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with pop-up texts that are only fitfully functional, this quick but<br />

informative tour scores high for its overall design, easy navigation,<br />

optional audio and cartoon illustrations highlighted by caricatures<br />

livened up with small animations. And where else will readers learn<br />

that “Jean-Paul Sartre was afraid of being chased by lobsters”<br />

An airy but far-from-superficial spin past Big Questions<br />

and some of the thinkers who have tackled them. (coloring<br />

page) (iPad informational app. 10 & up)<br />

books in<br />

continuing series<br />

SNIVEL<br />

The Fifth<br />

Circle of Heck<br />

Basye, Dale E.<br />

Illus. by Bob Dob<br />

Random House (448 pp.)<br />

$16.99 | PLB $19.99<br />

May 22, 2012<br />

ISBN: 978-0- 375-86834-4<br />

PLB: 978-0-375-96834-1<br />

(Fantasy. 9-13)<br />

THE PUZZLER’S<br />

MANSION<br />

The Puzzling World<br />

of Winston Breen, #3<br />

Berlin, Eric<br />

Putnam (288 pp.)<br />

$16.99 | May 10, 2012<br />

ISBN: 978-0-399-25697-4<br />

(Fiction. 8-12)<br />

THE BEAST OF<br />

BASKERVILLE<br />

Deadtime Stories<br />

Cascone, Annette & Gina<br />

Starscape (192 pp.)<br />

$14.99 | May 1, 2012<br />

ISBN: 978-0-7653-3067-3<br />

(Horror. 8-12)<br />

LADYBUG GIRL<br />

AND BINGO<br />

Ladybug Girl, #7<br />

Davis, Jacky<br />

Illus. by David Soman<br />

Dial (40 pp.)<br />

$16.99 | May 10, 2012<br />

ISBN: 978-0-8037-3582-8<br />

(Picture book. 3-5)<br />

THE CASE OF THE<br />

RUBY SLIPPERS<br />

First Kids<br />

Mysteries, #3<br />

Freeman, Martha<br />

Holiday House (124 pp.)<br />

$16.95 | May 1, 2012<br />

ISBN: 978-0-8234-2409-2<br />

(Mystery. 7-10)<br />

FINALLY & FOREVER<br />

Katie Weldon, #4<br />

Gunn, Robin Jones<br />

Zondervan (256 pp.)<br />

paper $9.99 | May 1, 2012<br />

ISBN: 978-0-310-72971-6<br />

(Fiction. 12 & up)<br />

BACK AND DEADER<br />

THAN EVER<br />

Monster High, #4<br />

Harrison, Lisi<br />

Poppy/Little, Brown (240 pp.)<br />

$17.99 | May 1, 2012<br />

ISBN: 978-0-316-09917-2<br />

(Paranormal. 12 & up)<br />

JUST GRACE<br />

AND THE FLOWER<br />

GIRL POWER<br />

Just Grace, #8<br />

Harper, Charise Mericle<br />

Illus. by the author<br />

Houghton Mifflin (208 pp.)<br />

$15.99 | May 8, 2012<br />

ISBN: 978-0-547-57720-3<br />

(Fiction. 6-9)<br />

THE DRAGON<br />

IN THE SEA<br />

Dragon Keepers, #5<br />

Klimo, Kate<br />

Illus. by John Shroades<br />

Random House (224 pp.)<br />

$15.99 | PLB $18.99<br />

May 22, 2012<br />

ISBN: 978-0-375-87065-1<br />

PLB: 978-0-375-97065-8<br />

(Fantasy. 8-12)<br />

PHANTOM OF THE<br />

POST OFFICE<br />

43 Old Cemetery<br />

Road, #4<br />

Klise, Kate<br />

Illus. by M. Sarah Klise<br />

Harcourt (160 pp.)<br />

$15.99 | May 8, 2012<br />

ISBN: 978-0-547-51974-6<br />

(Suspense. 9-12)<br />

PEARL AND WAGNER:<br />

Five Days Till<br />

Summer<br />

McMullan, Kate<br />

Illus. by R.W. Alley<br />

Dial (40 pp.)<br />

$15.99 | May 10, 2012<br />

ISBN: 978-0-8037-3589-7<br />

(Early reader. 5-8)<br />

CREEPING WITH<br />

THE ENEMY<br />

Langdon Prep, #2<br />

Reid, Kimberly<br />

Dafina (256 pp.)<br />

paper $9.95 | May 1, 2012<br />

ISBN: 978-0-312-61480-5<br />

(Mystery. 14 & up)<br />

HAIR TODAY,<br />

GONE TOMORROW<br />

Stella Batts, #2<br />

Sheinmel, Courtney<br />

Illus. by Jennifer A. Bell<br />

Sleeping Bear (144 pp.)<br />

$9.99 | paper $5.99<br />

Apr. 1, 2012<br />

ISBN: 978-1-58536-189-2<br />

paper: 978-1-58536-191-5<br />

(Fiction. 5-9)<br />

SEVEN LITTLE MICE<br />

GO TO THE BEACH<br />

Seven Little Mice, #3<br />

Yamashita, Haruo<br />

NorthSouth (32 pp.)<br />

$16.95 | May 1, 2012<br />

ISBN: 978-0-7358-4073-7<br />

(Picture book. 4-8)<br />

This Issue’s Contributors<br />

#<br />

Kim Becnel • Marcie Bovetz • Sophie Brookover • Louise Brueggemann • Timothy<br />

