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“[Tris’] romance with Tobias is achingly tender and<br />

passionate, and her friends and enemies alike display a realistic<br />

spectrum of mixed motivations and conflicted choices.”<br />

from insurgent<br />

what they do. The next day, a big sign appears: “NO RACING!<br />

by order of Duck (in charge of pond).” Soon he forbids the kingfishers<br />

from fishing and the frogs from diving, and more signs<br />

appear forbidding, well, everything. Then Duck realizes all his<br />

friends have gone off to more congenial surroundings. Shedding<br />

a tear, he takes down all the old signs and welcomes everyone<br />

back to do what they do. The ring-necked hero decides being<br />

in charge is “much too hard” and is hardly ever bossy again.<br />

The illustrations are Popsicle-colored and gently exaggerated,<br />

and each creature is utterly anthropomorphized: Goose leaves<br />

sporting a fetching lavender scarf and a bead-handled purse;<br />

one frog has reading glasses, and another feeds her baby from a<br />

bottle; the dragonflies come in pastel colors and silly grins.<br />

Despite the forced whimsy of the illustrations, the<br />

book positively reeks of a Lesson to be Learned, so it is just<br />

about as much fun as Duck. (Picture book. 4-7)<br />

THE PERFECT PRESENT<br />

Roberton, Fiona<br />

Illus. by Roberton, Fiona<br />

Putnam (40 pp.)<br />

$16.99 | Jun. 1, 2012<br />

978-0-399-25773-5<br />

Spot the duck became Henry’s pet<br />

when he disguised himself as a dog in Wanted:<br />

The Perfect Pet (2010), and in what initially feels like a cruel twist of a<br />

