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“With measured verve, McAuliffe<br />

presents an accessible text that occasionally approaches<br />

Barbara Tuchman’s talented touch.”<br />

from clash of crowns<br />

unpleasant terms). The intensity of his combat experience has<br />

clearly stayed with him all his life; recalling friends he never<br />

saw again after certain battles, he notes, “I suppose dying is just<br />

another way of saying good-bye.” The author is disarmingly honest,<br />

as when the young soldier-protagonist visits a prostitute in<br />

order to lose his virginity before shipping out, and particularly in<br />

his vivid recollections of an oddly idyllic Depression adolescence<br />

in Queens, with no clue of the storm that lay ahead: “Where in<br />

the hell is Pearl Harbor Nobody had the foggiest that 108,504 U.S.<br />

servicemen would have to die…to answer that question, to make<br />

things right.” Mace describes the war in tactile, often gruesome<br />

terms, suggesting that the Pacific campaign was remarkably filthy<br />

and grueling, as when he encountered “Japanese corpses [that]<br />

have congested this open area with open wounds, glossy red tripe<br />

boiling from naked bellies.” The tough-guy prose recalls James<br />

Ellroy, but the first-person perspective suggests authenticity with<br />

regard to the little-understood experience of the frontline rifleman<br />

in the Pacific theater. Young Marines like Mace contended<br />

not only with a formidable and little-seen enemy, but also with<br />

military bureaucracy, inter-service rivalries, supply problems and<br />

an unbearable physical environment. The author mingles increasingly<br />

dark humor with terror at the seeming randomness of violent<br />

death in war, yet the narrative also dramatizes the diverse<br />

humanity of the ordinary Americans who were sucked into the<br />

conflict. The book culminates in a poignant scene in which Mace<br />

visits the mother of a close friend who died in battle.<br />

A mostly valuable testimonial of the Pacific campaign’s<br />

desperate brutality—will appeal to fans of The Pacific or<br />

Band of Brothers.<br />

SUPERFUEL<br />

Thorium, the<br />

Zero-Risk Energy<br />

Source for the Future<br />

Martin, Richard<br />

Palgrave Macmillan (272 pp.)<br />

$27.00 | May 8, 2012<br />

978-0-230-11647-4<br />

The story of the slightly radioactive<br />

element thorium, a much-touted alternative<br />

fuel for nuclear power plants.<br />

Abundant in the Earth’s crust, thorium has been used in<br />

various industrial processes since its discovery in 1828. Advocates,<br />

writes Martin, an award-winning journalist and editorial director<br />

for Pike Research, a clean energy firm, say the silver-gray element<br />

has another possible use: as an cheap, safe energy source<br />

with the potential to “solve our power crisis.” Expanding on his<br />

Wired cover story, the author explains that the element was actually<br />

used as a nuclear fuel in an experimental reactor built and<br />

run by American scientists at Oak Ridge in the late 1960s. Since<br />

then, it has become a forgotten technology, losing out to uranium,<br />

which powers all reactors operating in the United States.<br />

In the wake of Japan’s recent Fukushima Daiichi disaster, many<br />

scientists and entrepreneurs are now seeking U.S. government<br />

and corporate backing of thorium, which has become the fuel of<br />

choice for nuclear energy efforts in India, Japan and elsewhere.<br />

Martin focuses on the work of Kirk Sorensen, a former NASA<br />

engineer, now head of Flibe Energy, who urges U.S. utilities that<br />

are preparing to replace some 30 older reactors to build a new<br />

kind of reactor—a liquid-fluoride thorium reactor, which proponents<br />

consider to be more efficient and safer than existing plants.<br />

He describes how uranium-based nuclear reactors came to<br />

dominate the nuclear industry and how industry leaders are now<br />

thwarting the use of thorium power, while conceding its possible<br />

advantages. They complain of the high costs associated with converting<br />

to the alternative energy source. Martin also details Asia’s<br />

