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+ Currency Part 1 - University of Alabama at Birmingham

+ Currency Part 1 - University of Alabama at Birmingham

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<strong>Currency</strong> <strong>Part</strong> 1: Modes <strong>of</strong> Expression is, in many ways, a very traditional<br />

exhibition. It contains the largest collection <strong>of</strong> contemporary print works made<br />

with traditional media th<strong>at</strong> has ever been exhibited <strong>at</strong> Artlab. And, in many<br />

ways, this observ<strong>at</strong>ion was initially an impediment. My reserv<strong>at</strong>ions stemmed<br />

in part from my own inability to critically position printmaking as a contemporary<br />

discursive practice, a reserv<strong>at</strong>ion th<strong>at</strong> was dispelled by my convers<strong>at</strong>ions with<br />

pr<strong>of</strong>essor and printmaker Derek Cracco. My reticence was exacerb<strong>at</strong>ed by wh<strong>at</strong><br />

I perceived as printmaking’s emphasis on technique – something th<strong>at</strong> while not<br />

unimportant, was not and still is not my primary criterion for evalu<strong>at</strong>ing a work <strong>of</strong><br />

art. Here is a contemporary dilemma, one in which I perceived th<strong>at</strong> the value <strong>of</strong>

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