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: .Martha<br />
NATIONAL FILM WEEKLY<br />
'iint Sectional Editions<br />
BEN SHLYEN<br />
tor-in-Chiei and Publisher<br />
ONALD M. MERSEREAU, Associate<br />
Publisher & General Manager<br />
;5SE SHLYEN Managing Editor<br />
UGH FRAZE Field Editor<br />
THATCHER. . .Equipment Editor<br />
:iORRIS SCHLOZMAN, Business Mgr.<br />
m Offices; S25 V^ui Brunt Blvd.,<br />
.it)' Mo. U4121. Jesse Shljcli,<br />
UDa^ig i:>lUur; Morris Sciilozmun, Uusi-<br />
_ Manager; Hugh Frxse, Field Editor;<br />
L. Tluldier, Editor The .Modern Tbeatre<br />
rjttioa Tclepbone CHisUiul i-7777.<br />
iditorial Offices: 1270 Sixtli Ave., Kockeiller<br />
Lenter, Ne»- Yoik. N.V. 10020.<br />
onald .M. Mersereau, Associate I'ublislier<br />
Uaieral Miuiaeer; Frank Leyendecker,<br />
eM-s Bditor. TeleDlione COlumbus 5-6370.<br />
il Offices; Editorial—920 N. Mich-<br />
Ave., Clilcago 11, lii., Frances B<br />
Teleplione superior 7-3972. AdversljiK—5S11<br />
Nortli Lincoln, Louis Didier<br />
"loderlck, Teiephone LOngbeacb<br />
-52S4.<br />
/estern<br />
62 Uollj-Muod Blvd.,<br />
jod. Calif. 90028, Sjd Cassyd.<br />
ine<br />
Office—Antliony<br />
HOlljTvood 5-1186.<br />
Gruiier, 1 Wood-<br />
Way. Findiley. N. 12.<br />
J. S. Coniiers. 110 State St.<br />
i; .Nell .Middieton, IStS Luckie NW.<br />
urc; George Browiiing, 208 E.<br />
un.<br />
Guy Livingston, 80 Boylston.<br />
.Mass.<br />
tc: Blanche Carr. 301 S. ChurcJi.<br />
Cincinnati: Frances Uanford, Box 20138,<br />
gtil-7180.<br />
leveland: W. Ward Marsb, I'iain Deaier.<br />
vlumbus: Fred Oestreiclier, 52^ W.<br />
Korlb Broadway.<br />
alias; .Mable Guinan, 592" Winton.<br />
leaver: Brace Marsball. 2881 S. Cherry<br />
Way.<br />
les .Moines: Pat Cooney, 2727 49tb St.<br />
•eUoit: H. F. Beves, 906 Fox Theatre<br />
., WOodvtard 2-1144.<br />
lartford: AUen M. Wldem, 249-8211.<br />
ndianapolis; Norma Geraghty. 436 N.<br />
Illinois St.<br />
acksonvUle: Robert Cornwall, 1199 Edgelanchester,<br />
N. H.: Guy Langley, P.O.<br />
lempliis: Null Adams, 707 Spring St.<br />
lummus, 622 N.E. 98 St.<br />
Ulwaukee; Wm. Nichol, 2251 S. Layton.<br />
llnneapoUs; John Pankake, 729 8th Ave.<br />
Jew' Orleans: .Mrs. Jack Auslet, 22681^<br />
Si. Claude Ave.<br />
Sam Brunk, 3416 N.<br />
iklahoraa City:<br />
Virginia,<br />
(maha: Irving Baker. 5108 Izard St.<br />
hUadelphia: .U Zuravv^ki, The Builetm.<br />
'Ittsburgh: R. F. Klingensmith. 516 Jean-<br />
, Wllklnsburg. 412-241-2809.<br />
*ortland. Ore.: Arnold Marks. Joujmil.<br />
Louis: Myra Stroud. 4209 EUemviiiMl<br />
Ian Francisco: Dolores Barusch. 25 Tay-<br />
St., OKdway 3-4813.<br />
Vashuigton: Virginia R. Collier. 2129<br />
Florida Ave.. N.W. DUpont 7-0892.<br />
IN<br />
CANADA<br />
ilontreal: Room 314, 625 Belmont St.<br />
Jules LarocheUe.<br />
». John: P.O. Box 219, Sam Babb.<br />
"oronto: Frank Morriss, Globe and Mail<br />
i: Wra. Gladlsh, 75 Belmont Ave<br />
iVlnnipeg: Bob Hucal, 126-294 Portage,<br />
.•ancouvor; Jimroie Davie, 2170 W. 12th.<br />
Member Audit Bureau of Circulations<br />
\lb!ished weekly, e.xcept one issue at<br />
••earend, by Associated I*iibllcatfons, Inc.,<br />
J25 Van Brunt Blvd., Kansas City. Misourt.<br />
64124. Subscription rates: Sectional<br />
Sdltion, $5 per year; foreign. $10. Naional<br />
Executive Edition, $10; foreign,<br />
H5. Single copy 35c. Second class postige<br />
paid at Kan.'as City, Mo.<br />
lANUAl<br />
Vol. 86<br />
1, 1965<br />
No. 12<br />
NOW IS<br />
EVERYBODY, and we do mean everybody<br />
— people in the industry and<br />
people who have just helped to make<br />
the current Chi-istmas-New Year's period<br />
the most bounteous one in several decades—are<br />
ecstatic in their enthusiasm<br />
of the lines that formed and are continuing<br />
to form at theatre boxoffices throughout<br />
the land! It has been a great spiritlifting<br />
experience to hear, wherever we<br />
may be, the apparent delight which Mr.<br />
and Mrs. John Q. Public are exuding<br />
over seeing and being among the crowds<br />
at theatres. Moreover, that their delight<br />
is emphasized over the great enjoyment<br />
they have derived from the pictures they<br />
have seen and their enthusiastic interest<br />
in those they are going to see, due to<br />
the enormous word-of-mouth praise these<br />
