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Perfect Effects 3 User Guide - onOne Software

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<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong><br />

<strong>User</strong> <strong>Guide</strong><br />

Created: Thursday, November 10, 2011


<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong><br />

copyright © 2008­2011 <strong>onOne</strong> <strong>Software</strong>. All rights reserved.<br />

The information contained in this document is subject to change without notice.<br />

This document contains proprietary information which is protected by copyright.<br />

All rights are reserved. No part of this document may be photocopied, reproduced,<br />

or translated to another language without the prior written consent of <strong>onOne</strong> <strong>Software</strong>.


Table of Contents<br />

Chapter 1: Welcome<br />

Using this Help System<br />

Additional Resources<br />

Contacting <strong>onOne</strong> <strong>Software</strong><br />

Chapter 2: Installation<br />

System Requirements<br />

Installation<br />

Uninstalling<br />

Activation and Registration<br />

Chapter 3: What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

Chapter 4: Getting Started<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Supported File Types<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>User</strong> Interface<br />

Navigating the Preview<br />

Chapter 5: Using <strong>Perfect</strong> <strong>Effects</strong><br />

Using the <strong>Effects</strong> Library<br />

Using the <strong>Effects</strong> Stack<br />

Using Effect Options<br />

Using the Masking Tools<br />

Presets<br />

Masking Brush Controls<br />

Painting with the Masking Brush<br />

About the Masking Bug<br />

Adjusting the Masking Bug<br />

Lightroom Use<br />

Batch Processing<br />

Aperture Use<br />

Chapter 6: Preferences<br />

Chapter 7: Menus<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask<br />

1<br />

1<br />

2<br />

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26<br />

28<br />

29<br />

29<br />

30<br />

30


Preset<br />

View<br />

Window<br />

Help<br />

Keyboard Shortcuts<br />

Chapter 8: PDF Index<br />

31<br />

31<br />

32<br />

32<br />

32<br />

35


<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong><br />

Welcome to <strong>onOne</strong> <strong>Software</strong> <strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong><br />

<strong>Perfect</strong> <strong>Effects</strong> builds on the popularity of PhotoTools to give<br />

photographers an even faster and more powerful way to<br />

create images with impact. <strong>Perfect</strong> <strong>Effects</strong> 3 includes a<br />

complete library of professional quality photographic effects<br />

that can be previewed in live on your image before being<br />

applied. The new live previews are also shown in full screen so<br />

you can see your image at its best. You'll love the ability to<br />

easily stack multiple effects together to create your own<br />

unique look.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 takes the idea of stacking effects even<br />

further with the new blending options that provide even more<br />

control over how effects are combined. These advanced tools<br />

include blending modes options and the ability to limit effects<br />

to specific color or tonal range of an image.<br />

Now <strong>Perfect</strong> <strong>Effects</strong> 3 works where you do. It integrates<br />

seamlessly into your workflow whether you use Lightroom,<br />

Aperture or Photoshop and even works as a standalone<br />

application. Photoshop is no longer required.<br />

Looking for Information?<br />

If you're unable to find what you're looking for in this help<br />

system, try these alternative resources, or contact our<br />

customer support department.<br />

Most popular pages<br />

Welcome<br />

Additional Resources<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

System Requirements<br />

Using the <strong>Effects</strong> Stack<br />

Using the <strong>Effects</strong> Library<br />

What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

Using the Masking Tools<br />

<strong>User</strong> Interface<br />

Contacting <strong>onOne</strong> <strong>Software</strong><br />

rev 3.0.0 1111101 dh<br />

Home > Welcome > Using this Help System<br />

Using this Help System<br />

The user guide for <strong>Perfect</strong> <strong>Effects</strong> is presented in html and is readable in most web browsers. When you access the user guide from the help menu it will appear<br />

in your default web browser.<br />

On the left side you will see a table of contents that makes it easy to find the section you are looking for. The table of contents are hyperlinks that will take you<br />

to the specified section by clicking on them. The main body of the page will show you the content you have requested. Use the scroll-bar at the right to scroll<br />

down for additional content. You may see additional hyperlinks in the body text. They will be blue and underlined. Clicking on one of these hyperlinks will take<br />

you to more relevant information.<br />

You use the same forward and back buttons in your browser to navigate this user guide as you would a regular web page. You can even bookmark pages so<br />

you can find them quickly in the future.<br />

If you don't see what you are looking for in the table of contents, try the search field. You can type in what you are looking for and an index of pages will be<br />

created automatically that contain your search term.<br />

Printing the Manual<br />

You can also access a printable version of this manual here. It is in Adobe Acrobat (PDF) format. You will need a copy of the free Adobe Acrobat Reader to view<br />

it.<br />

See also<br />

Welcome . 1<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


2 . Welcome<br />

Additional Resources<br />

Contacting <strong>onOne</strong> <strong>Software</strong><br />

Home > Welcome > Additional Resources<br />

Additional Resources<br />

Check the Hot Topics<br />

Check the list of Hot Topics on the <strong>onOne</strong> website. The covers the most commonly asked questions.<br />

