+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
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printmaking to its simplest elements. Whereas historically printmaking allowed<br />
members <strong>of</strong> a social structure to assert st<strong>at</strong>us and power, contemporary<br />
printmakers use complex techniques to represent quotidian objects. For<br />
<strong>Currency</strong> <strong>Part</strong> 1, Haas’ nine-piece grid <strong>of</strong> objects from the everyday world almost<br />
cre<strong>at</strong>es a taxonomy <strong>of</strong> the overlooked. Like Klingberg, the capacity <strong>of</strong> the banal<br />
becomes the celebr<strong>at</strong>ion <strong>of</strong> unexpected beauty.<br />
At first, both the beauty and the seemingly obsessive qualities <strong>of</strong> cre<strong>at</strong>ion inherent<br />
in Karla Hackenmiller’s works are not necessarily apparent. Liminal Collision, an<br />
etching and spit bite aqu<strong>at</strong>int, is a delic<strong>at</strong>e abstraction with threads etched across<br />
the pl<strong>at</strong>e. The Liminal Slices combine etching and collage, adding an unexpected