ART - Catalog - University of Oklahoma
ART - Catalog - University of Oklahoma
ART - Catalog - University of Oklahoma
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
English (ENGL)<br />
The Uni ver sity <strong>of</strong> <strong>Oklahoma</strong> 2006-2008 Gen eral Cat a log<br />
theology, ethics. Themes <strong>of</strong> loss, guilt, free will, male-female relationships.<br />
(Irreg.)<br />
G4563 Drama <strong>of</strong> the Restoration and Eighteenth Century. Changes in<br />
the theatre, the audience and critical theory; foreign and native models;<br />
moral reform and political censorship; such genres as heroic, tragedy, wit,<br />
comedy and sentimental drama; such playwrights as Dryden, Otway,<br />
Congreve, Farquhar, Rowe, Steele and Sheridan. (Irreg.)<br />
G4573 Eighteenth-Century English Novel. Sources, early reputation and<br />
emerging critical theories; economic, moral, feminine influences; realistic,<br />
psychological, sentimental, gothic and satiric directions; technical<br />
developments in structure and point <strong>of</strong> view; works by such novelists as<br />
Richardson, Fielding, Smollett, Sterne and Jane Austen. (Irreg.)<br />
G4583 Major Authors in Eighteenth-Century British Literature. Prerequisite:<br />
1213. May be repeated with change <strong>of</strong> subject; maximum credit six hours.<br />
Examines the works <strong>of</strong> major writers from the long 18 th century (ca.<br />
1660-1832), including poets, dramatists, novelists, or essayists such as Aphra<br />
Behn, John Dryden, Eliza Haywood, Jonathan Swift, Alexander Pope, Henry<br />
Fielding, Samuel Johnson, Jane Austen, or Mary Wollstonecraft. (Irreg.)<br />
G4613 Nineteenth-Century English Novel. Historical and aesthetic study<br />
<strong>of</strong> the novel in relation to main developments in English literary history<br />
during the period. Emphasis, however, is on the intrinsic literary values in<br />
the novels read. (Irreg.) [IV-WC]<br />
G4623 English Romantic Poetry. Prerequisite: 1213 or equivalent. May<br />
be repeated once with change <strong>of</strong> content; maximum credit six hours.<br />
Intensive study <strong>of</strong> the most important poems and criticism <strong>of</strong> early<br />
Romantic poets and later Romantic poets. (Irreg.)<br />
G4643 Twentieth-Century English Novel. Intensive study <strong>of</strong> the major<br />
British novels <strong>of</strong> the twentieth century with attention to the relation<br />
between the novel and its social, intellectual and cultural contexts.<br />
Readings will include the work <strong>of</strong> Conrad, Joyce, Lawrence, Woolf, Waugh,<br />
Huxley, etc. (Irreg.) [IV-WC]<br />
G4653 Twentieth-Century English Poetry. A survey with emphasis on<br />
Yeats, Pound, Eliot, Lawrence, Graves, Auden, and Dylan Thomas. (Irreg.)<br />
G4713 Major Authors in Nineteenth-Century American Literature.<br />
Prerequisite: 1213. May be repeated with change <strong>of</strong> subject; maximum<br />
credit six hours. Intensive study <strong>of</strong> one or more major 19 th century American<br />
authors such as James Fenimore Cooper, Catharine Maria Sedgwick,<br />
Frederick Douglass, Walt Whitman, Nathaniel Hawthorne, Ralph Waldo<br />
Emerson, Harriet Beecher Stowe, Emily Dickinson, or Mark Twain. (Irreg.)<br />
G4723 Issues in Nineteenth-Century American Literature. Prerequisites:<br />
1213. May be repeated with a change <strong>of</strong> subject; maximum credit six hours.<br />
Intensive study <strong>of</strong> 19th century American texts in a specific literary or<br />
historical context, such as the Civil War and Reconstruction, the women’s<br />
rights movement, transcendentalism, regionalism or sentimentalism. (Irreg.)<br />
G4733 American Naturalism and Realism. Major American novelists<br />
from the Civil War to the end <strong>of</strong> World War I, including Howells, James,<br />
Twain, Crane, Dreiser, Norris and Wharton. (Irreg.)<br />
G4813 American Drama. An examination <strong>of</strong> representative American<br />
plays ranging from naturalistic tragedy to farce. Emphasis is on the period<br />
since 1918. (Irreg.)<br />
G4823 American Novel Since 1920. Major authors and schools in<br />
American fiction including Fitzgerald, Hemingway, Faulkner, Steinbeck and<br />
others selected by the instructor. (Irreg.)<br />
G4833 Twentieth-Century American Poetry. A survey from Frost to the<br />
present with emphasis on major figures in each <strong>of</strong> three generations.<br />
(Irreg.)<br />
4853 The English Capstone Course. Prerequisite: 1113, 1213, and 2433<br />
and 2443 or 2543 and 2653 or 2773 and 2883, plus twelve hours. Combine<br />
English majors from diverse tracks to work on a topic involving major cultural<br />
issues, artifacts and texts. Projects include a significant amount <strong>of</strong> writing<br />
demonstrating the students’ accomplishments in analyzing literature. (F, Sp) [V]<br />
G4913 The Teaching <strong>of</strong> English (Crosslisted with EDEN 4913).<br />
Prerequisite: 3222, nine hours <strong>of</strong> education, and senior standing. To be<br />
taken preferably the semester immediately preceding student teaching.<br />
Development <strong>of</strong> skills in teaching the language arts at the secondary level.<br />
Introduction to current trends, pr<strong>of</strong>essional literature and resource<br />
materials. Practice in presenting model lessons. Written reports. (Sp)<br />
4923 Advanced Fiction Writing (Slashlisted with 5923). Prerequisite: six<br />
hours <strong>of</strong> creative writing, application and departmental permission. May be<br />
repeated; maximum credit six hours. Work at an advanced level for<br />
