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Freud's Free Clinics

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1918–1922<br />

The self-assurance of these auspicious beginnings radiates from the<br />

group’s official portrait (figure 15). Fourteen well-dressed men and women,<br />

the Ambulatorium’s psychoanalytic staff, were formally photographed together<br />

at the back of one of the hospital’s large carpeted rooms, far fancier<br />

than the sterile Herzstation. Wilhelm Reich is seated at the center of the front<br />

row with Grete Lehner Bibring, Richard Sterba, and Annie Reich Pink to his<br />

left. Hitschmann sits to Reich’s right along with Ludwig Jekels, Anny Angel-<br />

Katan, and Eduard Kronengold. Behind them in the second row, Ernst Hoffmann,<br />

Ludwig Eidelberg, Eduard Bibring, Parker, 9 Stjepan Betlheim, and Edmund<br />

Bergler stand against a suite of heavy double doors, all the men<br />

wearing uniformly starched white collars and tweed winter suits. It is a portrait<br />

of the emerging second generation of psychoanalysts, of the young politically<br />

aware analysts favored by Freud to oversee the growth of the psychoanalytic<br />

movement with their publications, clinics, and training institutes.<br />

Of course by 1922 the systematized curriculum for psychoanalytic training<br />

had only started to take hold. Franz Alexander, the first student to register at<br />

the Berlin Institute, likened this process to “medieval medicine when students<br />

gathered around famous teachers.” 10 For him Freud was that model of<br />

15 Staff of the Vienna Ambulatorium: seated (left to right), Eduard Kronengold, Anny Angel-<br />

Katan, Ludwig Jekels, Eduard Hitschmann (director), Wilhelm Reich (assistant director), Grete<br />

Lehner Bibring, Richard Sterba, Annie Reich; standing (left to right), Ernst Hoffmann, Ludwig<br />

Eidelberg, Eduard Bibring, Parker (?), Stjepan Betlheim, Edmund Bengler (Freud Museum,<br />

London)<br />

94

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