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“A young woman who was severely<br />
traumatized by the murder of her<br />
parents must deal with the release of their killer.”<br />
from with full malice<br />
find a connection between Candace and Rowland, learn that they<br />
attended the same New Jersey high school. But the sleuths will<br />
have a tough time staying ahead of a determined killer who seems<br />
to be systematically eliminating each name from the list.<br />
Fanning supplies the multifaceted Lucinda (Mistaken Identity,<br />
2010, etc.) with another fast paced mystery that nicely displays<br />
both her strengths and weaknesses.<br />
HUSH MONEY<br />
Greaves, Chuck<br />
Minotaur (304 pp.)<br />
$24.99 | May 8, 2012<br />
978-1-250-00523-6<br />
Greaves’ ebullient first novel asks who<br />
killed a beloved horse and how—and shows<br />
some interest in human casualties as well.<br />
Because Jared Henley, the founder’s<br />
grandson who usually carries water for<br />
horsey Pasadena dowager Sydney Everett,<br />
is off on vacation somewhere, Henley & Hargrove’s director of<br />
litigation, Russell Dinsmoor, persuades Jack MacTaggart, who’s<br />
Of Counsel to the firm, to step in when Hush Puppy, Sydney’s<br />
Holsteiner stallion, dies suddenly and the pencil-pushers of Metropolitan<br />
Livestock Insurance decline to pay her claim. And no<br />
wonder, since Sydney made a tidy profit from the conveniently<br />
timed death of her injured horse Creole some years back, and veterinarian<br />
George Wells tells Jack that Hush Puppy’s death looks<br />
equally squirrelly. Jack tears himself away from the lawsuit he’s filed<br />
against the even less sympathetic insurer Hartford Allied on behalf<br />
of leukemia-stricken trash collector Victor Tazerian long enough<br />
to involve himself with Tara Flynn, stable manager at the Fieldstone<br />
Riding Club, and unearth an unholy paper trail leading right<br />
back to Henley & Hargrove. He can only wonder what Russ Dinsmoor<br />
would say about the whole mess, since Dinsmoor is as dead<br />
as Hush Puppy, brained by someone who evidently thought he<br />
knew too much about a densely layered scam involving blackmail,<br />
off-the-books medical research and serial equine murder. Don’t<br />
let all the legal shenanigans put you off: Jack, a highly unselective<br />
wiseacre, has a lighthearted anecdote for every occasion, including<br />
attacks on his own august person. An auspicious debut.<br />
Jack would be welcome back in the winner’s circle any<br />
time. (Agent: Antonella Iannarino)<br />
WITH FULL MALICE<br />
Hill, Brenda<br />
Five Star (320 pp.)<br />
$25.95 | Apr. 11, 2012<br />
978-1-4328-2572-0<br />
A young woman who was severely traumatized<br />
by the murder of her parents must<br />
deal with the release of their killer.<br />
Between the time she was orphaned<br />
and the time she became a food critic at a<br />
local newspaper, Madison Young was raised by her grandmother<br />
and homicide detective Dexter Quinn, who acted as a surrogate<br />
father. Her past comes rushing back when her editor insists<br />
that she go to a murder scene. The murdered man was a paroled<br />
sex offender who was killed execution style. The only witness<br />
describes seeing an older woman who vanished. Haunted by the<br />
murder, Madison does some research that reveals a number of<br />
criminals, either never convicted or paroled early for heinous<br />
offenses, who have been murdered all over the country, often<br />
in the vicinity of witnesses who recalled seeing an older person<br />
nearby. When her parents’ killer is paroled, Madison is so<br />
shocked that she ends up in the hospital in a coma. Recovering,<br />
she realizes that if she is ever to have a normal life she must face<br />
the fears that have kept her a prisoner since her parents’ deaths.<br />
Madison goes to Dexter with her suspicion that there may be a<br />
