OF ARCHITECTURE COPENHAGEN CITY - Itera

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01 CHARACTER / FOCUS AREAS 17 04 Jorcks Passage Architect: Vilhelm Dahlerup Completed: 1897 Copenhagen has few passages in the old sections of the city. More are probably coming, and here, Jorcks Passage can serve as a spatial and aesthetic model. 05 Buen ved Vesterport Architects: Thorvald Dreyer, Ib Lunding and Ole Hagen Completed: 1956 The second or third breakthrough for Modernism in Copenhagen: The arch, the SAS Hotel and the urban spaces along the railway cuttings are magnificent urban spaces that are now part of the Metropolitan Zone. The arch is an interpretation of the passage on a scale befitting the motoring city. 03 04 05 05
18 01 CHARACTER / FOCUS AREAS Cultural heritage As the nation’s capital, Copenhagen has a national responsibility for preserving its cultural heritage. Many of Denmark’s listed and preservation-worthy buildings are located in Copenhagen. Managing this building culture is a challenge but also a big asset for the city. Copenhagen has its own unique history and architecture. Another key aspect of the city’s cultural heritage is green structures and landscaping, such as the fortification ring, the commons and the exterior park ring. Transforming and preserving these qualities help strengthen the character of Copenhagen and create new recreational possibilities. City on a human scale Landscaping and architectural solutions should incorporate Copenhagen’s character on every scale, from urban development areas, urban spaces and landscaping to buildings and design. We should continue to develop the Nordic, Danish and Copenhagen architectural approach with its humanistic ideals. New urban areas should reflect the Copenhagen character and the human scale of its urban spaces, which contributes to the city’s special atmosphere. The city’s skyline A key Copenhagen feature is the uniform building height, interrupted by spires, turrets and domes. The urban development plan generally maintains this in the old parts of the city, where the many listed and preservationworthy buildings and cultural environments form an essential part of the city’s appeal and identity. Thus, the placement and design of new buildings that exceed 3-6 storeys must consider the traditional skyline and other key urban architectural features such as the harbour and the urban topography. ” New urban areas should reflect the Copenhagen character and the human scale of its urban spaces Tietgens ærgelse Architect: Tony Fretton Expected completion: 2010 Tietgen’s ærgrelse (Tietgen’s frustration) is the nickname the Copenhageners coined for the site that 19th century tycoon Tietgen was never able to build on, which undermined his grandiose urban development plan for Marmorkirken (Marble Church) and the Amalienborg axis. The English architect Tony Fretton’s simple approach to the task is permeated by respect for the location and for Copenhagen while offering a contemporary interpretation of both the Classicist and Baroque features in the cityscape.
Page 1 and 2: COPENHAGEN CITY OF ARCHITECTURE COP
Page 3 and 4: CONTENTS
Page 5 and 6: 4 PREFACE/ Klaus Bondam Mayor, Tech
Page 7: 6 In the foreground, typical Copenh
Page 10 and 11: 9 All four goals involve themes and
Page 12 and 13: The Copenhagen skyline in 2009 - he
Page 14 and 15: 01 CHARACTER / FOCUS AREAS 13
Page 17: 16 01 CHARACTER / FOCUS AREAS 01 02
Page 22 and 23: Safety concerns and maintaining a d
Page 25: 24 01 CHARACTER / INITIATIVES INITI
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Page 33: 02 ARCHITECTURE WE WANT TO PROMOTE
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70 04 PROCESSES / FOCUS AREAS FOCUS
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04 PROCESSES / FOCUS AREAS 73 Devel
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04 PROCESSES / FOCUS AREAS 75 Marmo
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APPENDIX
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PHOTOS & ILLUSTRATIONS/ All photos
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88 04 PROCESSER/INDSATSER Copenhage
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OF ARCHITECTURE COPENHAGEN CITY - Itera

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