru ................................................................................. 227 RĂZVAN METEA, Sonata for Clarinet Solo by Tiberiu Olah.................... 235 CRISTIAN BENCE-MUK, Juggle for Clarinet and Piano by Cristian Marina – Changing the Semantics of Contemporary Musical Creation from the Point of View of Various Instrumental Versions ........................... 245
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Page 6 and 7: STUDIA UBB MUSICA, LVII, 1, 2012 (p
Page 8 and 9: NEW TRENDS IN MODERN MUSICOLOGY. A
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Page 25 and 26: ISTVÁN ALMÁSI gesellschaftliche S
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Page 36 and 37: TYPICAL WEDDING TUNES OF THE NORTHE
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TYPICAL WEDDING TUNES OF THE NORTHE
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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HYMNS OF REPENTANCE IN THE WORSHIP
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PHILOKALIA IN MUSIC iubirii” 4 ).
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PHILOKALIA IN MUSIC 18. The sleep,
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CIPRIAN GABRIEL POP 2. Historic Lan
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CIPRIAN GABRIEL POP In rendering th
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CIPRIAN GABRIEL POP Amplitude modul
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CIPRIAN GABRIEL POP In the work Kla
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OLGUŢA LUPU eternity and ephemeral
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OLGUŢA LUPU But its heyday, a time
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OLGUŢA LUPU - the poem Vox maris 1
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OLGUŢA LUPU suggest the finest nua
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OLGUŢA LUPU Mircea Eliade’s obse
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OLGUŢA LUPU plants and minerals ar
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OLGUŢA LUPU The Metaphor of Water
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OLGUŢA LUPU remains “sheltered i
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OLGUŢA LUPU Enescu, a joyous meeti
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OLGUŢA LUPU uselessness, this sacr
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OLGUŢA LUPU Using the metaphor of
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OLGUŢA LUPU Noica, Constantin, Sim
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OANA ANDREICA from Bach to Berg. Di
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OANA ANDREICA phenomenon: the quota
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OANA ANDREICA and the Shostakovich
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OANA ANDREICA Ex. 4 Quotation of La
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OANA ANDREICA In ms. 15-16, with em
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OANA ANDREICA A variation of Lasso
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NICOLAS ASTRINIDIS (1921-2010): COM
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NICOLAS ASTRINIDIS (1921-2010): COM
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MARTA CÎRLEJAN began along with ba
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MARTA CÎRLEJAN ensemble, to streng
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MARTA CÎRLEJAN Pleyel. Their works
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MARTA CÎRLEJAN In this direction,
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KATA ASZTALOS years. Scientific jou
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KATA ASZTALOS Events of 1775 On 13
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KATA ASZTALOS abbandonata 15 was pe
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KATA ASZTALOS Events of 1779 Prince
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KATA ASZTALOS Events of 1783 It is
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KATA ASZTALOS service of Haydn. 31
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KATA ASZTALOS Philemon und Baucis (
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KATA ASZTALOS Der Hexenschabbas (17
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KATA ASZTALOS The role of kettledru
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KATA ASZTALOS Other Authors’ Mari
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KATA ASZTALOS a huge amount of gunp
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THE ORGANS OF THE REFORMED DIOCESE
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THE HEALING POWER OF MUSIC. MUSIC I
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MIKLÓS FEKETE […] Nach der letzt
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MIKLÓS FEKETE ‐ der Gebrauch bes
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MIKLÓS FEKETE Beispiel Nr. 2 Apré
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MIKLÓS FEKETE Beispiel Nr. 6 Teil
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MIKLÓS FEKETE Die unterschiedliche
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MIKLÓS FEKETE arpeggiert die versc
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MIKLÓS FEKETE In der Ausführungsr
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MIKLÓS FEKETE Der in diesem destab
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MIKLÓS FEKETE Beispiel Nr. 18 204
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MIKLÓS FEKETE wo die Tendenz zur
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MIKLÓS FEKETE 208 BIBLIOGRAPHIE An
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LUANA STAN Dans le contexte du XX e
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LUANA STAN (chants traditionnels ou
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LUANA STAN Avant de passer aux brui
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LUANA STAN L’auteur, s’inspiran
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LUANA STAN dans un cadre où elle e
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LUANA STAN que « À 60 ans, les Af
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LUANA STAN Schafer suggère qu’il
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LUANA STAN Quelques perspectives Il
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LUANA STAN Marconi, Luca, « Muzak,
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ŞERBAN MARCU Romanian creation is
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ŞERBAN MARCU The general expressio
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ŞERBAN MARCU notes), the smooth me
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SONATA FOR CLARINET SOLO BY TIBERIU
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CRISTIAN BENCE-MUK centuries compos
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CRISTIAN BENCE-MUK 1994/95; Variaţ
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CRISTIAN BENCE-MUK the Atrium of th
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CRISTIAN BENCE-MUK However, it is b
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CRISTIAN BENCE-MUK Thus, the piece
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CRISTIAN BENCE-MUK by the addition
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HA FOLYÓVĺZ VOLNÉK ... (HAD I BE
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GABRIELA COCA The first chapter con
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CONTRIBUTORS Marta CÎRLEJAN, Piani
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CONTRIBUTORS “Chamber Music” an
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CONTRIBUTORS Szilvia TÖRÖK, born
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AGREEMENT OF CHANGE BETWEEN THE INS
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INVITATION FOR PUBLISHING The subsc
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