+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
+ Currency Part 1 - University of Alabama at Birmingham
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>Currency</strong> <strong>Part</strong> 1: Modes <strong>of</strong> Expression is, in many ways, a very traditional<br />
exhibition. It contains the largest collection <strong>of</strong> contemporary print works made<br />
with traditional media th<strong>at</strong> has ever been exhibited <strong>at</strong> Artlab. And, in many<br />
ways, this observ<strong>at</strong>ion was initially an impediment. My reserv<strong>at</strong>ions stemmed<br />
in part from my own inability to critically position printmaking as a contemporary<br />
discursive practice, a reserv<strong>at</strong>ion th<strong>at</strong> was dispelled by my convers<strong>at</strong>ions with<br />
pr<strong>of</strong>essor and printmaker Derek Cracco. My reticence was exacerb<strong>at</strong>ed by wh<strong>at</strong><br />
I perceived as printmaking’s emphasis on technique – something th<strong>at</strong> while not<br />
unimportant, was not and still is not my primary criterion for evalu<strong>at</strong>ing a work <strong>of</strong><br />
art. Here is a contemporary dilemma, one in which I perceived th<strong>at</strong> the value <strong>of</strong>