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ART - Catalog - University of Oklahoma

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English (ENGL)<br />

The Uni ver sity <strong>of</strong> <strong>Oklahoma</strong> 2006-2008 Gen eral Cat a log<br />

theology, ethics. Themes <strong>of</strong> loss, guilt, free will, male-female relationships.<br />

(Irreg.)<br />

G4563 Drama <strong>of</strong> the Restoration and Eighteenth Century. Changes in<br />

the theatre, the audience and critical theory; foreign and native models;<br />

moral reform and political censorship; such genres as heroic, tragedy, wit,<br />

comedy and sentimental drama; such playwrights as Dryden, Otway,<br />

Congreve, Farquhar, Rowe, Steele and Sheridan. (Irreg.)<br />

G4573 Eighteenth-Century English Novel. Sources, early reputation and<br />

emerging critical theories; economic, moral, feminine influences; realistic,<br />

psychological, sentimental, gothic and satiric directions; technical<br />

developments in structure and point <strong>of</strong> view; works by such novelists as<br />

Richardson, Fielding, Smollett, Sterne and Jane Austen. (Irreg.)<br />

G4583 Major Authors in Eighteenth-Century British Literature. Prerequisite:<br />

1213. May be repeated with change <strong>of</strong> subject; maximum credit six hours.<br />

Examines the works <strong>of</strong> major writers from the long 18 th century (ca.<br />

1660-1832), including poets, dramatists, novelists, or essayists such as Aphra<br />

Behn, John Dryden, Eliza Haywood, Jonathan Swift, Alexander Pope, Henry<br />

Fielding, Samuel Johnson, Jane Austen, or Mary Wollstonecraft. (Irreg.)<br />

G4613 Nineteenth-Century English Novel. Historical and aesthetic study<br />

<strong>of</strong> the novel in relation to main developments in English literary history<br />

during the period. Emphasis, however, is on the intrinsic literary values in<br />

the novels read. (Irreg.) [IV-WC]<br />

G4623 English Romantic Poetry. Prerequisite: 1213 or equivalent. May<br />

be repeated once with change <strong>of</strong> content; maximum credit six hours.<br />

Intensive study <strong>of</strong> the most important poems and criticism <strong>of</strong> early<br />

Romantic poets and later Romantic poets. (Irreg.)<br />

G4643 Twentieth-Century English Novel. Intensive study <strong>of</strong> the major<br />

British novels <strong>of</strong> the twentieth century with attention to the relation<br />

between the novel and its social, intellectual and cultural contexts.<br />

Readings will include the work <strong>of</strong> Conrad, Joyce, Lawrence, Woolf, Waugh,<br />

Huxley, etc. (Irreg.) [IV-WC]<br />

G4653 Twentieth-Century English Poetry. A survey with emphasis on<br />

Yeats, Pound, Eliot, Lawrence, Graves, Auden, and Dylan Thomas. (Irreg.)<br />

G4713 Major Authors in Nineteenth-Century American Literature.<br />

Prerequisite: 1213. May be repeated with change <strong>of</strong> subject; maximum<br />

credit six hours. Intensive study <strong>of</strong> one or more major 19 th century American<br />

authors such as James Fenimore Cooper, Catharine Maria Sedgwick,<br />

Frederick Douglass, Walt Whitman, Nathaniel Hawthorne, Ralph Waldo<br />

Emerson, Harriet Beecher Stowe, Emily Dickinson, or Mark Twain. (Irreg.)<br />

G4723 Issues in Nineteenth-Century American Literature. Prerequisites:<br />

1213. May be repeated with a change <strong>of</strong> subject; maximum credit six hours.<br />

Intensive study <strong>of</strong> 19th century American texts in a specific literary or<br />

historical context, such as the Civil War and Reconstruction, the women’s<br />

rights movement, transcendentalism, regionalism or sentimentalism. (Irreg.)<br />

G4733 American Naturalism and Realism. Major American novelists<br />

from the Civil War to the end <strong>of</strong> World War I, including Howells, James,<br />

Twain, Crane, Dreiser, Norris and Wharton. (Irreg.)<br />

G4813 American Drama. An examination <strong>of</strong> representative American<br />

plays ranging from naturalistic tragedy to farce. Emphasis is on the period<br />

since 1918. (Irreg.)<br />

G4823 American Novel Since 1920. Major authors and schools in<br />

American fiction including Fitzgerald, Hemingway, Faulkner, Steinbeck and<br />

others selected by the instructor. (Irreg.)<br />

G4833 Twentieth-Century American Poetry. A survey from Frost to the<br />

present with emphasis on major figures in each <strong>of</strong> three generations.<br />

(Irreg.)<br />

4853 The English Capstone Course. Prerequisite: 1113, 1213, and 2433<br />

and 2443 or 2543 and 2653 or 2773 and 2883, plus twelve hours. Combine<br />

English majors from diverse tracks to work on a topic involving major cultural<br />

issues, artifacts and texts. Projects include a significant amount <strong>of</strong> writing<br />

demonstrating the students’ accomplishments in analyzing literature. (F, Sp) [V]<br />

G4913 The Teaching <strong>of</strong> English (Crosslisted with EDEN 4913).<br />

Prerequisite: 3222, nine hours <strong>of</strong> education, and senior standing. To be<br />

taken preferably the semester immediately preceding student teaching.<br />

Development <strong>of</strong> skills in teaching the language arts at the secondary level.<br />