various pictures have generated. Sensational<br />
and phenomenal are the two<br />
words that describe it all.<br />
The lead news story on an adjoining<br />
page gives an accounting of the facts<br />
and figvures and the specifics of the pictures<br />
mvolved. They carry pretty much<br />
across the board, with a majority of the<br />
releasing companies sharing the cornucopia.<br />
Too, each of the gold-strike hits<br />
is different from the others, but all are<br />
loaded with that Vitamin-E (for entertainment)<br />
that is widely appealing.<br />
From the beginning days of this business,<br />
the Christmas-New Year's period<br />
has been one of its peak seasons. The<br />
long "lay-off" from mid-September, during<br />
which time distributors, generally,<br />
ai-e holding back on top quality pictures,<br />
may account for the boom attendance at<br />
this hoUday time. And, one wonders, if<br />
it's the season in itself that brings out<br />
the attendance, why won't it work just<br />
as well for product that's just a bit above<br />
rim-of-the-mill?<br />
Also pondered has been the question,<br />
long in the minds of exhibitors, as to<br />
why the distributors should pit their best<br />
against one another—if business would<br />
be big at the holiday time anyway. Why<br />
not spread out the revival of attendance,<br />
making use of the super attractions as<br />
business-builders during less lush periods.<br />
Again, we say, if it's the season of the<br />
year that brings out the crowds, then<br />
the biggest "guns" aren't necessary. But,<br />
if it's the pictures that should be credited,<br />
then, it would seem, it would be good<br />
business to use them when the bigger atti'actions<br />
are most needed to keep up the<br />
flow of patronage. It seems to us, that<br />
while the industry is leading from<br />
strength— of product, that is—at holiday<br />
periods, it reverses its course when it<br />
THE TIME!<br />
puts itself in the position of showing<br />
weakness during the rest of the year.<br />
The industry has tended, ever since<br />
the advent of television, to blame the<br />
public's "selectivity" of its pictvu-e fare<br />
for the unsteadiness of theatre attendance.<br />
Yet, despite such very fine experiences<br />
as in the holiday period just<br />
past, and at other times as well, it continues<br />
to ignore the lessons learned<br />
therein. True, every picture can't be a<br />
blockbuster or a "sleeper." But a greater<br />
intermingling of the better pictures with<br />
the average will help to sustain the momentum<br />
that the hits generate.<br />
The opportunity for doing this was<br />
never better than right now—when the<br />
public enthusiasm for motion picture<br />
entertainment, in theatres, is at just<br />
about its all-time peak. And so is the enthusiasm<br />
of those in this business. So<br />
let's not rest on our laurels. Let's do<br />
something to consolidate our gains—and<br />
keep up the momentum throughout the<br />
ensuing months!<br />
All Eyes on Miami<br />
The eyes of the industry will be on<br />
Miami, Fla., this coming week when the<br />
boards of directors of the two national<br />
exhibitor organizations meet, separately,<br />
and then jointly, to take the long-pending<br />
step for unification. As has previously<br />
been reported, the presidents of both organizations,<br />
Jack Armstrong of National<br />
Allied and Sumner Redstone of Theatre<br />
Owners of America, as well as other officers,<br />
have forthrightly declared their<br />
favor for uniting their forces.<br />
There is much to be gained from so<br />
doing, as not only exhibitor leaders, but<br />
others in the industry have observed<br />
over the years. The objective is not for<br />
the single purpose of strengthening exhibition<br />
as opposed to production-distribution.<br />
But, rather, for engendering<br />
a more harmonious relationship between<br />
these elements, increasing their cooperation<br />
in the many areas in which there is<br />
a common interest and, resultantly, benefitting<br />
the industry as a whole.<br />
Needless to say, it is to be hoped that<br />
complete accord will quickly be reached<br />
and, by this time next week, Allied and<br />
TOA will be as one!<br />
Q^Ju^