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Junior Docent School Program - Milwaukee Art Museum

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Flinck, Govaert, Portrait of a Man and Portrait of a Woman &<br />

Victors, Jan, Portrait of a Man and Portrait of a Woman<br />

Compare and contrast Flinck‟s portraits to Victors‟ portraits.<br />

Men –<br />

Background: Victors - no background, more mobile; Flink – in a room by a table<br />

– Why is the tablecloth red? – sign of love, kindness<br />

Pose: Victors – looking right at us – very direct, holding a glove – sign of<br />

friendliness; Flink – open hand – more welcoming<br />

<br />

<br />

Women –<br />

<br />

Clothing: Victors – lace – very wealthy<br />

Use of line: Victors – diagonal lines used for movement; repeating color used for<br />

rhythm; Flink – diagonal lines for movement<br />

Victors – more lace, plucked hair to show intelligence, book to show she reads,<br />

gold for wealth, very rigid pose. How did our eye move through the portrait?<br />

Color and line.<br />

Flinck – background, less lace, holding a fan, softer look on face, kinder. How do<br />

our eyes move through the portrait?<br />

Which would you like to get to know? Why?<br />

Cotes, Francis, Miss Frances Lee<br />

o What do we know about this girl? She is about six, wealthy [a lot of lace].<br />

Dressed in pink – someone loves her [red] family, background is green [sign of<br />

youth]. Many nails in the chair [the more the nails, the wealthier the<br />

person/family].<br />

o<br />

o<br />

o<br />

Why isn‟t she smiling?<br />

What is she holding? Have someone hold a handkerchief folded like a bunny.<br />

Why is she holding this?<br />

How does your eye move through the artwork? Why? What elements of art did<br />

the artist use? If the background or the dress was a different color, how would<br />

the portrait change in feeling or meaning?<br />

Meidner, Ludwig, Portrait of a Young Man<br />

o What is the mood of this person? How is it different from the other portraits we<br />

have seen so far? [The style of painting and technique – does this help us to<br />

understand the person?]<br />

o Do you think this man had a suit this color?<br />

o How does your eye move through the painting? – use of color, line, and shape.<br />

Why is there green in the forehead?<br />

o Would you like your portrait painted this way or like the little girl? Why?<br />

Henri, Robert, The <strong>Art</strong> Student & The Rum & Dutch Boy<br />

Compare the three portraits. Discuss subject, technique, color, movement, and<br />

personality. What clues are there in each portrait?<br />

Various <strong>Art</strong>ists, Portraits in American Galleries<br />

o Some homes have a portrait wall – all the family pictures. We have many<br />

portraits here. What do these portraits have in common? [All these portraits were<br />

painted by American artists.]<br />

o Compare the portraits. What do you see? What clues are present to tell us<br />

something about the subject? The society in which they lived?<br />

o How is this group of portraits different from the portraits you saw earlier/upstairs?<br />

Johnson, Jonathon Eastman, Portrait of Frederick Layton<br />

Let‟s play a game. You tell me what you can about the man depicted in this portrait, and<br />

then I will tell you who he is and why he is important to the <strong>Museum</strong>. Have someone<br />

stand in the same pose as Mr. Layton. Why is he posed this way? Have the children look<br />

for clues in the portrait that tell them about who this person may be.<br />

© 2011 <strong>Milwaukee</strong> <strong>Art</strong> <strong>Museum</strong> 700 N. <strong>Art</strong> <strong>Museum</strong> Dr. <strong>Milwaukee</strong>, WI 53202<br />

JDSP – <strong>Docent</strong> Packet<br />

31

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