group of vigilantes who are killing criminals they think deserve<br />
to die and her fear that her own grandmother may be involved.<br />
The premise of Hill’s third (Beyond the Quiet, 2009, etc.)<br />
is certainly arresting, and the story holds your interest, even<br />
though some of the complications seem pretty unlikely.<br />
BLIND GODDESS<br />
Holt, Anne<br />
Translated by Geddes, Tom<br />
Scribner (352 pp.)<br />
$15.00 | paperbackJun. 5, 2012<br />
978-1-4516-3476-1<br />
Politics and drugs make uneasy bedfellows<br />
in this first case for Hanne Wilhelmsen,<br />
the Oslo police inspector most<br />
recently seen on these shores in 1222 (2011).<br />
Nobody much cares about Ludvig<br />
Sandersen, the dead addict found virtually faceless at the side of<br />
the River Aker. But it’s a different matter when attorney Hans<br />
E. Olsen is killed. Suddenly, or as close to suddenly as this slowmoving<br />
tale allows, Hanne and police attorney Håkon Sand, her<br />
old friend, are able to connect the two murders and even develop<br />
a plausible theory that links them both to a vast drug-smuggling<br />
operation. But their higher-ups don’t find their theory nearly<br />
so plausible. Neither do the judges who hear their petitions to<br />
lock up used-car salesman Roger Strømsjord and shady lawyer<br />
Jørgen Ulf Lavik. And no wonder, since the two suspects the<br />
Oslo police have already locked up—drug user Jacob Frøstrup<br />
and Dutch student Han van der Kerch—have died while in<br />
police custody. Hanne and Håkon are left to ask the same questions<br />
over and over: Why was Peter Strup, that ornament of the<br />
local bar, so determined to wrest van der Kerch’s defense away<br />
from Karen Borg, the civil attorney Sandersen’s confessed killer<br />
asked for How can they crack the coded message Frøstrup<br />
found before he died How high does the chain of corruption<br />
and coverups reach And how can the police prove what they<br />
mostly know perfectly well<br />
Fans of Henning Mankell’s majestically lumbering police<br />
procedurals will relish every twist in the long road to resolution.<br />
Less patient readers should look to Hanne’s later adventures.<br />
THE SILVER STAIN<br />
Johnston, Paul<br />
Creme de la Crime (256 pp.)<br />
$28.95 | May 1, 2012<br />
978-1-78029-018-8<br />
Johnston, best known stateside for<br />
his violent tales of futuristic Edinburgh<br />
(Water of Death, 2001, etc.), hauls Athens<br />
investigator Alex Mavros out of mothballs<br />
and packs him off to a fraught<br />
movie project in a Cretan village where<br />
a lot more than film is being shot.<br />
According to imperious director Luke Jannet and his assistant<br />
Alice Quincy, rising star Cara Parks won’t make a move without her<br />
own Greek-American assistant Maria Kondos. But Maria’s apparently<br />
made a move without Cara. Surveillance tapes nobody’s yet<br />
bothered to look at show her walking away from Heavenly Blue,<br />
the Chania hotel where the film crew is staying, shortly after receiving<br />
a call from the cell phone registered to Vasilios Dhrakakis, the<br />
corrupt mayor of nearby Kornaria, and vanishing. Would missingpersons<br />
specialist Alex (The Golden Silence, 2004, etc.) please leave<br />
his home and live-in lover, social worker Niki Glezou, right this<br />
minute and return with them to Chania, where they’re filming the<br />
World War II epic Freedom or Death Despite his aversion to flying,<br />
Alex agrees, and in no time at all he’s surrounded by drug dealers,<br />
technical advisors who act as if the war never ended, intrigue going<br />
back two generations, hints that the father he never knew may be<br />
involved, and more. By the time Alex recovers Maria, her rescue<br />
seems only a footnote to a variety of crimes, from abduction to<br />
smuggling to murder.<br />
More earnest action/adventure than mystery despite<br />
