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Boxoffice-August.21.1954

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! Walsh<br />

j<br />

I representative<br />

j<br />

Re-elected<br />

?'l"?i!=!l"'*.?'''*'<br />

As lATSE President<br />

RICHARD F. WALSH<br />

CINCINNATI—The efforts of Roy Brewer<br />

to unseat Richard F. Walsh as president of<br />

the International Alliance of Theatrical and<br />

Stage Employes failed at the convention<br />

held here last week, and Walsh was returned<br />

to office during an election Friday (13) by an<br />

overwhelming majority. Voted back into office<br />

were all incumbents.<br />

poUed 798 votes, against 408 for<br />

Brewer, who had resigned as an international<br />

of the union a year ago.<br />

Margin of victory was virtually the same for<br />

[general secretary-treasurer Harland Holmden,<br />

Inine vice-presidents, three trustees and two<br />

delegates to conventions of the American<br />

pederation.<br />

as vice-presidents were James<br />

iJ. Breiman, New York; Carl Cooper, Los An-<br />

|geles; Harry J. Abbott, Philadelphia; Orin M.<br />

Jacobson, Tacoma, Wash.; Hugh J. Sedgwick,<br />

Hamilton, Ont.; Albert S. Johnstone, New<br />

Orleans; William Donnelly, Minneapolis;<br />

John A. Shuff, Akron, Ohio, and Miss Louise<br />

Wright, Dallas, Tex.<br />

Returned to office as trustees were William<br />

p. Scanlon, Lynn, Mass.; R. E. Morris, Mo-<br />

»ile, Ala., and George W. Brayfield, Denver,<br />

slo.<br />

APL delegates re-elected were Thomas V.<br />

3reen, Newark, N. J., and James McNabb,<br />

Seattle,<br />

Wash.<br />

H. W. Lackey of Calgary, Alta., was chosen<br />

lelegate to conventions of the Trades and<br />

^abor Congress of Canada, following his seection<br />

by a Canadian caucus.<br />

The officers were installed by former Inernational<br />

president William F. Canavan.<br />

Dhicago Censors Delete<br />

Prairie' Birth Scene<br />

CHICAGO — "The Vanishing Prairie"<br />

pened at the Loop Theatre August 20. Joe<br />

ongo, Walt Disney representative who<br />

andled preliminaries in connection with the<br />

pening, ran into a censorship snag. The<br />

Fnsor board ordered 30 seconds of the film<br />

t showing the birth of a buffalo calf.<br />

OXOmCE :: August 21, 1954<br />

Detroit Exhibitors Launch<br />

Cooperative TV Program<br />

DETROIT—A cooperative advertising progi-am<br />

Theatres, and William Wetsman, Wisper and<br />

by 17 second run Detroit theatres, using Wetsman Theatres.<br />

a daily television program, was launched Participating theatres are regularly booking<br />

