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CONTENTS<br />

PAGE<br />

Is there a connection between Magic and Spiritualism A great<br />

gulf between them. The Will is the guide of the Theurgist.<br />

Medium is a negative instrument. Magical theories concerning<br />

death. What happens when body dies. Qliphotic obsession.<br />

Astral shells are the spiritualistic "spirits." Why mediums resort<br />

to fraud. Their physical phenomena. How a sincere medium may<br />

utilize the magical technique. What is Black Magic. Operations<br />

of invisibility and transformation. Evocation of tattvic forces.<br />

Necromancy and vanity. Further instruction on Astral technique.<br />

How to employ Pentagram and Rose-cross symbols. Angelic<br />

guardians of the Pylons. Refining the Body of Light. Harpocrates<br />

formula. Porphyry on Rising on the Planes. The Eucharist. The<br />

Road to Ain Soph.<br />

Intention to make this outline of Magic clear. An exception to<br />

be made. A secret method of working. The Mass of the Holy<br />

Ghost. Tetragrammaton and alchemical symbolism. It is the<br />

quintessence of all techniques of Magic. The Elixir of Life and<br />

talismanic consecration. How to employ this Mass together with<br />

Ceremonial.<br />

CHAPTER<br />

An enquiry into Ritual. The various aspects of ceremonial<br />

invocation. Its eight distinct phases. Several examples of each<br />

type of invocation from Egyptian, Qabalistic, Rosicrucian, Gnostic,<br />

Greek, Enochian, and poetic sources.<br />

SEVENTEEN . . . . . . . . 256<br />

LIST OF ILLUSTRATIONS<br />

. . . .<br />

TAHUTI-THE PATRON OF MAGIC .<br />

Frontispiecs<br />

PAGE<br />

THE TREE OF LIFE . . . . . . . 54<br />

HATHOR . . . . . . . . . . facing 96<br />

A MAGICAL CIRCLE . . . . . . . . . I13<br />

FOUR TATTVA SYMBOLS . . . facing 128<br />

. . . . . . . .<br />

. . . . .<br />

THE PENTAGRAM SIGIL 168<br />

Ho~us . 1 8 4<br />

CIRCLE AND TRIANGLE . . . 213<br />

THE HEXAGRAM OF SOLOMON . . faciug 216<br />

HARPOCRATES<br />

ON THE LOTUS . . . . . . . .<br />

244

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