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“Makers of a series of these models, whether they were<br />

constructed as a school project or just for fun, will come away<br />

with a heightened understanding of aerodynamic principles.”<br />

from the flying machine book<br />

THE CLASSROOM<br />

The Epic Documentary<br />

of a Not-Yet-Epic Kid<br />

Mellom, Robin<br />

Illus. by Gilpin, Stephen<br />

Disney Hyperion (288 pp.)<br />

$12.99 | Jun. 19, 2012<br />

978-1-4231-5063-3<br />

A documentary crew descends upon<br />

Westside Middle School to reveal what<br />

middle-school students’ lives are really like.<br />

At the heart of the story is Trevor Jones, just starting middle<br />

school. He’s a worrier and a “pre-thinker,” and, despite his claim that<br />

he’s not worried about seventh grade, he has it all planned. He’s got<br />

brand-new clothes, and his yogurt stick is frozen just right to be the<br />

perfect temperature by lunchtime. Unfortunately, his best friend<br />

forever, Libby, shakes his cool at the bus stop when she informs him<br />

about the upcoming dance and how he must ask a girl by the end of<br />

the day. The whole novel revolves around the dance and the attendant<br />

social drama of middle-school life. Though readers never find<br />

out much about the making of the documentary itself, it’s a clever<br />

contrivance. A third-person narration alternates with interviews<br />

with the major players. There’s Trevor, Libby, eighth-grader Corey<br />

Long, Wilson the custodian, and seventh-grade gossip Cindy Applegate<br />

among the several main players. Illustrations add appeal to the<br />

story, including cartoonish drawings found in Trevor’s notebook, a<br />

“Social Skills Training” pamphlet found in Counselor Plimp’s office<br />

and drawings from Libby’s Hola! Kitty Cat! sketchpad.<br />

All in all, a silly but appealing story for readers approaching<br />

the middle-school years. (Fiction. 9-12)<br />

THE FLYING MACHINE BOOK<br />

Build and Launch<br />

35 Rockets, Gliders,<br />

Helicopters,<br />

Boomerangs, and Moore<br />

Mercer, Bobby<br />

Photos by Mercer, Bobby<br />

Chicago Review (224 pp.)<br />

$14.95 paperback | May 1, 2012<br />

978-1-61374-086-6<br />

Step-by-step instructions for 35 aerodynamic projects offer hours<br />

of fun and an increased understanding of what makes things fly.<br />

Physics teacher Mercer, who described science principles<br />

in sports in The Leaping, Sliding, Sprinting, Riding Science Book<br />

(2006) here provides clear directions for building a variety of<br />

flying machines including rockets, gliders, helicopters, boomerangs<br />

and assorted launchers. An opening chapter called “Flight<br />

School” introduces the Bernoulli principle and four forces: lift,<br />

thrust, drag and weight. The author’s teaching background is<br />

reflected in his artful use of repetition. Each subsequent chapter<br />

begins with more flight school, repeating the relevant principles<br />

and applying them to the different forms of flying machines<br />

described. Many of the constructions use similar techniques and<br />

most are not difficult. The models are made of common materials:<br />

card stock and old folders, drinking straws, rubber bands<br />

and duct tape. Black-and-white photographs by the author show<br />

hand positions and paper folds, making the steps easy to follow.<br />

He recommends customary safety precautions and periodically<br />

reminds readers that some things may take practice. Makers of a<br />

series of these models, whether they were constructed as a school<br />

project or just for fun, will come away with a heightened understanding<br />

of aerodynamic principles.<br />

Hands-on activities that encourage imaginations to<br />

soar. (Nonfiction. 8-14)<br />

WICKED SWEET<br />

Merrell, Mar’ce<br />

Feiwel & Friends (336 pp.)<br />

$16.99 | Jun. 5, 2012<br />

978-0-312-60749-4<br />

Best friends Chantal and Jillian have<br />

always been on the same page, taking AP<br />

classes and planning for their future as neurosurgeons,<br />

but everything changes during<br />

the summer before their senior year.<br />

When popular Parker begins paying<br />

attention to Jillian, introverted Chantal feels left out. Jillian<br />

cannot understand why wearing a bikini or wanting to go to<br />

parties is suddenly grounds for ending their friendship. When<br />

Parker’s best friend, Will, who normally lives to torment Chantal,<br />

starts trying to hang out with her, Chantal begins to suspect<br />

that there is something bigger going on. Determined to expose<br />

the boys’ scheme, she invents a complicated plan that combines<br />

her newfound love of baking, her intense focus and a whole lot<br />

of sneaking around. More than just a foodie romance, Merrell’s<br />

debut tackles difficult issues such as parental neglect and bullying.<br />

An overly convoluted plot that never gains momentum<br />

overshadows the well-drawn main characters, though. Sweet<br />

confections with clever names brighten the narrative, but they<br />

will not be enough to keep readers’ attention. Predictable secondary<br />

characters and wince-worthy missteps of purple prose<br />

will make readers yearn for more hearty sustenance.<br />

A recipe that never comes together. (Fiction. 14 & up)<br />

ZACH APOLOGIZES<br />

Mulcahy, William<br />

Illus. by McKee, Darren<br />

Free Spirit (32 pp.)<br />

$12.99 | May 1, 2012<br />

978-1-57542-389-0<br />

Series: Zach Rules,<br />

Counselor and psychotherapist Mulcahy makes his children’s-book<br />

debut with the Zach Rules series, designed to give<br />

kids some coping tools for working through everyday problems.<br />

In this series kickoff, Zach’s mother teaches him the foursquare<br />

apology. Zach writes and draws the answers to four<br />