enthusiasm for thorium power and its implications for reducing<br />

reliance on fossil fuels and slowing climate change.<br />

A lucid overview of a still-developing chapter in the<br />

story of nuclear power.<br />

HILARITY ENSUES<br />

Max, Tucker<br />

Blue Heeler Books (448 pp.)<br />

$25.99 | Feb. 7, 2012<br />

978-1-4516-6903-9<br />

Expensively educated child-of-privilege-turned-professional-asshole<br />

Max<br />

(Assholes Finish First, 2011, etc.) ends his<br />

“fratire” series with another memoir full<br />

of binge drinking, upchucking and general<br />

unhinged misanthropy.<br />

Here the author cuddles up next to blowhard Bill O’Reilly,<br />

crackpot psychologists, Hollywood gossips and psychotic Army<br />

snipers. There are also plenty of repetitious barhopping stories<br />

involving Max and the angry gynophobes he hangs with, all out<br />

for some good old-fashioned recreational hate sex (or often just<br />

hate, period) with clueless sorority-type chicks. The Tucker Max<br />

formula for success He interacts with people who have the rare<br />

disability of being even more moronic than he is—and so-called<br />

hilarity ensues. Beyond the predictable mouthing off about his<br />

“awesome” life, in this latest book we also get sections featuring<br />

Max’s boring “sexting” transcripts, a self-righteous diatribe<br />

against the mother of Miss Vermont (who sued him for libel),<br />

some routine white-trash strip-club experiences and a proud<br />

recollection of the time he beat up a frail European guy. There’s<br />

also a fond remembrance of his homosocial maritime bromance<br />

with one of the macho crab fisherman of Deadliest Catch fame:<br />

Although he vomited from seasickness during much of his Alaskan<br />

fishing expedition, he seemed to be much more at ease with<br />

the rough boys on the Time Bandit than with the unfortunate<br />

females he hits on in yuppie bars. We also learn some further<br />

startling new information about the author—he likes Southern<br />

rap and hates the French! Although there’s no telling how<br />

much honesty there is behind any of Max’s chauvinist bluster,<br />

undoubtedly the most believable statement in the book comes<br />

in the penultimate chapter, where he reveals the fact that he has<br />

no girlfriend or wife. Shocking.<br />

The 18-year-old fraternity pledge’s guide to life.<br />

CLASH OF CROWNS<br />

William the Conqueror,<br />

Richard Lionheart, and<br />

Eleanor of Aquitaine—<br />

a Story of Bloodshed,<br />

Betrayal, and Revenge<br />

McAuliffe, Mary<br />

Rowman & Littlefield (248 pp.)<br />

$26.00 | $25.99 e-book | Apr. 1, 2012<br />

978-1-4422-1471-2<br />

978-1-4422-1473-6 e-book<br />

A recovery from romantic fable of some of the brightest<br />

stars of Western medieval history.<br />

Among the many notables, McAuliffe (Dawn of the Belle<br />

Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau,<br />

and Their Friends, 2011, etc.) reintroduces us to the likes<br />

of William the Conqueror, Barbarossa, Rollo the Viking, Robert<br />

Curthose of Normandy, Louis the Fat and a cadre of Henrys.<br />

(Readers will have no problem keeping them straight—the<br />

author appends a table of key people and a helpful chronology).<br />

After assessing the famously dysfunctional English household<br />

of Henry II and Eleanor of Aquitaine, McAuliffe focuses on<br />

the truly excellent adventures of their son, Richard Lionheart.<br />

In clear prose, the author examines Richard’s internecine<br />

struggles, usually with his brother, his feckless Third Crusade<br />

fighting Saladin and his many clashes with archenemy Philip of<br />

France. In these eclectic pages, we learn of 12th-century statecraft,<br />

the design of fortress castles and how to lay siege to them,<br />

the wages of mounted knights and foot soldiers, the rise of the<br />

notion of romance and the wonderful victuals consumed at<br />

great state dinners. The author weaves a selective tapestry that<br />

does not scant personal qualities of her featured players. She<br />

reveals the Conqueror’s baldness and staunch Eleanor’s attractions.<br />