Knowledge Base<br />

Search the Knowledge Base for common bugs, tips & tricks, and compatibility issues with other software.<br />

Video Tutorials<br />

Check the online video tutorials.<br />

Technical Support<br />

Contact technical support by filing out a request form.<br />

See also<br />

Using this Help System<br />

Contacting <strong>onOne</strong> <strong>Software</strong><br />

Home > Welcome > Contacting <strong>onOne</strong> <strong>Software</strong><br />

Contacting <strong>onOne</strong> <strong>Software</strong><br />

<strong>onOne</strong> <strong>Software</strong>, Inc.<br />

15333 SW Sequoia Parkway Suite 150<br />

Portland, OR 97224<br />

Phone Main: 503-968-1468<br />

Fax: 503-968-1469<br />

http://www.<strong>onOne</strong>software.com<br />

For Technical Support please visit:<br />

http://www.<strong>onOne</strong>software.com/support<br />

Sales<br />

For sales please call 1-888-968-1468<br />

See also<br />

Using this Help System<br />

Additional Resources<br />

© 2008­2011 <strong>onOne</strong> <strong>Software</strong>, Inc. All rights reserved. <strong>onOne</strong> <strong>Software</strong> is a registered trademark of <strong>onOne</strong> <strong>Software</strong>, Inc. The <strong>onOne</strong> <strong>Software</strong> logo, and<br />

<strong>Perfect</strong> <strong>Effects</strong> are trademarks of <strong>onOne</strong> <strong>Software</strong>, Inc. Adobe, Photoshop, Photoshop Elements, Photoshop Lightroom, Flash and Acrobat are trademarks of<br />

Adobe Systems, Incorporated. Mac OSX, the Mac logo and Aperture are trademarks of Apple, Inc., registered in the U.S. and other countries. Microsoft,<br />

Windows, Windows XP, Windows Vista and .NET are registered trademarks of Microsoft Corporation. All other trademarks are the property of their respective<br />

owners.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Home > Installation<br />

Articles in this section<br />

System Requirements Installation Uninstalling Activation and<br />

Registration<br />

Home > Installation > System Requirements<br />

System Requirements<br />

Operating<br />

System<br />

Macintosh Windows<br />

Mac OSX 10.6, 10.7 (current maintenance releases)<br />

Windows XP, Windows Vista, Windows 7 (current<br />

maintenance releases)<br />

Processor Intel Core 2 Duo or better Intel Core 2 Duo or better<br />

Memory 4 GB RAM (8 GM recommended) 4 GB RAM (8 GB recommended)<br />

Hard Disk 400 MB Hard Disc Space 400 MB Hard Disc Space<br />

Display<br />

Optional Host<br />

Applications<br />

Other<br />

Home > Installation > Installation<br />

Installation<br />

OpenGL 2.0 capable video card with 256 MB dedicated<br />

VRAM running at 1280x800 or higher<br />

Adobe Photoshop CS4, CS5<br />

Adobe Photoshop Elements 9, or 10<br />

Apple Aperture 2.1 or 3<br />

Adobe Photoshop Lightroom 2 or 3<br />

Internet connection for activation, auto updates and<br />

video tutorials<br />

Adobe Flash 10 player<br />

DVD drive for installation from disc<br />

Administrator privileges to install and uninstall<br />

To install <strong>Perfect</strong> <strong>Effects</strong>, double click the installer icon and allow the installation wizard to guide you.<br />

IMPORTANT: YOU MUST CLOSE LIGHTROOM AND APERTURE BEFORE INSTALLING.<br />

Mac OS X<br />

OpenGL 2.0 capable video card with 256 MB dedicated<br />

VRAM running at 1280x800 or higher<br />

Adobe Photoshop CS4, CS5<br />

Adobe Photoshop Elements 9, or 10<br />

Adobe Photoshop Lightroom 2 or 3<br />

Internet connection for activation, auto updates and<br />

video tutorials<br />

Adobe Flash 10 player<br />

DVD drive for installation from disc<br />

Administrator privileges to install and uninstall<br />

Microsoft .NET 3.5 framework or higher (installed<br />

automatically if missing)<br />

The application and all other required files and documentation are installed in the <strong>Perfect</strong> <strong>Effects</strong> folder in the user's Applications directory.<br />

The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process.<br />

If a previous versions of <strong>Perfect</strong> <strong>Effects</strong> is found, it will be replaced.<br />

Support files and frameworks are installed into /Library/Application Support/<br />

Windows Vista and Windows 7<br />

Windows XP<br />

The application and all other required files and documentation are installed in the <strong>Perfect</strong> <strong>Effects</strong> directory in the <strong>onOne</strong> <strong>Software</strong> folder in Program<br />