last week in what believed to be the most<br />

product on a second run day and date<br />

is<br />

ambitious use of video by any local motion<br />

with one or two exceptions, permitting<br />

basis,<br />

maximum effectiveness to be derived from<br />

picture group since the advent of television.<br />

Costing $850 a week, the program had been<br />

bought tor 13 weeks, to be aired over WXYZ-<br />

TV, at 6 p. m. Monday through Friday.<br />

The purchase is of a five-minute segment<br />

Hi "Detroit Deadline," a regular and highrated<br />

news program on the station. Beverly<br />

Eeltaire, who formerly was women's editor<br />

nf the same program, will emcee the program<br />

and make comments on film clips being<br />

liown, which will be run both with and without<br />

sound.<br />

Another feature of the program on the<br />

Tuesday and Thursday showings will be a<br />

brief appearance by visiting stars and other<br />

personalities. Typically, the opening guest<br />

on the show was "Roxanne," local television<br />

personality.<br />

SCREEN TRAILERS BACK SHOWS<br />

Film clips for the showings have been<br />

secured through local and home office<br />

distributors, and it was indicated that the<br />

availability of improved quality film clips on<br />

forthcoming product is a major reason for<br />

the decision to go into television in a big way.<br />

Backing up the shows, each theatre will run<br />

a screen trailer for the duration of the sponsorship,<br />

plugging the program.<br />

The theatres cooperating for the sponsorship<br />

of the new program are adopting the<br />

group name of Movie Preview Theatres, as<br />

a listed assumed name, with James F.<br />

Sharkey, film buyer for the 100-member Cooperative<br />

Theatres of Michigan, as the trustee<br />

for the group. On the planning committee,<br />

representing other theatre circuits and booking<br />

services involved are: Hyman Bloom,<br />

Sloan Theatres; Irving Goldberg, Community<br />

Theatres; Alden W. Smith, Mutual<br />

Rigs Office Telephone<br />

And Traps Prowlers<br />

Miami — A unique protection trick<br />

conceived by Manager F. J. Stubblefield<br />

trapped two burglars at the Center Theatre.<br />

Stubblefield had rigged his office telephone<br />

by dialing all but the last digit<br />

of his home number. He then dialed the<br />

last digit, but with the use of a pencil and<br />

pin, held the mechanism in the dialed<br />

position. A string was then attached from<br />

the pin to the office door. When the<br />

prowlers entered, the string pulled out<br />

the pin, causing the pencil to release the<br />

hung-up dial and thus complete the<br />

call to Stubblefield's home.<br />

When the telephone rang and no one<br />

answered to his reply, Stubblefield realized<br />

the theatre had been broken into<br />

and quickly informed the police who<br />

apprehended the burglars.<br />

the timed daily exploitation. The setup includes<br />

most of the second run houses in the<br />

city excepting those operated by United Detroit<br />

and the Cohen circuits.<br />

Unusual a.spect is the inclusion of ten<br />

drive-ins—Bel-Air, Dearborn, East Side, Fort,<br />

Grand River, Gratiot, Oak, Town, Wayne and<br />

West Side. Indoor theatres involved are the<br />

Eastown, Harper, Mercury, Redford, Royal.<br />

Royal Oak and Wyandotte.<br />

OBJECTIVES OF THE VENTURE<br />

Objectives sought by the unique venture<br />

into television are indicated in a comment by<br />

Sharkey:<br />

"Direct sincere commentary on a motion<br />

picture is more valuable than a strict commercial.<br />

On this basis, the group has organized<br />

a program which is both entertaining<br />

and accomplishes an adequate indirect selling<br />

job without appearing overly commercial."<br />

Significantly, the news program in which<br />

the 5-minute screen show will appear as a<br />

segment, has been well established with a<br />

recognized viewing audience at this time,<br />

being on the air steadily for the past two<br />

years, so that it will not be necessary to<br />

create a new audience for the show.<br />

Answering the doubts of exhibitors who<br />

may be concerned over this employment of<br />

a traditionally competitive medium, Sharkey<br />

said:<br />

"Television is no longer a thing to fight,<br />

but something to incorporate and exploit<br />

when selling a picture. Too long Detroit has<br />

remained on the sidelines of television and<br />

radio promotion. At last, through the intelligent<br />

cooperation of several exhibitors, the<br />

program will provide an outlet for a new and<br />

different kind of promotion. And a program<br />

that's entertaining to watch."<br />

INSTITUTIONAL PLUGS USED<br />

The institutional element will be given a<br />

consistent tie-in on the daily shows, with a<br />

cutoff slogan to build the habit of showgoing.<br />

Typical samples to be used are:<br />

1. There are whole worlds of entertainment<br />

waiting for you in your theatre's<br />

seat.<br />

2. Movies are still your best bet in<br />

entertainment.<br />

Working on the preparation for the series<br />

on behalf of distributors are: Joseph J. Lee,<br />

20th-Fox manager; Sam Levin, Allied Artists<br />

manager; Jeff Livingston, U-I; William<br />

Brumberg, Warner Bros.; Edward Solomon,<br />

20th-Fox; Dave Cantor, RKO; Al Rylander,<br />

Columbia; Mori Krushin, United Artists, and<br />

Dan Terrill, MGM.<br />

Conception and production of the show<br />

were worked out by Robert Solomon and<br />

Shan Sayles of Solomon-Sayles Productions,<br />

who are acting as advertising counsel for the<br />

theatre group.

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