Also, it appears that Lionheart may have been gay, according<br />

to the author’s research.<br />

With measured verve, McAuliffe presents an accessible<br />

text that occasionally approaches Barbara Tuchman’s talented<br />

touch.<br />

CALL OF THE MILD<br />

Learning to Hunt<br />

My Own Dinner<br />

McCaulou, Lily Raff<br />

Grand Central Publishing (336 pp.)<br />

$24.99 | Jun. 12, 2012<br />

978-1-4555-0074-1<br />

Eloquent debut memoir about a young<br />

woman’s transformation from a New York<br />

City urbanite into a small-town Oregon<br />

hunter with a conscience.<br />

In her mid 20s, journalist McCaulou suddenly found that<br />

her job as an independent film production assistant had lost its<br />

charm. While the work put her in contact with indie stars and<br />

“fun, artsy people” all over New York City, she couldn’t get away<br />

from the feeling that what she was doing was “one big, glitzy<br />

distraction.” On a whim, McCaulou accepted a job at a Bend,<br />

Ore., newspaper. She thought the experience would offer her<br />

a much-needed change of scenery and a new arsenal of journalistic<br />

skills. What she discovered was a lifestyle that, though “a<br />

distant cousin” to the one she had known, proved far more satisfying<br />

than anything she imagined. As she learned to fly-fish,<br />

McCaulou wrote articles about natural resources and the environment.<br />

One topic that intrigued her was hunting, which she<br />

had long associated with cruel and indiscriminate killing. The<br />

more she researched this sport, the more she came to believe<br />

that true hunters, as opposed to poachers, were really “environmentalist<br />

role models.” To better understand their lifestyle,<br />

McCaulou decided to take up the sport herself. She gradually<br />

grew to appreciate hunting for what it taught her about her relationship<br />

to the wilderness. Killing, and eating, a hunted animal<br />

created an intimate bond between her, another creature and, by<br />

extension, the land on which that creature lived. Throughout<br />

the book, the author shares her mostly profound insights.<br />

A powerful story in which the author shapes a narrative<br />

of personal growth into a symbol of modern humanity’s<br />

alienation from the natural world.<br />

ROAD TO VALOR<br />

A True Story of World<br />

War II Italy, the Nazis,<br />

and the Cyclist Who<br />

Inspired a Nation<br />

McConnon, Aili and McConnon, Andres<br />

Crown (352 pp.)<br />

$25.00 | Jun. 12, 2012<br />

978-0-307-59064-0<br />

Mostly uplifting account of the Tuscan<br />

champion cyclist whose prime was<br />

ruptured by the advent of World War II.<br />

The extent of Gino Bartali’s work as a courier of forged<br />

documents for Jews hiding in Tuscany has only recently gained<br />

the cyclist, who died in 2000, humanitarian recognition. The<br />

scrappy laborer’s son was 24 when he won his first Tour de<br />

France in 1938, his best years subsequently interrupted by military<br />

service when war broke out and Mussolini’s Italy was allied<br />

with Nazi Germany, yet he made his incredible comeback and<br />

won the race again for a war-defeated Italy in 1948. The McConnons—former<br />

BusinessWeek writer Aili and filmmaker Andres—<br />

have sifted through the archives and interviewed Bartali’s<br />

widow, family and former teammates. With his simple peasant<br />

beginnings in the Tuscan village of Ponte a Ema, Bartali and his<br />

younger brother, Giulio, found in cycling races around their<br />

native mountains an opportunity for distinction and money.<br />

After winning the Giro d’Italia in 1936, Bartali almost quit racing<br />

following Giulio’s fatal accident, but meeting the young woman<br />

who would become his wife, Adriana Bani, encouraged him to<br />

strive on, and he won another Giro in 1937. He was manipulated<br />

by Mussolini’s national sports directors to concentrate solely on<br />

the Tour de France; however, because of his alliance with the<br />

826 | 15 april 2012 | <strong>nonfiction</strong> | kirkusreviews.com |<br />

| kirkusreviews.com | <strong>nonfiction</strong> | 15 april 2012 | 827

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