+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
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and their histories to assert new ways <strong>of</strong> using well-understood tools.<br />
Perhaps each <strong>of</strong> these artists explores a duality th<strong>at</strong> might not have readily been<br />
apparent. Fudge and Klingberg explore the intersections <strong>of</strong> technology and<br />
tradition. Berman and Apfelbaum sit on the edges <strong>of</strong> n<strong>at</strong>ure and process. Kevin<br />
Haas uses the contemporary world as a means <strong>of</strong> abstraction, and printmaking<br />
as its method. And Karla Hackenmiller allows the spaces <strong>of</strong> transition, the liminal<br />
spaces, to be both reflected upon and represented through both her process and<br />
content.<br />
Clearly contemporary printmaking allows us to process this ongoing process,