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96 Everything You Ever Wanted to Know About DVD<br />
4:3 aspect ratio) to get 540 lines. On a 1.78 (16:9) display, you get 405 lines.<br />
In practice, most DVD players provide about 500 lines instead of 540<br />
because of filtering and low-quality digital-to-analog converters. VHS has<br />
about 230 (172 widescreen) lines, broadcast TV has about 330 (248<br />
widescreen), and laserdiscs have about 425 (318 widescreen).<br />
Don’t confuse lines of horizontal resolution (resolution along the X axis)<br />
with scan lines (resolution along the Y axis). DVD produces exactly 480<br />
scan lines of an active picture for NTSC and 576 for PAL. The NTSC standard<br />
has 525 total scan lines, but only 480 to 483 or so are visible. (The<br />
extra lines contain sync pulses and other information, such as the Closed<br />
Captions that are encoded into line 21.) PAL has 625 total scan lines, but<br />
only about 576 to 580 are visible. Because all video formats (VHS, laserdisc,<br />
and broadcast) have the same number of scan lines, it’s the horizontal resolution<br />
that makes the big difference in picture quality.<br />
For more information, see Allan Jayne’s TV and Video Resolution Explained<br />
(http://members.aol.com/ajaynejr/vidres.htm).<br />
What’s Widescreen? How Do the Aspect Ratios Work?<br />
Video can be stored on a DVD in 4:3 format (the standard TV shape) or 16:9<br />
(widescreen). The width-to-height ratio of standard television is 4 to 3; in<br />
other words, 1.33 times wider than high. New widescreen televisions,<br />
specifically those designed for HDTV, have a ratio of 16 to 9, that is, 1.78<br />
times wider than high.<br />
DVD is specially designed to support widescreen displays. Widescreen<br />
16:9 video, such as from a 16:9 video camera, can be stored on the disc in<br />
anamorphic form, meaning the picture is squeezed horizontally to fit the<br />
standard 4:3 rectangle. It is then unsqueezed during playback.<br />
Things get more complicated when film is transferred to video, because<br />
most movies today have an aspect ratio of 1.66, 1.85 (flat), or 2.40 (scope).<br />
Because these don’t match 1.33 or 1.78 TV shapes, two processes are<br />
employed to make various movie pegs fit TV holes.<br />
Letterbox (often abbreviated to LBX) means the video is presented in its<br />
theatrical aspect ratio, which is wider than standard or widescreen TV.<br />
Black bars, called mattes, are used to cover the gaps at the top and bottom.<br />
A 1.85 movie that has been letterboxed for a 1.33 display has thinner<br />
mattes than a 2.4 movie letterboxed to 1.33 (28 percent of the display<br />
height versus 44 percent), although the former are about the same thickness<br />
as those of a 2.4 movie letterboxed to 1.78 (26 percent of display<br />
height). The mattes used to letterbox a 1.85 movie for 1.78 display are so<br />
thin (2 percent) that they’re hidden by the overscan of most widescreen