Files.<br />

The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process.<br />

If a previous versions of <strong>Perfect</strong> <strong>Effects</strong> is found, it will be replaced.<br />

Support files and frameworks are installed into \ProgramData\<strong>onOne</strong> <strong>Software</strong>\<br />

Installation . 3<br />

The application and all other required files and documentation are installed in the <strong>Perfect</strong> <strong>Effects</strong> directory in the <strong>onOne</strong> <strong>Software</strong> folder in Program<br />

Files.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


4 . Installation<br />

See also<br />

The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process.<br />

If a previous versions of <strong>Perfect</strong> <strong>Effects</strong> is found, it will be replaced.<br />

Support files and frameworks are installed into \Documents and Settings\All <strong>User</strong>s\Application Data\<strong>onOne</strong> <strong>Software</strong>\<br />

System Requirements<br />

Uninstalling<br />

Activation and Registration<br />

Home > Installation > Uninstalling<br />

Uninstalling<br />

To uninstall <strong>Perfect</strong> <strong>Effects</strong> follow these instructions:<br />

Windows<br />

1. Deactivate <strong>Perfect</strong> <strong>Effects</strong> by launching it and selecting deactivate from the Help menu<br />

2. Quit Photoshop<br />

3. Click on the start menu and select Control Panel<br />

4. Double-click on Add/Remove programs<br />

5. Select <strong>Perfect</strong> <strong>Effects</strong> and click remove<br />

Note: these instructions are for Windows XP, the steps for Windows Vista are similar.<br />

Macintosh<br />

1. Deactivate <strong>Perfect</strong> <strong>Effects</strong> by launching it and selecting deactivate from the Help menu<br />

2. Quit Photoshop<br />

3. Navigate to the Plug-Ins folder of your host applications. For example: Applications/Adobe Photoshop CS3/Plug-Ins<br />

4. Locate the <strong>Perfect</strong> <strong>Effects</strong> folder and move it to the trash<br />

5. Navigate to the <strong>Perfect</strong> <strong>Effects</strong> support files and frames located at Library/Application Support/<strong>onOne</strong> <strong>Software</strong>/<br />

6. Move the <strong>Perfect</strong> <strong>Effects</strong> folder to the trash<br />

7. Navigate to the Applications folder and move the <strong>Perfect</strong> <strong>Effects</strong> folder to the trash<br />

See also<br />

System Requirements<br />

Installation<br />

Activation and Registration<br />

Home > Installation > Activation and Registration<br />

Activation and Registration<br />

<strong>Perfect</strong> <strong>Effects</strong> will operate as a trial version for 30 days from when it is installed. If you have purchased <strong>Perfect</strong> <strong>Effects</strong>, you will want to license it so you can<br />

continue to use it past the trial period. When you install <strong>Perfect</strong> <strong>Effects</strong> it will prompt you to license it. Simply click on the license button and enter your license<br />

code. Your license code can be found in your order confirmation email if you purchased <strong>Perfect</strong> <strong>Effects</strong> electronically or on a sticker on the information card in<br />

the boxed version. Your license code allows you to install <strong>Perfect</strong> <strong>Effects</strong> on two computers. When you enter your license code, <strong>Perfect</strong> <strong>Effects</strong> communicates<br />

with the <strong>onOne</strong> activation server and will activate your software. Your software must be licensed and activated to function past the trial period. If the computer<br />

you are activating does not have access to the internet, you can manually activate your software by following the manual activation instructions in the license<br />

dialog.<br />

If you wish to move your copy of <strong>Perfect</strong> <strong>Effects</strong> from one activated computer to new computer you will need to deactivate it first. Deactivation is a simple<br />

process. Simply open <strong>Perfect</strong> <strong>Effects</strong> and select deactivate from the Help menu. This will deactivate <strong>Perfect</strong> <strong>Effects</strong> on the current machine, allowing you to<br />

install and activate it on another machine.<br />

If you lose your activation code, have your computer stolen and can not deactivate it or have other activation issues please contact <strong>onOne</strong> customer service at<br />

888-968-1468 or visit the support section of the <strong>onOne</strong> software website http://www.ononesoftware.com/support.<br />

It is important to register your copy of <strong>Perfect</strong> <strong>Effects</strong> so we can provide you with the best possible service. Registered users of <strong>Perfect</strong> <strong>Effects</strong> are eligible for<br />

technical support, information regarding new versions and products, discounts and special offers on new products.<br />

See also<br />

System Requirements<br />

Installation<br />

Uninstalling<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Home > What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