sequel, he seems at risk of displacement by Henry’s new pet.<br />

Henry eagerly anticipates his birthday, and Spot is excited<br />

about gifting him a fishing rod. But then Henry’s grandparents<br />

give him “A Dog!” and poor Spot feels pushed aside. Forlorn, he<br />

leaves Henry a note and, suitcase in wing, decides to return to<br />

his “egg house.” Spot strikes a pathetic figure as he attempts<br />

a stormy river crossing, only to get stuck on a branch. When<br />

Henry wakes and reads Spot’s farewell note, he and Dog leave<br />

to find him, Henry donning red boots and a jaunty, green scarfand-cap<br />

set. Dog heroically dives into the river to rescue Spot,<br />

but he sinks “like a stone,” prompting Spot to dive in to save<br />

him. Luckily, Henry has his trusty new fishing rod, and with “a<br />

strange Ffwwiiiiiiiiizzzzz Plop” he catches Spot’s collar and<br />

pulls both pets ashore. Their reunion is made even sweeter as<br />

Henry wraps his scarf around Spot’s neck and persuades him<br />

to accept Dog as a “Perfect Pet” they can share. Throughout,<br />

friendly, cartoonish line drawings employ minimal setting,<br />

humorous detail and ample expressive power.<br />

Utterly charming. (Picture book. 4-7)<br />

DEADWEATHER<br />

AND SUNRISE<br />

Rodkey, Geoff<br />

Putnam (304 pp.)<br />

$16.99 | May 29, 2012<br />

978-0-399-25785-8<br />

Series: The Chronicles of Egg, 1<br />

This promising new series starts out<br />

strong with a story filled to the brim with<br />

pirates, treasure, intrigue and swashbuckling<br />

suspense.<br />

On his 13th birthday, Egg’s entire family is lost in a hot-air<br />

balloon accident. Egg lives quite comfortably for a while with<br />

the wealthy Roger Pembroke and his family, including his spunky,<br />

dreamy daughter Millicent. Then, one awful day, Egg realizes that<br />

his benefactor was responsible for the death of his family and is<br />

now, in fact, trying to kill him as well. Corrupt and exploitative<br />

Pembroke has discovered that there is a Native treasure on the<br />

ugly fruit plantation owned by Egg’s family, and he is desperate<br />

to find it. What does Egg have on his side His wits and courage,<br />

a strange best friend named Guts, the questionable loyalty of the<br />

misfit pirates who once worked for his father and, perhaps most<br />

significantly, Millicent. Readers will really begin rooting for Egg<br />

after his family—who is actually pretty awful to him—is killed off<br />

and he is left to discover his strengths and make his own choices.<br />

Self-deprecating and funny, Egg’s first-person account is compelling,<br />

and the dialogue and vivid setting, as well as the full cast of<br />

quirky characters, make it easy to get lost in this adventure.<br />

Fans of pirates and perilous quests will certainly enjoy<br />

this tale of hijinks on the high seas and eagerly anticipate<br />

the next installment of Egg’s story. (Adventure. 9-14)<br />

LONE BEAN<br />

Ross, Chudney<br />

Amistad/HarperCollins (208 pp.)<br />

$15.99 | PLB $16.89 | Jun. 26, 2012<br />

978-0-06-166011-5<br />

978-0-06-166012-2 PLB<br />

A spunky young character takes a<br />

complicated path to find her place in<br />

school, but she stumbles along the way.<br />

Unfortunately, so does the author.<br />

With her debut effort, Ross brings<br />

readers Chrysanthemum, better known as Bean. It’s the start of<br />

the school year, and Bean can’t wait to see her best friend Carla<br />

and get third grade started. But almost immediately, Bean discovers<br />

that nothing is as she’d imagined. Most significantly, Carla no<br />

longer wants to be friends. The story conveys Bean’s struggle to<br />

find her place in her family with sisters Rose and Gardenia and<br />

at school, facing down the class’s biggest bully, Tanisha. It’s obvious<br />

that Ross cares about her character and her struggles. But the<br />

book moves slowly, and at 197 pages it feels much too long for kids<br />

Bean’s age. Those children comfortable with length and reading<br />

level may well not be interested in reading about a third-grader.<br />

Inconsistent language is jarring, making Bean feel like a girl anywhere<br />

from 6 to 16. Not to mention, Bean’s epiphany will leave<br />

kids with wrinkled foreheads, asking, “Huh”<br />

In the end, the book fails to deliver a story that stands<br />

out or characters who stand apart. (Fiction. 8-12)<br />

INSURGENT<br />

Roth, Veronica<br />

Katherine Tegen/<br />

HarperCollins (544 pp.)<br />

$17.99 | $9.99 e-book | May 1, 2012<br />

978-0-06-202404-6<br />

978-0-06-211445-7 e-book<br />

Series: Divergent, 2<br />

In this addictive sequel to the acclaimed<br />

Divergent (2011), a bleak post-apocalyptic<br />

Chicago ruled by “factions” exemplifying<br />

different personality traits collapses into all-out civil war.<br />

With both the Dauntless and Abnegation factions shattered<br />

by the Erudite attack, Tris and her companions seek refuge<br />

with Amity and Candor, and even among the factionless.<br />

But the Erudite search for “Divergents” continues relentlessly.<br />

They have a secret to protect—one they fear could prove more<br />

catastrophic than open warfare; one they will slaughter to keep<br />

hidden... Rather than ease readers back into this convoluted<br />

narrative, the book plunges the characters into immediate danger<br />

without clues to their current relationships, let alone their<br />

elaborate back stories. The focus is firmly on the narrator Tris,<br />

who, devastated by guilt and grief, reveals new depth and vitality.<br />

While taking actions less Dauntless than recklessly suicidal,<br />

she retains her convenient knack for overhearing crucial conversations<br />

and infallibly sizing up others. Her romance with<br />

Tobias is achingly tender and passionate, and her friends and<br />

enemies alike display a realistic spectrum of mixed motivations<br />

and conflicted choices. The unrelenting suspense piles pursuit<br />

upon betrayal upon torture upon pitched battles; the violence<br />

is graphic, grisly and shockingly indiscriminate. The climactic<br />

reveal, hinting at the secret origins of their society, is neither<br />

surprising nor particularly plausible, but the frenzied response<br />

makes for another spectacular cliffhanger.<br />

Anyone who read the first book was dying for this one<br />

months ago; they’ll hardly be able to wait for the concluding<br />

volume. (Science fiction. 14 & up)<br />

DRAGONS LOVE TACOS<br />

Rubin, Adam<br />

Illus. by Salmieri, Daniel<br />

Dial (40 pp.)<br />

$16.99 | Jun. 14, 2012<br />

978-0-8037-3680-1<br />

The perfect book for kids who love<br />

dragons and mild tacos.<br />

Rubin’s story starts with an incantatory edge: “Hey, kid!<br />

Did you know that dragons love tacos They love beef tacos<br />

and chicken tacos. They love really big gigantic tacos and<br />

tiny little baby tacos as well.” The playing field is set: dragons,<br />

tacos. As a pairing, they are fairly silly, and when the kicker<br />

comes in—that dragons hate spicy salsa, which ignites their<br />

inner fireworks—the silliness is sillier still. Second nature,<br />

after all, is for dragons to blow flames out their noses. So<br />

when the kid throws a taco party for the dragons, it seems a<br />

weak device that the clearly labeled “totally mild” salsa comes<br />

with spicy jalapenos in the fine print, prompting the dragons<br />

to burn down the house, resulting in a barn-raising at which<br />

more tacos are served. Harmless, but if there is a parable hidden<br />

in the dragon-taco tale, it is hidden in the unlit deep, and<br />

as a measure of lunacy, bridled or unbridled, it doesn’t make<br />

the leap into the outer reaches of imagination. Salmieri’s artwork<br />

is fitting, with a crabbed, ethereal line work reminiscent<br />

of Peter Sís, but the story does not offer it enough range.<br />

A wandering effort, happy but pointless. (Picture book. 3-5)<br />

SILENCE<br />

Sagara, Michelle<br />

Daw Books (256 pp.)<br />

$17.99 | May 1, 2012<br />

978-0-7564-0742-1<br />

Series: Queen of the Dead, 1<br />

A girl in mourning for her dead boyfriend<br />

learns that she has a power over<br />

the dead that may endanger her own life.<br />

Emma visits her boyfriend’s grave in<br />

the cemetery often. While walking her<br />

dog one night, she meets Eric there and has a terrifying encounter<br />

with a ghostly crone who kisses her. Thereafter Emma can<br />

see the dead, and if she touches them, others can see them too.<br />

Eric and his friend Chase work for an agency that tracks such<br />

beings, and they believe she has become a necromancer, one<br />

who can steal power from ghosts. Chase elects to kill Emma,<br />

but Eric, although he agrees, opts to wait. Meanwhile, Emma<br />

has sensed the ghost of a little boy who died in a fire, and she<br />

insists on rescuing his spirit from that ongoing hell. Sagara<br />

concocts an interesting and original premise but seems most<br />

concerned with explaining precisely how Emma’s paranormal<br />

powers work. She tends to philosophize or to indulge in such<br />

extensive detail during the suspense scenes that she creates<br />

diversions from the action. Thus, the suspense often takes<br />

a back seat to exposition. Nevertheless, a few tension-filled<br />

870 | 15 april 2012 | children’s & teen | kirkusreviews.com |<br />

| kirkusreviews.com | children’s & teen | 15 april 2012 | 871

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