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18:00 ‐ 18:20
Room Andalucía I & II Room Andalucía III Room Machuca Room Manuel de Falla Room Picasso
[7A3] Do we pay
attention to the positive
because we are happy, or
is it the other way
around? Attentional
biases and mood
regulation: an eyetracking
study
Sánchez, A.; Vázquez, C.;
Romero, N.; Hervas, G.
[7B3] The object of my
attention: An ERP study
of self‐relevant
information processing
Handy, T. C.
[7C3] The role of
understanding of
expectations and
counterfactual thoughts
in children’s
understanding of
emotions
Ferrell, J. M.; Guttentag,
R.
[7D3] The comprehension
of deictic sentences is
modulated by the
reader's location
De Vega, M.; Castillo, D.,
Junco, J.
[7E3] Searching scenes for
targets: The effect of scene
priming on eye movements.
Hillstrom, A. P.; Scholey, H.;
Liversedge, S.
18:20 ‐ 18:40
[7A4] Anxiety‐related
interpretative biases in
older adults
Cabrera, I.; Montorio, I.;
Herrera, S.
[7B4] A world of my
own: The emergence of
ownership effects in
childhood
Cunningham, S. J.
[7C4] When the
alternative had been
better ‐ counterfactual
reasoning and the
emergence of regret
Rafetseder, E.; Perner, J.
[7D4] Monitoring the
penalization of ambiguity
in vector model
representations
Jorge‐Botana, G.; Olmos,
R.;
León, J.A.
[7E4] Visual awareness of
objects and object features
as revealed by an abrupt
cueing task.
Pilling, M.; Gellatly; A.
18:40 ‐ 19:00
[7A5] Influence of positive
and negative emotions
over the eating behaviour
in “emotional eaters”
Baños, R.; Cebolla, A.;
Etchemendy, E.; Felipe, S.;
Pérez, I.; Botella, C.
[7B5] Blowing up Teddy:
Implications of unique
identity and ownership
on cognitive biases
Gjersoe, N. L.; Hood, B.
M.
[7C5] Counterfactual
thinking and the
amplification of regret
Zeelenberg, M.
[7D5] Looking what we
are not told: Eye
movements and the topic
of negative sentences
Orenes, I.; Duñabeitia,
J.A.; Beltrán, D.;
Santamaría, C.
[7E5] Interaction between
intrinsic and extrinsic
principles of perceptual
grouping in vision
Montoro, P.R.; Luna, D.
19:00 – 20:00 Business Meeting: SEPEX (Picasso); EPS (Machuca)