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with pop-up texts that are only fitfully functional, this quick but<br />
informative tour scores high for its overall design, easy navigation,<br />
optional audio and cartoon illustrations highlighted by caricatures<br />
livened up with small animations. And where else will readers learn<br />
that “Jean-Paul Sartre was afraid of being chased by lobsters”<br />
An airy but far-from-superficial spin past Big Questions<br />
and some of the thinkers who have tackled them. (coloring<br />
page) (iPad informational app. 10 & up)<br />
books in<br />
continuing series<br />
SNIVEL<br />
The Fifth<br />
Circle of Heck<br />
Basye, Dale E.<br />
Illus. by Bob Dob<br />
Random House (448 pp.)<br />
$16.99 | PLB $19.99<br />
May 22, 2012<br />
ISBN: 978-0- 375-86834-4<br />
PLB: 978-0-375-96834-1<br />
(Fantasy. 9-13)<br />
THE PUZZLER’S<br />
MANSION<br />
The Puzzling World<br />
of Winston Breen, #3<br />
Berlin, Eric<br />
Putnam (288 pp.)<br />
$16.99 | May 10, 2012<br />
ISBN: 978-0-399-25697-4<br />
(Fiction. 8-12)<br />
THE BEAST OF<br />
BASKERVILLE<br />
Deadtime Stories<br />
Cascone, Annette & Gina<br />
Starscape (192 pp.)<br />
$14.99 | May 1, 2012<br />
ISBN: 978-0-7653-3067-3<br />
(Horror. 8-12)<br />
LADYBUG GIRL<br />
AND BINGO<br />
Ladybug Girl, #7<br />
Davis, Jacky<br />
Illus. by David Soman<br />
Dial (40 pp.)<br />
$16.99 | May 10, 2012<br />
ISBN: 978-0-8037-3582-8<br />
(Picture book. 3-5)<br />
THE CASE OF THE<br />
RUBY SLIPPERS<br />
First Kids<br />
Mysteries, #3<br />
Freeman, Martha<br />
Holiday House (124 pp.)<br />
$16.95 | May 1, 2012<br />
ISBN: 978-0-8234-2409-2<br />
(Mystery. 7-10)<br />
FINALLY & FOREVER<br />
Katie Weldon, #4<br />
Gunn, Robin Jones<br />
Zondervan (256 pp.)<br />
paper $9.99 | May 1, 2012<br />
ISBN: 978-0-310-72971-6<br />
(Fiction. 12 & up)<br />
BACK AND DEADER<br />
THAN EVER<br />
Monster High, #4<br />
Harrison, Lisi<br />
Poppy/Little, Brown (240 pp.)<br />
$17.99 | May 1, 2012<br />
ISBN: 978-0-316-09917-2<br />
(Paranormal. 12 & up)<br />
JUST GRACE<br />
AND THE FLOWER<br />
GIRL POWER<br />
Just Grace, #8<br />
Harper, Charise Mericle<br />
Illus. by the author<br />
Houghton Mifflin (208 pp.)<br />
$15.99 | May 8, 2012<br />
ISBN: 978-0-547-57720-3<br />
(Fiction. 6-9)<br />
THE DRAGON<br />
IN THE SEA<br />
Dragon Keepers, #5<br />
Klimo, Kate<br />
Illus. by John Shroades<br />
Random House (224 pp.)<br />
$15.99 | PLB $18.99<br />
May 22, 2012<br />
ISBN: 978-0-375-87065-1<br />
PLB: 978-0-375-97065-8<br />
(Fantasy. 8-12)<br />
PHANTOM OF THE<br />
POST OFFICE<br />
43 Old Cemetery<br />
Road, #4<br />
Klise, Kate<br />
Illus. by M. Sarah Klise<br />
Harcourt (160 pp.)<br />
$15.99 | May 8, 2012<br />
ISBN: 978-0-547-51974-6<br />
(Suspense. 9-12)<br />
PEARL AND WAGNER:<br />
Five Days Till<br />
Summer<br />
McMullan, Kate<br />
Illus. by R.W. Alley<br />
Dial (40 pp.)<br />
$15.99 | May 10, 2012<br />
ISBN: 978-0-8037-3589-7<br />
(Early reader. 5-8)<br />
CREEPING WITH<br />
THE ENEMY<br />
Langdon Prep, #2<br />
Reid, Kimberly<br />
Dafina (256 pp.)<br />
paper $9.95 | May 1, 2012<br />
ISBN: 978-0-312-61480-5<br />
(Mystery. 14 & up)<br />
HAIR TODAY,<br />
GONE TOMORROW<br />
Stella Batts, #2<br />
Sheinmel, Courtney<br />
Illus. by Jennifer A. Bell<br />
Sleeping Bear (144 pp.)<br />
$9.99 | paper $5.99<br />
Apr. 1, 2012<br />
ISBN: 978-1-58536-189-2<br />
paper: 978-1-58536-191-5<br />
(Fiction. 5-9)<br />
SEVEN LITTLE MICE<br />
GO TO THE BEACH<br />
Seven Little Mice, #3<br />
Yamashita, Haruo<br />
NorthSouth (32 pp.)<br />
$16.95 | May 1, 2012<br />
ISBN: 978-0-7358-4073-7<br />
(Picture book. 4-8)<br />
This Issue’s Contributors<br />
#<br />
Kim Becnel • Marcie Bovetz • Sophie Brookover • Louise Brueggemann • Timothy<br />
Capehart • Ann Childs • Julie Cummins • GraceAnne A. DeCandido • Dave<br />
DeChristopher • Elise DeGuiseppi • Carol Edwards • Brooke Faulkner • Laurie Flynn<br />
• Omar Gallaga • Judith Gire • Ruth I. Gordon • Heather L. Hepler • Megan Honig •<br />
Jennifer Hubert • Shelley Huntington • Kathleen T. Isaacs • Laura Jenkins • Betsy Judkins<br />
• Deborah Kaplan • K. Lesley Knieriem • Robin Fogle Kurz • Megan Lambert • Angela<br />
Leeper • Peter Lewis • Ellen Loughran • Lori Low • Wendy Lukehart • Lauren Maggio<br />