Introduction to current trends, pr<strong>of</strong>essional literature and resource<br />

materials. Practice in presenting model lessons. Written reports. (Sp)<br />

4923 Advanced Fiction Writing (Slashlisted with 5923). Prerequisite: six<br />

hours <strong>of</strong> creative writing, application and departmental permission. May be<br />

repeated; maximum credit six hours. Work at an advanced level for<br />

qualified students. Intensive writing, peer criticism, revision, and reading in<br />

current markets with the goal <strong>of</strong> producing publishable work. No student<br />

may earn credit for both 4923 and 5923. (Irreg.)<br />

4933 Advanced Poetry Writing (Slashlisted with 5933). Prerequisite: six<br />

hours <strong>of</strong> creative, application and departmental permission. May be repeated;<br />

maximum credit six hours. Intensive writing, peer criticism, revision, and<br />

reading in current markets with the goal <strong>of</strong> producing publishable work. No<br />

student may earn credit for both 4933 and 5933. (Irreg.)<br />

4943 Advanced Creative Nonfiction Writing (Slashlisted with 5943).<br />

Prerequisite: six hours <strong>of</strong> 2000-3000-level writing courses, application and<br />

departmental permission. May be repeated; maximum credit six hours.<br />

Intensive writing, peer criticism, revision, and reading in current markets<br />

with the goal <strong>of</strong> producing publishable creative nonfiction. No student may<br />

earn credit for both 4943 and 5943. (Irreg.)<br />

4970 Special Topics in World Literature Today. 1 to 3 hours. Prerequisite:<br />

1213 and permission <strong>of</strong> instructor. May be repeated with a change <strong>of</strong><br />

topic, maximum credit six hours. In-depth study <strong>of</strong> selected contemporary<br />

international writers/jurors who visit campus as part <strong>of</strong> the Neustadt and/or<br />

Puterbaugh symposiums for World Literature Today. (Irreg.)<br />

4990 Independent Study. 1 to 3 hours. Prerequisite: three courses in general<br />

area to be studied; permission <strong>of</strong> instructor and department. May be repeated;<br />

maximum credit six hours. Contracted independent study for topics not<br />

currently <strong>of</strong>fered in regularly scheduled courses. Independent study may<br />

include library and/or laboratory research and field projects. (F, Sp, Su)<br />

Courses in English numbered 5000 and above are primarily for<br />

graduate students who have had eighteen hours <strong>of</strong> English, or the<br />

equivalent, but are open by permission to seniors.<br />

G5003 Seminar-Special Topics in English, American or Comparative<br />

Literature. Prerequisite: graduate standing. May be repeated with change<br />

<strong>of</strong> subject matter. Topics in theoretical and historical problems <strong>of</strong> English,<br />

American or comparative literature in different periods. (Irreg.)<br />

G5113 Teaching College Composition and Literature. Prerequisite:<br />

graduate standing. In a workshop format, students will apply readings in<br />

composition and literary theory to such practical concerns <strong>of</strong> freshman<br />

English teaching as course planning, assignment preparation, grading and<br />

discussion techniques. (F)<br />

G5133 Teaching Technical Writing. Prerequisite: graduate standing.<br />

Introduction to the types <strong>of</strong> writing pr<strong>of</strong>essional engineers and scientists are<br />

expected to do and methods <strong>of</strong> teaching these forms <strong>of</strong> writing. In<br />

addition, students will attend classes being taught by the pr<strong>of</strong>essor and<br />

have the opportunity to design and teach some workshops as well as<br />

evaluate the undergraduates’ work. (Irreg.)<br />

G5223 Seminar-Film. Prerequisite: graduate standing. Will involve reading<br />

and analyzing the works <strong>of</strong> the more sophisticated film theorists and critics<br />

as well as studying approaches to the teaching <strong>of</strong> film (the auteur theory;<br />

film history; film genres; visual literacy; film and society; film as narrative;<br />

non-narrative forms). (Irreg.)<br />

G5243 Women Writers. Prerequisite: graduate standing. May be repeated<br />

twice with change <strong>of</strong> content; maximum credit nine hours. Topics vary. Focus<br />

is on women’s achievements, the context <strong>of</strong> the ages in which they wrote,<br />

and on critical approaches including feminist theory and criticism. (Irreg.)<br />

G5253 Transatlantic Women Writers. Prerequisite: Graduate standing.<br />

Explores work <strong>of</strong> eighteenth and early nineteenth century women writers who<br />

were “transatlantic” in different ways: some were born and/or lived in America<br />

and published in England; some wrote novels which crossed the Atlantic or<br />

were set on both sides; some corresponded and wrote in tandem. (Irreg.)<br />

G5313 Literary Criticism. Prerequisite: graduate standing. May be<br />

repeated with change <strong>of</strong> content; maximum credit nine hours. A<br />

comprehensive history <strong>of</strong> literary criticism, the study <strong>of</strong> a particular<br />

movement or related movements in literary criticism; or a study <strong>of</strong> a<br />

particular issue or related issues in literary criticism. (Sp)<br />

G5323 Contemporary Cultural Studies. Prerequisite: graduate standing.<br />

May be repeated once with change <strong>of</strong> topic; maximum credit six hours.<br />

Addresses variable topics and issues in cultural studies such as popular<br />

culture, mass media, subcultures, gender codes, visual media, minority<br />

literatures, global cultural, and post-modernization. (Irreg.)<br />

G5333 Native American Women Writers. Prerequisite: graduate<br />

standing. Reading or viewing poetry, fiction, autobiography, and film by<br />

Native American women. Examining traditional Indian societies’<br />

conceptions <strong>of</strong> gender, and the relationship between Western feminism<br />

and Native women’s political experiences. (Irreg.)<br />

81 Course Descriptions

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