The next generation of the extremely popular PhotoTools 2.6 Professional<br />

Complete library of professional quality photographic effects<br />

Live, full screen effect previews<br />

Stack, blend and combine effects to create your own unique look<br />

Works directly with Lightroom, Aperture or Photoshop<br />

New Manual Controls<br />

You now have even greater creative control over how effects are applied and<br />

combined on your image. With the New Manual Controls, you will be able to adjust<br />

every element of an effect - not just the strength but also the color, tone and<br />

texture. This provides you with a powerful way to find an effect they like and<br />

then to tweak and customize it to create they own unique look.<br />

New Live Preview<br />

Save time and boost your creativity with the new Live Preview. You will no longer have to<br />

wonder how an effect will look on your image or waste time applying an effect just to see<br />

how it looks. With Live Preview you will now be able to see what each effect looks like on your<br />

image, in real time. This is a huge timesaver and a great way to explore the creative options<br />

of the hundreds of effects in <strong>Perfect</strong> <strong>Effects</strong>. Adding a live, interactive preview of each<br />

effect was one of the top feature requests of PhotoTools users and we heard you loud and<br />

clear. So much in fact, that we rebuilt <strong>Perfect</strong> <strong>Effects</strong> from the ground up to give you the live<br />

preview functionality you asked for.<br />

New Works Where You Do<br />

What is New <strong>Perfect</strong> <strong>Effects</strong> 3 . 5<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 integrates seamlessly into your workflow, no matter what tools and<br />

software you use. Whether it's Photoshop, Lightroom, Aperture – or you can even use<br />

<strong>Perfect</strong> <strong>Effects</strong> on its own.<br />

<strong>Perfect</strong> <strong>Effects</strong> continues to work as a plug-in to Adobe Photoshop and Adobe Photoshop<br />

Elements but no longer requires them when working in Lightroom or Aperture.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


6 . What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

New Vintage <strong>Effects</strong><br />

All the rage right now, stylized and vintage effects give your images and hip, old<br />

school look. Here's just a few examples of the new effect you'll find in <strong>Perfect</strong><br />

<strong>Effects</strong>.<br />

New From the Ground Up<br />

Shortly after its initial release in 2007, PhotoTools quickly became one of the most popular plug-ins at <strong>onOne</strong> <strong>Software</strong>. And with good reason. PhotoTools leveraged the power<br />

of Photoshop and made it instantly accessible to those new to Photoshop as well as making it easier for power users to get their work done quickly.<br />

A lot has changed since 2007 in the photographer's digital workflow as more and more the photographers workflow is centered on applications like Lightroom and Aperture.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 is a direct response to this evolution. To give photographers the power of the amazing effects directly within Lightroom and Aperture, <strong>Perfect</strong> <strong>Effects</strong> was built<br />

new from the ground up.<br />

Now photographers can choose to use <strong>Perfect</strong> <strong>Effects</strong> 3 as an external editor for Lightroom and Aperture or as a Photoshop plug-in. It can even be used on it's own as a<br />

standalone application – giving photographers complete flexibility in their workflow.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Home > Getting Started<br />

Getting Started<br />

This getting started section will give you only the basics of using <strong>Perfect</strong> <strong>Effects</strong>. If you have never used <strong>Perfect</strong> <strong>Effects</strong> before this is a good place to start. You<br />

might also try watching the getting started video tutorial. For detailed information on steps and controls mentioned in the getting started section see the Using<br />

<strong>Perfect</strong> <strong>Effects</strong> section instead.<br />

Articles in this section<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Supported File Types<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>User</strong> Interface<br />

Navigating the Preview<br />

Home > Getting Started > When to use <strong>Perfect</strong> <strong>Effects</strong><br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

The broad range of effects in <strong>Perfect</strong> <strong>Effects</strong> makes it useful at many steps in the digital workflow. For example the effects in the Color & Tone category may be<br />

used early in the workflow for correcting the color and tone of an image. While effects in many categories are designed for more artistic effect may be used in<br />

the middle of the process. Finally <strong>Perfect</strong> <strong>Effects</strong> has several effects designed for sharpening in the Detail category that should be applied as the last step<br />

before printing.<br />

See also<br />

Supported File Types<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>User</strong> Interface<br />

Navigating the Preview<br />

Home > Getting Started > Supported File Types<br />

Supported File Types<br />

When used through Photoshop or Photoshop Elements, <strong>Perfect</strong> <strong>Effects</strong> supports any 8 or 16 bit RGB file that can be opened by Adobe® Photoshop®. This<br />

includes Jpeg, PSD and TIF as well as Raw files from digital cameras and many other formats. If you routinely work in Grayscale or CMYK, simply convert your<br />

image RGB before using <strong>Perfect</strong> <strong>Effects</strong>.<br />

When accessed through Lightroom or Aperture, your images will automatically be copied and converted by the host application into Photoshop (PSD) files.<br />

When accessed as a standalone application or through the <strong>Perfect</strong> Photo Suite, <strong>Perfect</strong> <strong>Effects</strong> supports reading of the following formats.<br />

