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louisa picquet, the octoroon: or inside views of - Negro Artist

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Louisa Picquet, <strong>the</strong> Oct<strong>or</strong>oon 46<br />

I.--And first, let it be remembered that this is no fiction. It is a plain,<br />

unvarnished st<strong>or</strong>y, from <strong>the</strong> lips <strong>of</strong> one who has spent her life in <strong>the</strong> South; has<br />

seen and known all that she asserts; and has no motive f<strong>or</strong> exaggeration <strong>or</strong><br />

falsehood. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> very w<strong>or</strong>st things in <strong>the</strong> narrative are those<br />

which she recited with <strong>the</strong> least apparent satisfaction. And <strong>the</strong> manner in which<br />

<strong>the</strong>y were referred to, in <strong>the</strong>ir recital, showed conclusively that <strong>the</strong>y were not<br />

and could not have been inventions to serve a purpose. Of all that has ever been<br />

published respecting <strong>the</strong> actual w<strong>or</strong>kings <strong>of</strong> slavery in <strong>the</strong> South, nothing has<br />

ever appeared that was w<strong>or</strong>thy <strong>of</strong> m<strong>or</strong>e implicit confidence in all its details than<br />

<strong>the</strong> preceding pages. Though unable to read <strong>or</strong> write, Mrs. P. has an excellent<br />

mem<strong>or</strong>y; is decidedly intelligent; and, m<strong>or</strong>e than all, is deeply pious and<br />

conscientious. All that she has said, <strong>the</strong>ref<strong>or</strong>e, is w<strong>or</strong>thy <strong>of</strong> <strong>the</strong> most implicit<br />

belief.<br />

Page 50<br />

II.--The darkest and most prominent feature <strong>of</strong> <strong>the</strong> whole narrative is <strong>the</strong> deep<br />

m<strong>or</strong>al c<strong>or</strong>ruption which it reveals in <strong>the</strong> families concerned, resulting from <strong>the</strong><br />

institution <strong>of</strong> slavery.<br />

1. At <strong>the</strong> outset (p. 2), we find <strong>the</strong> mo<strong>the</strong>r <strong>of</strong> Mrs. P., Elizabeth, through no fault<br />

<strong>of</strong> her own, a "seamstress," <strong>or</strong> concubine, in <strong>the</strong> family <strong>of</strong> John Randolph, who<br />

becomes <strong>the</strong> fa<strong>the</strong>r <strong>of</strong> Louisa. Then <strong>the</strong>re is trouble in <strong>the</strong> family, and Elizabeth<br />

and her young babe, like Hagar <strong>of</strong> old, must leave <strong>the</strong> patriarchal mansion in<br />

South Carolina f<strong>or</strong> a home among strangers in Ge<strong>or</strong>gia.<br />

2. Then she has three m<strong>or</strong>e quadroon children, while Mr. Cook owned her; but<br />

no husband, ei<strong>the</strong>r black <strong>or</strong> white (p. 4).<br />

3. She has ano<strong>the</strong>r child while in Mobile (<strong>the</strong> bro<strong>the</strong>r now in Texas), who is as<br />

white as Louisa; but no husband (p. 4).<br />

4. We have <strong>the</strong> case <strong>of</strong> Lucy, <strong>the</strong> seamstress <strong>of</strong> Mr. Cook, with her "light hair<br />

and blue eyes," and her six <strong>or</strong> seven white children; but no husband (p. 16).<br />

5. We have <strong>the</strong> cases <strong>of</strong> Elcy and Judy, kept by Mr. -- (p. 17).<br />

6. Next we have <strong>the</strong> very "gentlemanly" conduct <strong>of</strong> Mr. Cook, a married man,<br />

toward Louisa, while in Mobile (p. 6-11). And yet all this is tolerated even by<br />

Mrs. Bachel<strong>or</strong>, <strong>the</strong> friend <strong>of</strong> Louisa, inasmuch as <strong>the</strong> loathsome wretch was not<br />

at once driven from beneath her ro<strong>of</strong>. What kind <strong>of</strong> a home would such a man<br />

24.03.2006

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