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THE TREE OF LIFE 135<br />

3<br />

Peculiarly connected with the Will and Imagination in the ceremonial<br />

invocations is anotller power or force, the presence or<br />

absence of which spells success or failure to the operation. 'I'he<br />

secret of all Ceremonial Magic is a simple though not always an<br />

obvious one. To officiate at magical ceremonies, conducting each<br />

minute detail with care, performing the external banishings and<br />

suffumigations and circumambulations, bellowing sonorously the<br />

conjurations and moaning the barbarous names of evocation, is no<br />

real criterion that the invocation will succeed in its ostensible purpose,<br />

or that the ecstatic climax of the operation will " come off." The<br />

failure to realize this lies at the bottom of a good many rathcr<br />

humorous stories about Magic told by people who, having bccome<br />

intellectually interested in its technique, and having followed<br />

carefully the instructions laid down in the ordinary easily obtainable<br />

grimoires, have been disappointed with the paucity of result. All<br />

proper precautions were taken. Beautiful robes of the best silk<br />

were provided, candelabras of silver and brass, expensively compounded<br />

incenses, and elaborately written conjurations Despite<br />

all this p~eparation, liowever, nothing at all happened Not the<br />

slightest strain was set up in the surrounding astral at~nosphere,<br />

and a hand cautiously placed outside the confines of the Circle was<br />

not paralysed, as legend would have it, as though by a flash of<br />

lightning llul-led from an enraged spirit. There is one splendid<br />

story which occurs to mind of an entllusiastic student who endeavoured<br />

to " do maglc " before having arrived at an understanding<br />

of the elementary principles underlying Ceremonial hfagic. He was<br />

desirous, as a test, of invoking an undine, a spirit of the element<br />

Water, and to do so it occurred to him that an operation conducted<br />

in the proximity of water would eliminate many of the difficulties.<br />

Eastbourne was chosen as tlle scene of ope ratio^^, and this student,<br />

bearing with him the equipment of art, elltrained for this " solitary "<br />

seaside. Fairly late one evening, when most of the respectdble<br />

citizens of this seaside were quietly asleep, he went down to the<br />

edge of the sea, the tide being very far out. Tracing his circle,<br />

after the altar and lights had been set up on the sand, he commenced<br />

his conjurations in an ever-thickening mist. Loud were his bellows,<br />

and fierce were his sonorous moanings as the barbarous names made<br />

li~deous the peaceful call11 of the night ; clouds of heavy incense

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