Photoshop (PSD or PSB)<br />

Tiff (TIF)<br />

Jpeg (JPG)<br />

Raw files from most digital cameras<br />

<strong>Perfect</strong> <strong>Effects</strong> saves its files are layered Photoshop files. You can export these to Tiff and Jpeg as well.<br />

<strong>Perfect</strong> <strong>Effects</strong> works on a copy of the current layer. This is designed for use in page layouts like creating albums or when your image contains a single layer<br />

with no transparency. This works well for most images. If you prefer to work on a composite version of all layers you can create a merged composite layer in<br />

Photoshop (Command Option Shift E for Mac, or Control Alt Shift E for Windows) or the <strong>Perfect</strong> Photo Suite first (Command shift J for Mac or Control shift J for<br />

Windows), before launching <strong>Perfect</strong> <strong>Effects</strong>.<br />

Using <strong>Perfect</strong> <strong>Effects</strong> as a Smart Filter in Photoshop<br />

Getting Started . 7<br />

<strong>Perfect</strong> <strong>Effects</strong> will always create a new layer when it is applied to maintain your original image data. The only exception to this rule is if your target layer is a<br />

Smart Object. <strong>Perfect</strong> <strong>Effects</strong> can function as a Smart Filter on a Smart Objects. Smart Filters work like an adjustment layer. They allow you to apply <strong>Perfect</strong><br />

<strong>Effects</strong> in a non-destructive, re-editable way. To use <strong>Perfect</strong> <strong>Effects</strong> as a Smart Filter follow these steps.<br />

1. Convert to your target layer to SmartObject if it is not already. You can do this easily by going to the Filter menu and selecting the Convert for Smart<br />

Filters option.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


8 . Getting Started<br />

2. Launch <strong>Perfect</strong> <strong>Effects</strong> and use it normally.<br />

3. When you return to Photoshop you will see <strong>Perfect</strong> <strong>Effects</strong> added as a SmartFilter. From the layers palette in Photoshop you can turn <strong>Perfect</strong> <strong>Effects</strong> on or<br />

off as well as double-click on it to re-edit its settings.<br />

Note: You can use the Masking Brush on Smart Objects but if you re-edit the settings for <strong>Perfect</strong> <strong>Effects</strong> the brush strokes will be lost.<br />

Using Selections in Photoshop<br />

<strong>Perfect</strong> <strong>Effects</strong> will use selections that you create in Photoshop or with Mask Pro. This allows you to create complex selections or masks that deal with difficult<br />

subjects like hair. <strong>Perfect</strong> <strong>Effects</strong> will automatically use your selection if one is active. <strong>Perfect</strong> <strong>Effects</strong> will even prevent blurred halos around your subject.<br />

See also<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>User</strong> Interface<br />

Navigating the Preview<br />

Home > Getting Started > Opening <strong>Perfect</strong> <strong>Effects</strong><br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

Opening <strong>Perfect</strong> <strong>Effects</strong> Standalone Application<br />

1. Open the <strong>Perfect</strong> <strong>Effects</strong> Application. On Mac OSX it will live in your<br />

Applications Folder, on Windows it will live in your Start menu.<br />

2. When the application opens, it will prompt you for which file you would like to<br />

work on.<br />

3. Make your desired adjustments, and then press Apply.<br />

4. You will be prompted to save your file.<br />

Opening <strong>Perfect</strong> <strong>Effects</strong> inside the <strong>Perfect</strong> Photo Suite<br />

1. Start by opening the <strong>Perfect</strong> Photo Suite application. On Mac OSX it will live<br />

in your Applications Folder, on Windows it will live in your Start menu. You<br />

can also access the <strong>Perfect</strong> Photo Suite inside of Lightroom or Aperture as<br />

detailed above.<br />

2. The <strong>Perfect</strong> Photo Suite starts in the Layers module. Think of this as the<br />

home base where you open and save your files.<br />

3. Open the image(s) you wish to work on. You can do this from the File ><br />

Open menu or by using the Browser.<br />

4. Select <strong>Perfect</strong> <strong>Effects</strong> from the module selector in the upper right corner<br />

5. Make your adjustments in <strong>Perfect</strong> <strong>Effects</strong>, then press the Apply button<br />

6. Your image will return to the Layers module, save your work using the Save<br />

command in the File menu.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Opening <strong>Perfect</strong> <strong>Effects</strong> in Photoshop<br />

1. When you use <strong>Perfect</strong> <strong>Effects</strong> inside of Photoshop you need to open an<br />

image first.<br />

2. When you have the image you would like to work on be sure to select the<br />

layer that you would like to start with.<br />

3. Then go to the <strong>onOne</strong> Panel and select <strong>Perfect</strong> <strong>Effects</strong>.<br />

If you don't see the <strong>onOne</strong> panel, you can open it from the<br />

Window > Extensions menu.<br />

You can also access <strong>Perfect</strong> <strong>Effects</strong> from the File > Automate<br />

menu.<br />

Opening <strong>Perfect</strong> <strong>Effects</strong> in Photoshop Lightroom<br />

