The Degree Rituals The Supreme Council, 33 ... - Scottish Rite, NMJ
The Degree Rituals The Supreme Council, 33 ... - Scottish Rite, NMJ
The Degree Rituals The Supreme Council, 33 ... - Scottish Rite, NMJ
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
24 <strong>The</strong> <strong>Degree</strong> <strong>Rituals</strong><br />
Equity — <strong>The</strong> Seventh <strong>Degree</strong><br />
Few degree rituals of the <strong>Scottish</strong> <strong>Rite</strong> can be traced in recognizable form<br />
from origins as early as that of the 7°, “Provost and Judge.” Not only is it<br />
found in the Francken Manuscript of 1783, but that version also appears to<br />
have been a literal translation of earlier French rituals dating back to 1754.<br />
<strong>The</strong> title of the degree was derived from a biblical source, that is, the officers<br />
appointed over Israel by David (I Chronicles 23:4). <strong>The</strong> lesson of the degree<br />
from its inception has been truth, equity, and justice. <strong>The</strong> drama, as we know<br />
it, a dispute between workmen in a quarry and its eventual resolution, was<br />
first introduced with the ritual of 1894. This was amplified by addition of the<br />
trial scene in 1915. <strong>The</strong> 1941 ritual added an optional brief intermediate scene<br />
in pantomime, depicting the theft of the keystone.<br />
Thus matters stood for more than 30 years until the tentative ritual of 1974.<br />
After an extended period of trial exemplifications across the jurisdiction and<br />
further modifications, this version was approved as the ritual of 1980. As finally<br />
approved, the revised ritual included a marginally shortened ceremonial<br />
opening, a few modest word changes in the drama, and elimination of the optional<br />
pantomime scene.<br />
<strong>The</strong> ritual of 2005 eliminated the ceremonial opening in its entirety, consistent<br />
with the policy adopted by the <strong>Supreme</strong> <strong>Council</strong> in 1995, and made a<br />
number of stylistic changes in the dialogue of the drama. However, the cast<br />
of characters and the dramatic theme presented in the quarry and the trial<br />
scenes remained intact. Today, the message of the 7° is essentially the same<br />
as that which appeared in French rituals 250 years ago and is dramatized in<br />
the same fashion, as a quarry dispute, that was introduced into the ritual in the<br />
1890’s.