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Boxoffice-Janury11.1965

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: .Martha<br />

NATIONAL FILM WEEKLY<br />

'iint Sectional Editions<br />

BEN SHLYEN<br />

tor-in-Chiei and Publisher<br />

ONALD M. MERSEREAU, Associate<br />

Publisher & General Manager<br />

;5SE SHLYEN Managing Editor<br />

UGH FRAZE Field Editor<br />

THATCHER. . .Equipment Editor<br />

:iORRIS SCHLOZMAN, Business Mgr.<br />

m Offices; S25 V^ui Brunt Blvd.,<br />

.it)' Mo. U4121. Jesse Shljcli,<br />

UDa^ig i:>lUur; Morris Sciilozmun, Uusi-<br />

_ Manager; Hugh Frxse, Field Editor;<br />

L. Tluldier, Editor The .Modern Tbeatre<br />

rjttioa Tclepbone CHisUiul i-7777.<br />

iditorial Offices: 1270 Sixtli Ave., Kockeiller<br />

Lenter, Ne»- Yoik. N.V. 10020.<br />

onald .M. Mersereau, Associate I'ublislier<br />

Uaieral Miuiaeer; Frank Leyendecker,<br />

eM-s Bditor. TeleDlione COlumbus 5-6370.<br />

il Offices; Editorial—920 N. Mich-<br />

Ave., Clilcago 11, lii., Frances B<br />

Teleplione superior 7-3972. AdversljiK—5S11<br />

Nortli Lincoln, Louis Didier<br />

"loderlck, Teiephone LOngbeacb<br />

-52S4.<br />

/estern<br />

62 Uollj-Muod Blvd.,<br />

jod. Calif. 90028, Sjd Cassyd.<br />

ine<br />

Office—Antliony<br />

HOlljTvood 5-1186.<br />

Gruiier, 1 Wood-<br />

Way. Findiley. N. 12.<br />

J. S. Coniiers. 110 State St.<br />

i; .Nell .Middieton, IStS Luckie NW.<br />

urc; George Browiiing, 208 E.<br />

un.<br />

Guy Livingston, 80 Boylston.<br />

.Mass.<br />

tc: Blanche Carr. 301 S. ChurcJi.<br />

Cincinnati: Frances Uanford, Box 20138,<br />

gtil-7180.<br />

leveland: W. Ward Marsb, I'iain Deaier.<br />

vlumbus: Fred Oestreiclier, 52^ W.<br />

Korlb Broadway.<br />

alias; .Mable Guinan, 592" Winton.<br />

leaver: Brace Marsball. 2881 S. Cherry<br />

Way.<br />

les .Moines: Pat Cooney, 2727 49tb St.<br />

•eUoit: H. F. Beves, 906 Fox Theatre<br />

., WOodvtard 2-1144.<br />

lartford: AUen M. Wldem, 249-8211.<br />

ndianapolis; Norma Geraghty. 436 N.<br />

Illinois St.<br />

acksonvUle: Robert Cornwall, 1199 Edgelanchester,<br />

N. H.: Guy Langley, P.O.<br />

lempliis: Null Adams, 707 Spring St.<br />

lummus, 622 N.E. 98 St.<br />

Ulwaukee; Wm. Nichol, 2251 S. Layton.<br />

llnneapoUs; John Pankake, 729 8th Ave.<br />

Jew' Orleans: .Mrs. Jack Auslet, 22681^<br />

Si. Claude Ave.<br />

Sam Brunk, 3416 N.<br />

iklahoraa City:<br />

Virginia,<br />

(maha: Irving Baker. 5108 Izard St.<br />

hUadelphia: .U Zuravv^ki, The Builetm.<br />

'Ittsburgh: R. F. Klingensmith. 516 Jean-<br />

, Wllklnsburg. 412-241-2809.<br />

*ortland. Ore.: Arnold Marks. Joujmil.<br />

Louis: Myra Stroud. 4209 EUemviiiMl<br />

Ian Francisco: Dolores Barusch. 25 Tay-<br />

St., OKdway 3-4813.<br />

Vashuigton: Virginia R. Collier. 2129<br />

Florida Ave.. N.W. DUpont 7-0892.<br />

IN<br />

CANADA<br />

ilontreal: Room 314, 625 Belmont St.<br />

Jules LarocheUe.<br />

». John: P.O. Box 219, Sam Babb.<br />

"oronto: Frank Morriss, Globe and Mail<br />

i: Wra. Gladlsh, 75 Belmont Ave<br />

iVlnnipeg: Bob Hucal, 126-294 Portage,<br />

.•ancouvor; Jimroie Davie, 2170 W. 12th.<br />

Member Audit Bureau of Circulations<br />

\lb!ished weekly, e.xcept one issue at<br />

••earend, by Associated I*iibllcatfons, Inc.,<br />

J25 Van Brunt Blvd., Kansas City. Misourt.<br />

64124. Subscription rates: Sectional<br />

Sdltion, $5 per year; foreign. $10. Naional<br />

Executive Edition, $10; foreign,<br />

H5. Single copy 35c. Second class postige<br />

paid at Kan.'as City, Mo.<br />

lANUAl<br />

Vol. 86<br />

1, 1965<br />

No. 12<br />

NOW IS<br />

EVERYBODY, and we do mean everybody<br />

— people in the industry and<br />

people who have just helped to make<br />

the current Chi-istmas-New Year's period<br />

the most bounteous one in several decades—are<br />

ecstatic in their enthusiasm<br />

of the lines that formed and are continuing<br />

to form at theatre boxoffices throughout<br />

the land! It has been a great spiritlifting<br />

experience to hear, wherever we<br />

may be, the apparent delight which Mr.<br />

and Mrs. John Q. Public are exuding<br />

over seeing and being among the crowds<br />

at theatres. Moreover, that their delight<br />

is emphasized over the great enjoyment<br />

they have derived from the pictures they<br />

have seen and their enthusiastic interest<br />

in those they are going to see, due to<br />