1. When you use <strong>Perfect</strong> <strong>Effects</strong> inside of Photoshop Lightroom you need to<br />

select and image or group of images to start.<br />

2. Then select <strong>Perfect</strong> <strong>Effects</strong> for the File > Plug-In extras menu.<br />

3. Then select the open button.<br />

If you are using <strong>Perfect</strong> <strong>Effects</strong> as part of the <strong>Perfect</strong> Photo Suite, select<br />

<strong>Perfect</strong> Photo Suite instead, and then select <strong>Perfect</strong> <strong>Effects</strong> from the<br />

module selector. Don't select multiple images unless you wish to merge<br />

them into a single layered file.<br />

You can also access <strong>Perfect</strong> <strong>Effects</strong> from the Lightroom Export dialog for<br />

batch processing.<br />

Opening <strong>Perfect</strong> <strong>Effects</strong> in Aperture<br />

1. When you use <strong>Perfect</strong> <strong>Effects</strong> inside of Aperture you need to select an<br />

image first.<br />

2. Then select <strong>Perfect</strong> <strong>Effects</strong> from the Images > Edit with menu.<br />

3. Then select the open button.<br />

See also<br />

If you are using <strong>Perfect</strong> <strong>Effects</strong> as part of the <strong>Perfect</strong> Photo Suite, select<br />

<strong>Perfect</strong> Photo Suite instead, and then select <strong>Perfect</strong> <strong>Effects</strong> from the<br />

module selector. Don't select multiple images unless you wish to merge<br />

them into a single layered file.<br />

You can also access <strong>Perfect</strong> <strong>Effects</strong> from the contextual menu by rightclicking<br />

(control-clicking) on an image and selecting Edit with > <strong>Perfect</strong><br />

<strong>Effects</strong>.<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Supported File Types<br />

<strong>User</strong> Interface<br />

Navigating the Preview<br />

Home > Getting Started > <strong>User</strong> Interface<br />

<strong>User</strong> Interface<br />

Getting Started . 9<br />

Click on any tool or control in the window below to learn its function (Adobe Flash Required)<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


10 . Getting Started<br />

See also<br />

Tip: If you work on a smaller display you can open the close the library with the Command-down arrow (Mac) or Control-down arrow(Win) short-cut.<br />

This gives the preview more room so you can use the Masking Brush.<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Supported File Types<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

Navigating the Preview<br />

Home > Getting Started > Navigating the Preview<br />

Navigating the Preview<br />

Click on any tool or control in the window below to learn its function (Adobe Flash Required)<br />

INSERT FLASH PIECE HERE<br />

Navigating the Preview<br />

<strong>Perfect</strong> <strong>Effects</strong> provides a number of easy ways to navigate and view your image in the Preview window.<br />

Hand Tool<br />

The Hand tool is used to drag the image within the Preview window, whenever the image size is larger than the viewable area.<br />

To pan (scroll) in the Preview screen:<br />

Select the Hand tool and drag the image until you locate the area you wish to view.<br />

With any other tool selected press Spacebar while you drag the image in the window.<br />

Tip: Hold down the spacebar temporarily to activate the Hand tool no matter what tool is currently selected<br />

Tip: Double-click the Hand tool in the Toolbar to set the image to a magnification that fits completely in the current window size.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Zoom Tool<br />

The Zoom tool changes the magnification of the image in the Preview screen up to 1600%.<br />

With the Zoom tool selected:<br />

Click in the Preview window to zoom in and center the image at the location clicked.<br />

Click and drag in the Preview screen to draw a rectangular marquee—the screen fills with the area within the marquee when you release the mouse.<br />

Double-click in the Preview screen to set the Preview screen to 100% magnification.<br />

Hold the Option key (Mac) or Alt key (Win) and click to zoom out.<br />

Tip: Double-click the Zoom tool in the Toolbar to set the image to 1:1 or 100% magnification, showing every pixel. This is best when adjusting<br />

textures and for examining small details.<br />

Navigator and Loupe Pane<br />

The Navigator pane gives you a complete birds-eye view of your image. The red region of<br />

interest indicator marks the area of your image that is visible in the preview pane. You can<br />

pan your image by clicking and dragging inside the red region of interest indicator. At the top<br />

of the Navigator pane are several Zoom presets. To activate a Zoom preset simply click on it.<br />

When you toggle to Loupe mode you see a magnified section of the preview under the<br />

cursor. This allows you to judge the quality of your results while maintaining a complete view<br />

of your image.<br />

Getting Started . 11<br />

Preview Window Modes<br />

The preview window has several modes, including single image, side-by-side (horizontal or vertical) and split-screen (horizontal or vertical) versions of an image.<br />

This allows you to compare layers side by side or to view a layer mask and the layer side by side.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


