Indonesia
Indonesia
Indonesia
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Stationery products have a very important role<br />
in almost every sector of people’s activity. large<br />
amount of these products are used in offices<br />
for running daily works, in banks, schools<br />
and universities. Accordingly, industries that<br />
produce stationery products are also increasingly<br />
developing.<br />
FROM TRADITIONAL CRAFTS TO INDUSTRIAL DESIGN<br />
The agricultural life that used to dominate the <strong>Indonesia</strong>n archipelago had to give<br />
way to the increasing number of population. Domestic needs grow and need more<br />
space, pushing rice fields and plantations into smaller parcels to provide space for<br />
housing, shops, etc. Farmers no longer have enough soil to work on that can gain<br />
enough income to sustain a family. Farmers and plantation workers were compelled<br />
to find another source of income in order to survive.<br />
It is a common fact that, in spending time between tending the fields and plantations,<br />
farmers in rural areas conduct activities such as making and mending working tools<br />
and household goods, or performing traditional arts and rituals – mostly related<br />
to creating artifacts, relying upon generations-length, handed-down knowledge<br />
and skills. This capability is what they use to survive once a farmed land is reduced<br />
in width, or even diminished, and is impossible to make a living from. They started<br />
selling the tools and goods they produce to ‘external buyers’ (people who are not<br />
directly involved in the culture or process of producing the tools and goods), not for<br />
their original functions, but as souvenirs and/or to fulfill other utilities determined<br />
by the buyers. Existing traditional skills and artifacts then became commodities, and<br />
farmers and their family become craftsmen in a home-industry scale operation.<br />
A point came when the commodities become stagnant and the buyers are looking<br />
for new products. The craftsmen attempt to accommodate the buyers’ demands by<br />
modifying the products, applying variations of elements, details and colors. However,<br />
not all modified products could fulfill the tastes and needs of the buyers, moreover if<br />
they come from very different background and culture. This fact is a common cause<br />
for a discontinuity of home industries that are based on local natural resources,<br />
traditional production process and limited references. This is actually where industrial<br />
designers could intervene.<br />
Industrial designers with formal education would already have learned about product<br />
analysis and possess a certain level of aesthetics, moreover from being exposed and<br />
14<br />
CREATIVE & INNOVATION INDONESIA<br />
produk rev akhir.indd 14<br />
4/7/2009 6:11:15 PM