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96 Everything You Ever Wanted to Know About DVD<br />

4:3 aspect ratio) to get 540 lines. On a 1.78 (16:9) display, you get 405 lines.<br />

In practice, most DVD players provide about 500 lines instead of 540<br />

because of filtering and low-quality digital-to-analog converters. VHS has<br />

about 230 (172 widescreen) lines, broadcast TV has about 330 (248<br />

widescreen), and laserdiscs have about 425 (318 widescreen).<br />

Don’t confuse lines of horizontal resolution (resolution along the X axis)<br />

with scan lines (resolution along the Y axis). DVD produces exactly 480<br />

scan lines of an active picture for NTSC and 576 for PAL. The NTSC standard<br />

has 525 total scan lines, but only 480 to 483 or so are visible. (The<br />

extra lines contain sync pulses and other information, such as the Closed<br />

Captions that are encoded into line 21.) PAL has 625 total scan lines, but<br />

only about 576 to 580 are visible. Because all video formats (VHS, laserdisc,<br />

and broadcast) have the same number of scan lines, it’s the horizontal resolution<br />

that makes the big difference in picture quality.<br />

For more information, see Allan Jayne’s TV and Video Resolution Explained<br />

(http://members.aol.com/ajaynejr/vidres.htm).<br />

What’s Widescreen? How Do the Aspect Ratios Work?<br />

Video can be stored on a DVD in 4:3 format (the standard TV shape) or 16:9<br />

(widescreen). The width-to-height ratio of standard television is 4 to 3; in<br />

other words, 1.33 times wider than high. New widescreen televisions,<br />

specifically those designed for HDTV, have a ratio of 16 to 9, that is, 1.78<br />

times wider than high.<br />

DVD is specially designed to support widescreen displays. Widescreen<br />

16:9 video, such as from a 16:9 video camera, can be stored on the disc in<br />

anamorphic form, meaning the picture is squeezed horizontally to fit the<br />

standard 4:3 rectangle. It is then unsqueezed during playback.<br />

Things get more complicated when film is transferred to video, because<br />

most movies today have an aspect ratio of 1.66, 1.85 (flat), or 2.40 (scope).<br />

Because these don’t match 1.33 or 1.78 TV shapes, two processes are<br />

employed to make various movie pegs fit TV holes.<br />

Letterbox (often abbreviated to LBX) means the video is presented in its<br />

theatrical aspect ratio, which is wider than standard or widescreen TV.<br />

Black bars, called mattes, are used to cover the gaps at the top and bottom.<br />

A 1.85 movie that has been letterboxed for a 1.33 display has thinner<br />

mattes than a 2.4 movie letterboxed to 1.33 (28 percent of the display<br />

height versus 44 percent), although the former are about the same thickness<br />

as those of a 2.4 movie letterboxed to 1.78 (26 percent of display<br />

height). The mattes used to letterbox a 1.85 movie for 1.78 display are so<br />

thin (2 percent) that they’re hidden by the overscan of most widescreen

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