12 . Getting Started<br />

Pressing command (control) L will change the preview mode to Left/Right.<br />

Command-option (control-alt) L will change the preview mode to Left/Right Split screen.<br />

Pressing command (control) T will change the preview mode to Top/Bottom.<br />

Command-option (control-alt) T will change the preview mode to Top/Bottom Split screen.<br />

Pressing command (control) Y will change the view mode to single image.<br />

Pressing command (control) P will toggle the preview on/off for modal modules.<br />

In the tool well there will be an indicator button that shows the current mode, and when pressed toggles to the next mode. You can also change the mode from<br />

the View menu.<br />

In each side of the preview window you have several options as to what you wish to display. You select what you want to display from a pop-up in the bottom<br />

left corner of each preview pane.<br />

Left or Top (Before Side) Right or Bottom or Single (After Side)<br />

Overlay (this shows the mask for the current layer)<br />

White (this shows the mask for the current layer)<br />

Dark (this shows the mask for the current layer)<br />

Grayscale (this shows the mask for the current layer)<br />

Original (default option, Shows the original image)<br />

Previous Effect (Displays the results from the previous effect)<br />

See also<br />

When to use <strong>Perfect</strong> <strong>Effects</strong><br />

Supported File Types<br />

Opening <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>User</strong> Interface<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong><br />

Composite (default option, this shows the composite of all enabled layers)<br />

Overlay (this shows the mask for the current layer)<br />

White (this shows the mask for the current layer)<br />

Dark (this shows the mask for the current layer)<br />

Grayscale (this shows the mask for the current layer)


Home > Using <strong>Perfect</strong> <strong>Effects</strong><br />

Using <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>Perfect</strong> <strong>Effects</strong> is designed to work in a step-wise fashion, adding and adjusting multiple effects on top of each other. If you are a photographer, think of this<br />

like adding filters over your cameras lens. First you would add a polarizer to increase the contrast. Next you would add a graduated neutral density filter to<br />

darken the sky and perhaps at a vignette lens hood to darken the edges. This same concept is what drives <strong>Perfect</strong> <strong>Effects</strong>, except you have many more filters<br />

and much more flexibility and control.<br />

<strong>Perfect</strong> <strong>Effects</strong> provides several ways to work depending on your user level. It works for beginners through advanced users. Below are example workflows for<br />

different user levels.<br />

Beginner<br />

A user who is just starting to use <strong>Perfect</strong> <strong>Effects</strong> and who has never used PhotoTools in the past can simple click on a simple effect and apply it. This is the<br />

easiest way to get started.<br />

1. Start by opening an image into <strong>Perfect</strong> <strong>Effects</strong><br />

2. At the bottom you will see your image with different effects applied. You start out in the Black and White category, but you can switch to any other<br />

category by clicking on the category tab<br />

3. Simply click on the effect you like and press the Apply button<br />

Intermediate<br />

An intermediate user will probably stack effects and adjust their strength. Is will be familiar to PhotoTools users.<br />

1. Start by opening an image into <strong>Perfect</strong> <strong>Effects</strong><br />

2. Add an effect from the bottom library, adjust its strength with the strength slider at the bottom of the Effect Stack<br />

3. Add another effect layer by pressing the add button in the Effect Stack, then selecting an effect from the library<br />

4. Continue to add effect layers, filling them with an effect and adjusting each effects strength.<br />

5. When you have created an effect stack you like, press the Apply button.<br />

Advanced<br />

An advanced user will stack multiple effects, adjust not just the strength but the blending options and effect options and use the masking tools to selectively<br />

apply effects.<br />

1. Start by opening an image into <strong>Perfect</strong> <strong>Effects</strong><br />

2. Enable Advanced mode by selecting the advanced mode tab in the right column<br />

3. Add an effect from the library at the bottom<br />

1. For many effects you can adjust the effect options in the Effect Options pane. This pane contains controls relevant to the selected effect.<br />

Using the <strong>Effects</strong><br />

Library<br />

2. Using the blending options dialog you can control the strength and blending mode. You can also control which color or tonal ranges are affected<br />

4. Continue adding effect layers and adjusting the effect options and blending options to achieve the desired look.<br />

5. You can use the masking tools to selectively apply each effect layer by painting them in or out or applying an effect as a gradient or vignette.<br />

6. When you have created an effect stack you like, press the Apply button. You can also save a stack as a preset so it can be used again in the future.<br />

Articles in this section<br />

Using the <strong>Effects</strong><br />

Stack<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the <strong>Effects</strong> Library<br />

Using the <strong>Effects</strong> Library<br />

Using Effect Options Using the Masking<br />

Tools<br />

Using <strong>Perfect</strong> <strong>Effects</strong> . 13<br />

Presets Lightroom Use Aperture Use<br />

The <strong>Effects</strong> Library is the heart of <strong>Perfect</strong> <strong>Effects</strong>. It contains all the effects and presets that you will work with in <strong>Perfect</strong> <strong>Effects</strong>. It is located at the bottom of<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