questions (What did I do to hurt someone How did the person<br />

feel What could I do next time How will I make it up to them),<br />

then uses them to make an apology to his sibling for pushing him<br />

down. In the simultaneously publishing Zach Gets Frustrated, a day<br />

at the beach is not much fun for Zach because his kite won’t fly.<br />

By teaching him the three parts of the frustration triangle, his<br />

dad is able to get Zach to name the cause of his frustration, calm<br />

down and reframe the situation. Extensive backmatter in each<br />

book helps parents understand why teaching children these strategies<br />

is so important, as well as how to teach them successfully.<br />

As in many expressly didactic books, interactions between the<br />

characters are stiff and stilted, although Zach’s feelings are widely<br />

recognizable and will be familiar to readers. McKee’s brightly colored<br />

digital illustrations have a Cartoon Network feel to them,<br />

but they nonetheless do a good job of supporting the text and<br />

helping to teach the material.<br />

While not many kids are likely to ask for repeated readings,<br />

still this new series is a useful tool for teaching valuable<br />

skills. (Picture book. 4-8)<br />

RUN THE GAME<br />

Myers, Jason<br />

Simon Pulse/Simon &<br />

Schuster (544 pp.)<br />

$16.99 | paper $9.99 | Jun. 12, 2012<br />

978-1-4424-4627-4<br />

978-1-4424-1432-7 paperback<br />

A 19-year-old junkie with delusions<br />

of grandeur falls for a 14-year-old prostitute<br />

in this poor approximation of a<br />

Chuck Palahniuk novel.<br />

Drug addict and punk guitarist Alexander spends his days<br />

in a depressed Midwestern town drinking enough alcohol and<br />

smoking and shooting enough drugs to put down a bull elephant.<br />

Still, he manages to show up to band practice on time and woo<br />

Patti, a mullet-headed, song-writing Lolita whose motives are<br />

suspect from page one. Alexander believes that he and Patti<br />

will run away to New York and live druggily ever after. But after<br />

Patti’s drug dealer/pimp threatens to chop off his limbs with<br />

a chain saw and leave him to “these four rabid badgers that I<br />

keep… in a shack,” he has second thoughts. It’s written like a<br />

bad rap song; readers will have four-letter-word fatigue within<br />

the first 20 pages—and there are still nearly 500 to go. The<br />

characters are flat, the constant drug use gratuitous and the<br />

graphic, occasionally violent sex scenes pornographic. By the<br />

time the author commits the cardinal sin of plugging one of his<br />

own previous titles within the text, readers will be too numb to<br />

care. Teens looking for gritty content are better off checking<br />

out the award-winning work of Adam Rapp or Ellen Hopkins.<br />

Dreadful. (Fiction. 16 & up)<br />

JUST WRITE<br />

Here’s How<br />

Myers, Walter Dean<br />

Collins (176 pp.)<br />

$17.99 | paper $7.99 | $6.99 e-book<br />

Apr. 24, 2012<br />

978-0-06-220389-2<br />

978-0-06-220390-8 paperback<br />

978-0-06-220391-5 e-book<br />

The third National Ambassador for<br />

Young People’s Literature offers a howto<br />

guide for young writing enthusiasts.<br />

Who’s more qualified to write about the craft of writing<br />

than Myers, one of the biggest names in children’s literature<br />

and author of 100 works for young readers Though this volume<br />

is far from flashy, the straightforward, no-nonsense, you-cando-it<br />

tone may well inspire young readers and beginning writers.<br />

Myers tells about his own life and how he became a writer<br />

before moving on to the craft itself, offering advice on structuring<br />

fiction using a six-box outline and <strong>nonfiction</strong> with a four-box<br />

outline. Excerpts from his own notebooks and commentaries<br />

on his work with teen writer Ross Workman (Myers’ collaborator<br />

on the soccer novel Kick, 2011; Workman contributes to the<br />

backmatter) are enlightening, and readers will find themselves<br />

in the presence of a friendly mentor and writing co-conspirator.<br />

Ultimately, since writers draw on their own lives and interests,<br />

this is a writer’s guide to life. Myers advises, “The best way to<br />

find inspiration is just to live your life doing these things that<br />

interest you most…. Pursuing your passions will expand your<br />

world. This will make you a better writer.”<br />

Good advice on the craft of writing from someone who<br />

should know. (writing tips, further reading on writing, about<br />

the author, a list of the author’s books) (Nonfiction. 14 & up)<br />

ALICE ON BOARD<br />

Naylor, Phyllis Reynolds<br />

Atheneum (288 pp.)<br />

$16.99 | May 22, 2012<br />

978-1-4424-4588-8<br />

Series: The Alice Books, 27<br />

Alice and her friends take summer<br />

jobs aboard a cruise ship on the Chesapeake<br />

Bay following graduation.<br />

Thrilled with the nearly two-to-one<br />

ratio of guys to girls that makes up for<br />

the low pay and drudgery of galley duty, Alice makes the most<br />

of her summer before college. She’s torn between missing Patrick,<br />

who’s in Barcelona, and enjoying flirtatious outings with<br />

Mitch, a 20-ish crew member who’s taking the summer off from<br />

trapping muskrats in the Maryland marshes. Dramatic episodes<br />

large and small fill the weeks on the refurbished Seascape. A passenger<br />

accuses Alice of stealing her watch; another gets his<br />

kicks exposing himself when she comes to clean his room. A<br />

bee sting lands Liz in the hospital; Gwen breaks up with Austin<br />

864 | 15 april 2012 | children’s & teen | kirkusreviews.com |<br />

| kirkusreviews.com | children’s & teen | 15 april 2012 | 865

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