criminal misadventures in which absolutely everyone ends up<br />
implicated, and a stirring demonstration of how “Crete really<br />
did get to people, even within hours of their arrival.”<br />
RIZZO’S DAUGHTER<br />
Manfredo, Lou<br />
Minotaur (288 pp.)<br />
$24.99 | Mar. 13, 2012<br />
978-0-312-53807-1<br />
In Manfredo’s tender and terrific latest,<br />
a burned-out cop can’t quit because<br />
he’s also a devoted dad.<br />
NYPD Det. Sgt. Joe Rizzo (Rizzo’s Fire,<br />
2011, etc.) suspects he’s been on the job too<br />
long. It’s not that he’s lost effectiveness. In<br />
terms of sheer professionalism he’s probably as good as ever, maybe<br />
even better. It’s just that time and bitter experience have rubbed<br />
off the gloss since the days when he loved being a cop, replacing<br />
it with a pervasive existential heaviness best expressed by Rizzo’s<br />
mantra: “There is no right. There is no wrong. There just [obscenity]<br />
is.” For a while now Rizzo has been promising his wife Jen that<br />
resignation is just around the corner, a plan that seems eminently<br />
feasible until suddenly it isn’t. Carol Rizzo, their youngest daughter,<br />
announces—in terms as strong as Rizzo himself once used—that<br />
she too has opted for blue. Long-suffering Jen is terrified. Rizzo<br />
understands that and shares some of her very sensible anxiety<br />
while taking a certain guilty pride in his daughter’s decision. Carol’s<br />
choice, however, means that seasoned, savvy Rizzo must stay on<br />
in order to protect his beloved child as much as possible. But how<br />
much will that be<br />
Good cops, bent cops, tormented and demented cops,<br />
cops of every description inhabit Rizzo’s world, all of them<br />
utterly believable and intensely interesting. For readers<br />
compiling a short list of crime fiction, here’s an essential.<br />
SEPTEMBER SONG<br />
Murray, Colin<br />
Severn House (256 pp.)<br />
$28.95 | May 1, 2012<br />
978-0-7278-8110-6<br />
The war is long over, but the skills Tony<br />
Gérard picked up working with the Resistance<br />
continue to serve him well on the<br />
mean streets of London.<br />
Tony does a little accounting for friends<br />
and some odd jobs for Les Jackson of Hoxton<br />
Films. He’s been keeping an eye on one of Jackson’s young<br />
actors, the trouble-prone Philip Graham—but apparently not<br />
closely enough, for Graham has become involved in the drug trade<br />
and has some dangerous criminals after his hide. Jazz-loving Tony<br />
has meanwhile taken a shine to Jeannie Summers, a sexy singer<br />
whose piano-playing, drug-using husband is arrested for murdering<br />
two thugs. So not only does Tony have to try to get Graham out of<br />
trouble but he’s beset by Jeannie’s pleas to help her husband. Even<br />
his boss has begged him to help his former wife, who’s dying of<br />
cancer, find the daughter she gave up for adoption. Although the<br />
various gangs who control London’s neighborhoods generally do<br />
their best to avoid conflict, suddenly Tony finds himself in trouble<br />
with several of them as he attempts to track down some missing<br />
merchandise and come up with satisfactory solutions to his three<br />
interrelated problems.<br />
Tony’s second appearance (No Hearts, No Roses, 2011) bolsters<br />
its tense tale with plenty of down-and-dirty atmosphere.<br />
THE GIRL NEXT DOOR<br />
A Mystery<br />
Parks, Brad<br />
Minotaur (336 pp.)<br />
$24.99 | $11.99 e-book | Mar. 13, 2012<br />
978-0-312-66768-9<br />
978-1-4299-4999-6 e-book<br />
No one’s supposed to hate the girl next door.<br />
Nancy Marino is sweet-natured,<br />
genuinely friendly, endlessly selfless, the<br />
quintessential nice girl. How can you possibly<br />
not like her So when she meets sudden death, struck by a<br />
800 | 15 april 2012 | fiction | kirkusreviews.com | | kirkusreviews.com | mystery | 15 april 2012 | 801