Capehart • Ann Childs • Julie Cummins • GraceAnne A. DeCandido • Dave<br />

DeChristopher • Elise DeGuiseppi • Carol Edwards • Brooke Faulkner • Laurie Flynn<br />

• Omar Gallaga • Judith Gire • Ruth I. Gordon • Heather L. Hepler • Megan Honig •<br />

Jennifer Hubert • Shelley Huntington • Kathleen T. Isaacs • Laura Jenkins • Betsy Judkins<br />

• Deborah Kaplan • K. Lesley Knieriem • Robin Fogle Kurz • Megan Lambert • Angela<br />

Leeper • Peter Lewis • Ellen Loughran • Lori Low • Wendy Lukehart • Lauren Maggio<br />

• Joan Malewitz • Jeanne McDermott • Kathie Meizner • Daniel Meyer • Lisa Moore •<br />

R. Moore • Donna Marie Nowak • Kathleen Odean • John Edward Peters • Susan Pine •<br />

Melissa Rabey • Rebecca Rabinowitz • Kristy Raffensberger • Nancy Thalia Reynolds •<br />

Melissa Riddle Chalos • Erika Rohrbach • Leslie L. Rounds • Mindy Schanback • Dean<br />

Schneider • Chris Shoemaker • Karyn N. Silverman • Robin Smith • Edward T. Sullivan •<br />

Deborah D. Taylor • S.D. Winston • Monica D. Wyatt • Melissa Yurechko •<br />

Self-publishing has opened an incredible<br />

number of doors—not just for authors but<br />

for readers, too. With well over 1 million<br />

books self-published a year, those doors<br />

won’t be closing anytime soon. Of course<br />

the sheer quantity of self-published books<br />

is astounding—after all, everyone has a<br />

story to tell, and sharing that story with<br />

thousands, or even millions, of people has<br />

never been easier or less expensive—but<br />

what may be more surprising is the quality<br />

of self-published books ready to be discovered.<br />

At Kirkus Indie, we’ve offered<br />

professional, unbiased reviews of selfpublished<br />

books since 2005, so we’re intimately<br />

aware of how great these books<br />

can be. Some have even earned Kirkus<br />

stars. So read on and visit kirkusreviews.<br />

com/indie for an exciting look at books<br />

made possible by self-publishing.<br />

9<br />

These titles earned the Kirkus Star:<br />

NOTES TO THE BELOVED by Michelle Bitting ........................... p. 883<br />

THE DUKE DON’T DANCE by Richard Sharp ............................. p. 887<br />

indie<br />

NOTES TO<br />

THE BELOVED<br />

Bitting, Michelle<br />

Sacramento Poetry<br />

Center Press (92 pp.)<br />

$15.00 paperback | Jan. 15, 2012<br />

978-0983136231<br />

Bitting (Good Friday Kiss, 2008, etc.)<br />

returns with earthy, adventurous and<br />

existential free verse.<br />

Bitting is the rare poet who clearly<br />

understands that sublimity is never more than one overwrought<br />

image away from absurdity. Though clearly capable of the<br />

sublime, she is careful to counterbalance the sacred with the<br />

profane and the transcendent with the commonplace in crafting<br />

what is, on the whole, a forcefully well-proportioned collection.<br />

In “Mammary,” for instance, narrator and reader are<br />

transported by a chain of associations from the highway sights<br />

outside the narrator’s car to visions of her friend’s body as she<br />

undergoes a mastectomy. What begins as psychological free<br />

association grows increasingly mystical (and worshipful) as the<br />

narrator evokes Promethean suffering—“I imagine birds and<br />

flight / as the elliptical sweep of sharpness / cuts the pale sky of<br />

your chest, / steel beaks of surgical tools / carving out the flesh<br />

cream, / making smoke of tumor meat”—before resurrecting<br />

her friend’s breasts as “two blond angels, / flying out / beyond<br />

the moon’s milky scar” to “spread their innocence.” As counterweight<br />

to such moments of profound pathos, Bitting demystifies<br />

some of life’s most hallowed experiences, such as in “Birth,”<br />

a darkly humorous portrayal of childbirth as a telescoping series<br />

of indignities in which a Demerol-injected mother on “a Jimi<br />

Hendrix acid trip” greets her “baby’s head galumphing / through<br />

the ravaged pit” with “a sphincter blast of feces.” Between these<br />

extremes, this collection covers a lot of ground—music, death,<br />

sex, family, autism, suicide, aging, food—but it always does so<br />

from the perspective of a thoroughly embodied narrator. There<br />

is a comfortable, even epicurean, egocentrism to Bitting’s narrators<br />

that insists on the primacy of the sensual. In this way, and<br />

in the way her narrators respond to mortality by burrowing even<br />

further into their own skins, Bitting proves herself a sister poet<br />

to Anne Sexton, Sharon Olds and Sheryl St. Germain. Yet even<br />

with her range, lighter poems like “His Hat,” a comic come-on<br />

to Johnny Depp, sometimes feel like filler.<br />

Not a perfect collection—but it comes close.<br />

882 | 15 april 2012 | children’s & teen | kirkusreviews.com |<br />

| kirkusreviews.com | indie | 15 april 2012 | 883

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