the enormous word-of-mouth praise these<br />

various pictures have generated. Sensational<br />

and phenomenal are the two<br />

words that describe it all.<br />

The lead news story on an adjoining<br />

page gives an accounting of the facts<br />

and figvures and the specifics of the pictures<br />

mvolved. They carry pretty much<br />

across the board, with a majority of the<br />

releasing companies sharing the cornucopia.<br />

Too, each of the gold-strike hits<br />

is different from the others, but all are<br />

loaded with that Vitamin-E (for entertainment)<br />

that is widely appealing.<br />

From the beginning days of this business,<br />

the Christmas-New Year's period<br />

has been one of its peak seasons. The<br />

long "lay-off" from mid-September, during<br />

which time distributors, generally,<br />

ai-e holding back on top quality pictures,<br />

may account for the boom attendance at<br />

this hoUday time. And, one wonders, if<br />

it's the season in itself that brings out<br />

the attendance, why won't it work just<br />

as well for product that's just a bit above<br />

rim-of-the-mill?<br />

Also pondered has been the question,<br />

long in the minds of exhibitors, as to<br />

why the distributors should pit their best<br />

against one another—if business would<br />

be big at the holiday time anyway. Why<br />

not spread out the revival of attendance,<br />

making use of the super attractions as<br />

business-builders during less lush periods.<br />

Again, we say, if it's the season of the<br />

year that brings out the crowds, then<br />

the biggest "guns" aren't necessary. But,<br />

if it's the pictures that should be credited,<br />

then, it would seem, it would be good<br />

business to use them when the bigger atti'actions<br />

are most needed to keep up the<br />

flow of patronage. It seems to us, that<br />

while the industry is leading from<br />

strength— of product, that is—at holiday<br />

periods, it reverses its course when it<br />

THE TIME!<br />

puts itself in the position of showing<br />

weakness during the rest of the year.<br />

The industry has tended, ever since<br />

the advent of television, to blame the<br />

public's "selectivity" of its pictvu-e fare<br />

for the unsteadiness of theatre attendance.<br />

Yet, despite such very fine experiences<br />

as in the holiday period just<br />

past, and at other times as well, it continues<br />

to ignore the lessons learned<br />

therein. True, every picture can't be a<br />

blockbuster or a "sleeper." But a greater<br />

intermingling of the better pictures with<br />

the average will help to sustain the momentum<br />

that the hits generate.<br />

The opportunity for doing this was<br />

never better than right now—when the<br />

public enthusiasm for motion picture<br />

entertainment, in theatres, is at just<br />

about its all-time peak. And so is the enthusiasm<br />

of those in this business. So<br />

let's not rest on our laurels. Let's do<br />

something to consolidate our gains—and<br />

keep up the momentum throughout the<br />

ensuing months!<br />

All Eyes on Miami<br />

The eyes of the industry will be on<br />

Miami, Fla., this coming week when the<br />

boards of directors of the two national<br />

exhibitor organizations meet, separately,<br />

and then jointly, to take the long-pending<br />

step for unification. As has previously<br />

been reported, the presidents of both organizations,<br />

Jack Armstrong of National<br />

Allied and Sumner Redstone of Theatre<br />

Owners of America, as well as other officers,<br />

have forthrightly declared their<br />

favor for uniting their forces.<br />

There is much to be gained from so<br />

doing, as not only exhibitor leaders, but<br />

others in the industry have observed<br />

over the years. The objective is not for<br />

the single purpose of strengthening exhibition<br />

as opposed to production-distribution.<br />

But, rather, for engendering<br />

a more harmonious relationship between<br />

these elements, increasing their cooperation<br />

in the many areas in which there is<br />

a common interest and, resultantly, benefitting<br />

the industry as a whole.<br />

Needless to say, it is to be hoped that<br />

complete accord will quickly be reached<br />

and, by this time next week, Allied and<br />

TOA will be as one!<br />

Q^Ju^

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