• Joan Malewitz • Jeanne McDermott • Kathie Meizner • Daniel Meyer • Lisa Moore •<br />
R. Moore • Donna Marie Nowak • Kathleen Odean • John Edward Peters • Susan Pine •<br />
Melissa Rabey • Rebecca Rabinowitz • Kristy Raffensberger • Nancy Thalia Reynolds •<br />
Melissa Riddle Chalos • Erika Rohrbach • Leslie L. Rounds • Mindy Schanback • Dean<br />
Schneider • Chris Shoemaker • Karyn N. Silverman • Robin Smith • Edward T. Sullivan •<br />
Deborah D. Taylor • S.D. Winston • Monica D. Wyatt • Melissa Yurechko •<br />
Self-publishing has opened an incredible<br />
number of doors—not just for authors but<br />
for readers, too. With well over 1 million<br />
books self-published a year, those doors<br />
won’t be closing anytime soon. Of course<br />
the sheer quantity of self-published books<br />
is astounding—after all, everyone has a<br />
story to tell, and sharing that story with<br />
thousands, or even millions, of people has<br />
never been easier or less expensive—but<br />
what may be more surprising is the quality<br />
of self-published books ready to be discovered.<br />
At Kirkus Indie, we’ve offered<br />
professional, unbiased reviews of selfpublished<br />
books since 2005, so we’re intimately<br />
aware of how great these books<br />
can be. Some have even earned Kirkus<br />
stars. So read on and visit kirkusreviews.<br />
com/indie for an exciting look at books<br />
made possible by self-publishing.<br />
9<br />
These titles earned the Kirkus Star:<br />
NOTES TO THE BELOVED by Michelle Bitting ........................... p. 883<br />
THE DUKE DON’T DANCE by Richard Sharp ............................. p. 887<br />
indie<br />
NOTES TO<br />
THE BELOVED<br />
Bitting, Michelle<br />
Sacramento Poetry<br />
Center Press (92 pp.)<br />
$15.00 paperback | Jan. 15, 2012<br />
978-0983136231<br />
Bitting (Good Friday Kiss, 2008, etc.)<br />
returns with earthy, adventurous and<br />
existential free verse.<br />
Bitting is the rare poet who clearly<br />
understands that sublimity is never more than one overwrought<br />
image away from absurdity. Though clearly capable of the<br />
sublime, she is careful to counterbalance the sacred with the<br />
profane and the transcendent with the commonplace in crafting<br />
what is, on the whole, a forcefully well-proportioned collection.<br />
In “Mammary,” for instance, narrator and reader are<br />
transported by a chain of associations from the highway sights<br />
outside the narrator’s car to visions of her friend’s body as she<br />
undergoes a mastectomy. What begins as psychological free<br />
association grows increasingly mystical (and worshipful) as the<br />
narrator evokes Promethean suffering—“I imagine birds and<br />
flight / as the elliptical sweep of sharpness / cuts the pale sky of<br />
your chest, / steel beaks of surgical tools / carving out the flesh<br />
cream, / making smoke of tumor meat”—before resurrecting<br />
her friend’s breasts as “two blond angels, / flying out / beyond<br />
the moon’s milky scar” to “spread their innocence.” As counterweight<br />
to such moments of profound pathos, Bitting demystifies<br />
some of life’s most hallowed experiences, such as in “Birth,”<br />
a darkly humorous portrayal of childbirth as a telescoping series<br />
of indignities in which a Demerol-injected mother on “a Jimi<br />
Hendrix acid trip” greets her “baby’s head galumphing / through<br />
the ravaged pit” with “a sphincter blast of feces.” Between these<br />
extremes, this collection covers a lot of ground—music, death,<br />
sex, family, autism, suicide, aging, food—but it always does so<br />
from the perspective of a thoroughly embodied narrator. There<br />
is a comfortable, even epicurean, egocentrism to Bitting’s narrators<br />
that insists on the primacy of the sensual. In this way, and<br />
in the way her narrators respond to mortality by burrowing even<br />
further into their own skins, Bitting proves herself a sister poet<br />
to Anne Sexton, Sharon Olds and Sheryl St. Germain. Yet even<br />
with her range, lighter poems like “His Hat,” a comic come-on<br />
to Johnny Depp, sometimes feel like filler.<br />
Not a perfect collection—but it comes close.<br />
882 | 15 april 2012 | children’s & teen | kirkusreviews.com |<br />
| kirkusreviews.com | indie | 15 april 2012 | 883