qualified students. Intensive writing, peer criticism, revision, and reading in<br />
current markets with the goal <strong>of</strong> producing publishable work. No student<br />
may earn credit for both 4923 and 5923. (Irreg.)<br />
4933 Advanced Poetry Writing (Slashlisted with 5933). Prerequisite: six<br />
hours <strong>of</strong> creative, application and departmental permission. May be repeated;<br />
maximum credit six hours. Intensive writing, peer criticism, revision, and<br />
reading in current markets with the goal <strong>of</strong> producing publishable work. No<br />
student may earn credit for both 4933 and 5933. (Irreg.)<br />
4943 Advanced Creative Nonfiction Writing (Slashlisted with 5943).<br />
Prerequisite: six hours <strong>of</strong> 2000-3000-level writing courses, application and<br />
departmental permission. May be repeated; maximum credit six hours.<br />
Intensive writing, peer criticism, revision, and reading in current markets<br />
with the goal <strong>of</strong> producing publishable creative nonfiction. No student may<br />
earn credit for both 4943 and 5943. (Irreg.)<br />
4970 Special Topics in World Literature Today. 1 to 3 hours. Prerequisite:<br />
1213 and permission <strong>of</strong> instructor. May be repeated with a change <strong>of</strong><br />
topic, maximum credit six hours. In-depth study <strong>of</strong> selected contemporary<br />
international writers/jurors who visit campus as part <strong>of</strong> the Neustadt and/or<br />
Puterbaugh symposiums for World Literature Today. (Irreg.)<br />
4990 Independent Study. 1 to 3 hours. Prerequisite: three courses in general<br />
area to be studied; permission <strong>of</strong> instructor and department. May be repeated;<br />
maximum credit six hours. Contracted independent study for topics not<br />
currently <strong>of</strong>fered in regularly scheduled courses. Independent study may<br />
include library and/or laboratory research and field projects. (F, Sp, Su)<br />
Courses in English numbered 5000 and above are primarily for<br />
graduate students who have had eighteen hours <strong>of</strong> English, or the<br />
equivalent, but are open by permission to seniors.<br />
G5003 Seminar-Special Topics in English, American or Comparative<br />
Literature. Prerequisite: graduate standing. May be repeated with change<br />
<strong>of</strong> subject matter. Topics in theoretical and historical problems <strong>of</strong> English,<br />
American or comparative literature in different periods. (Irreg.)<br />
G5113 Teaching College Composition and Literature. Prerequisite:<br />
graduate standing. In a workshop format, students will apply readings in<br />
composition and literary theory to such practical concerns <strong>of</strong> freshman<br />
English teaching as course planning, assignment preparation, grading and<br />
discussion techniques. (F)<br />
G5133 Teaching Technical Writing. Prerequisite: graduate standing.<br />
Introduction to the types <strong>of</strong> writing pr<strong>of</strong>essional engineers and scientists are<br />
expected to do and methods <strong>of</strong> teaching these forms <strong>of</strong> writing. In<br />
addition, students will attend classes being taught by the pr<strong>of</strong>essor and<br />
have the opportunity to design and teach some workshops as well as<br />
evaluate the undergraduates’ work. (Irreg.)<br />
G5223 Seminar-Film. Prerequisite: graduate standing. Will involve reading<br />
and analyzing the works <strong>of</strong> the more sophisticated film theorists and critics<br />
as well as studying approaches to the teaching <strong>of</strong> film (the auteur theory;<br />
film history; film genres; visual literacy; film and society; film as narrative;<br />
non-narrative forms). (Irreg.)<br />
G5243 Women Writers. Prerequisite: graduate standing. May be repeated<br />
twice with change <strong>of</strong> content; maximum credit nine hours. Topics vary. Focus<br />
is on women’s achievements, the context <strong>of</strong> the ages in which they wrote,<br />
and on critical approaches including feminist theory and criticism. (Irreg.)<br />
G5253 Transatlantic Women Writers. Prerequisite: Graduate standing.<br />
Explores work <strong>of</strong> eighteenth and early nineteenth century women writers who<br />
were “transatlantic” in different ways: some were born and/or lived in America<br />
and published in England; some wrote novels which crossed the Atlantic or<br />
were set on both sides; some corresponded and wrote in tandem. (Irreg.)<br />
G5313 Literary Criticism. Prerequisite: graduate standing. May be<br />
repeated with change <strong>of</strong> content; maximum credit nine hours. A<br />
comprehensive history <strong>of</strong> literary criticism, the study <strong>of</strong> a particular<br />
movement or related movements in literary criticism; or a study <strong>of</strong> a<br />
particular issue or related issues in literary criticism. (Sp)<br />
G5323 Contemporary Cultural Studies. Prerequisite: graduate standing.<br />
May be repeated once with change <strong>of</strong> topic; maximum credit six hours.<br />
Addresses variable topics and issues in cultural studies such as popular<br />
culture, mass media, subcultures, gender codes, visual media, minority<br />
literatures, global cultural, and post-modernization. (Irreg.)<br />
G5333 Native American Women Writers. Prerequisite: graduate<br />
standing. Reading or viewing poetry, fiction, autobiography, and film by<br />
Native American women. Examining traditional Indian societies’<br />
conceptions <strong>of</strong> gender, and the relationship between Western feminism<br />
and Native women’s political experiences. (Irreg.)<br />
81 Course Descriptions