+ Currency Part 1 - University of Alabama at Birmingham

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List of Works p.2: Kevin Haas, from the Inventory series, Intaglio on Paper, courtesy of the artistp 4: Polly Apfelbaum, When Opposites Attract, One Color Lithograph, courtesy the artist and Tamarind Institute p 6: Polly Apfelbaum, Rainbow Liove, Mountain Ranch, New Mexico, Twelve Color Lithograph, courtesy the artist and Tamarind Institute p 8: Polly Apfelbaum, Flower Patch, Two Color Lithograph, courtesy the artist and Tamarind Institute p 10: Laura Berman, Rockpiles 2 (1), Monoprint, courtesy of the artist p 12: Laura Berman, Rockpiles 2 (10), Monoprint, courtesy of the artist p 14: Laura Berman, Gridrocks #16, Monoprint, courtesy of the artist p 16: Carl Fudge, Komposition Y, Three Color Screenprint, courtesy the artist and Ronald Feldman Gallery, New York p 18: Carl Fudge, Komposition Z, Three Color Screenprint, courtesy the artist and Ronald Feldman Gallery, New York p 20: Kevin Haas, Inventory: Shopping Cart, Intaglio on Paper, courtesy of the artist p 22: Kevin Haas, Inventory: Generator with Lights, Intaglio on Paper, courtesy of the artist p 24: Kevin Haas, Inventory: Caution, Intaglio on Paper, courtesy of the artist p 26: Karla Hackenmiller, Liminal Collision, Etching and Spit Bite Aquatint, courtesy of the artist p 28: Karla Hackenmiller, Liminal Fracture #14, Etching and Collage, courtesy of the artist p 30: Karla Hackenmiller, Liminal Strip, Etching and Collage, courtesy of the artist p 32: Gunilla Klingberg, Brand New View, Digital cut vinyl, courtesy the artist and Gallery Nordenhake p 34: Gunilla Klingberg, Installation View, Cosmic Matter, courtesy the artist and Gallery Nordenhake p 36: Gunilla Klingberg, Installation View, Mantric Mutation, courtesy the artist and Gallery Nordenhake Cover: Karla Hackenmiller, Liminal Collision (detail), courtesy of the artist
This exhibition would not have been possible without the assistance of many people who generously contrributed their time and expertise. We would like to thank: The Artists Bo Hughins Cheryl Lewis Marco Nocella, Ronald Feldman Gallery, New York Arif Khan, Curator, The Tamarind Institute, University of New Mexico Denny Frank, Birmingham Museum of Art Rashid Qandil, Birmingham Museum of Art Alan Skees John Butler Atelier 4, New York Evelee Long Gallery Nordenhake, Stockholm/Berlin
Page 1: Jürgen Tarrasch Currency Part 1: M
Page 5: Introduction Currency Part 1: Modes
Page 9: Currency Part 1: Modes of Expressio
Page 13: its industrial/commercial applicati
Page 17: The six artists in Currency Part 1:
Page 21: These latter icons are, in a sense,
Page 25: y and z -, means that the works the
Page 29: printmaking to its simplest element
Page 33: age. For Brand New View, she hybrid
Page 37: and their histories to assert new w
Page 42: Currency Part 1: Modes of Expressio

+ Currency Part 1 - University of Alabama at Birmingham

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