14 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

the main window. The Library helps you find the perfect stack of effects.<br />

The Effect Library is divided into categories like Black & White, Glows, Movie Looks, etc. Each category is represented as a tab at the top of the Library.<br />

Each effect or preset appears as thumbnail of your image with the effect applied. This real-time preview makes it easy to see the results of each effect.<br />

You can mouse over a thumbnail of an effect to see a larger version as well as a description.<br />

You can click on an effect to set it as the active effect for the current effect layer in the Effect Stack.<br />

You can also browse user created presets in the Presets category.<br />

Adjusting the <strong>Effects</strong> Library Appearance<br />

Normally the <strong>Effects</strong> Library is in filmstrip view. It looks like a horizontal strip of thumbnails. You scroll left and right to reveal images. There are two other modes, which<br />

we will talk about below.<br />

At the top of the <strong>Effects</strong> Library are tabs of each category.<br />

You can switch from tab to tab by clicking on the tab you are interested in.<br />

If you have more tabs than can be viewed at once in the window, right and left navigation areas appear.<br />

Below the category strip are the actual thumbnails. In the case of the Presets category, it also shows icons for sub-categories.<br />

You can explore a sub-category by double-clicking on it.<br />

You can change the size of the thumbnails by changing the height of the browser. This is accomplished using the resize handle at the top center of the<br />

browser. You can click and drag on the handle to make the browser area larger or smaller.<br />

When you mouse over a thumbnail a pop-up will display a larger version of the image. This is useful for determining small differences between images without<br />

the need to open the full sized images.<br />

You cannot delete, move or rename images in the browser.<br />

The browser can also be set to a matrix<br />

view. This is accomplished by pressing<br />

the matrix icon at the right of the<br />

breadcrumbs section. Matrix view is<br />

handy when you have a large number of<br />

images in a folder. Working in matrix<br />

view is the same as film strip view.<br />

You can also minimize the browser to provide more space to the preview area. This is handy when working on a small display. This is also accomplished by pressing the<br />

minimized icon at the far right of the breadcrumbs section.<br />

You can toggle between minimized and either film strip of matrix view by double-clicking on a browser tab or by using the command (control) down arrow<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


See also<br />

keyboard short-cut.<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the <strong>Effects</strong> Stack<br />

Using the <strong>Effects</strong> Stack<br />

When you add an effect to your image it will appear on the current Effect Layer in the<br />

<strong>Effects</strong> Stack pane. The Stack works similar to the Layers and History palettes in Photoshop,<br />

or the Stack in PhotoTools. At the bottom of the <strong>Effects</strong> Stack is your original image. Each<br />

effect you select in the Library will replace the effect on the currently selected Effect Layer.<br />

You can create as many Effect Layers as you need and put different effects or presets into<br />

each.<br />

You can move forward and backward in time by selecting different Effect Layers in the Stack.<br />

For example if you had an <strong>Effects</strong> Stack with the original and three <strong>Effects</strong> Layers applied,<br />

you could go back to the first Effect Layer by selecting it in the <strong>Effects</strong> Stack. The second<br />

and third <strong>Effects</strong> Layers will appear disabled and your preview will show only the results of<br />

the original with the first Effect Layer applied. You can then click on the third Effect Layer,<br />

the most recently applied, and the second and third effects will appear active again and the<br />

preview will show the results of all three effects. The results of each Effect Layer in <strong>Perfect</strong><br />

<strong>Effects</strong> are cumulative, so the results of the first effect are passed to the second effect and<br />

so forth. It is best to work with <strong>Perfect</strong> <strong>Effects</strong> in a step-by-step process, knowing that the<br />

results from each step are the starting point for the next effect. This means that when<br />

selecting the effects to apply, think about the workflow processes you would use in<br />

Photoshop. It is best to make color and tonal adjustments first, followed by special effects<br />

and finish with final touches such as vignettes and sharpening. Thinking of the proper steps<br />

to add effects in <strong>Perfect</strong> <strong>Effects</strong> will give you better and faster results.<br />

Changing the Current Effect<br />

When you start in <strong>Perfect</strong> <strong>Effects</strong>, there will be an empty Effect Layer on top of your<br />

original. Your original is at the bottom of the Effect Stack and is named after the target layer.<br />

To add an effect to the empty Effect Layer first make sure it is selected, then click on any<br />

effect thumbnail in the bottom <strong>Effects</strong> Library. You can change the effect in an Effect Layer<br />

simply by clicking on a different effect thumbnail in the Library.<br />

Adding <strong>Effects</strong><br />

To add another Effect Layer so you can stack multiple effects, click on the Add button at the<br />

bottom of the <strong>Effects</strong> Stack. This creates a new empty Effect Layer. Then select an effect to<br />

fill it with from the Library. You can also double-click on an effect in the Library to place it in<br />

the current Effect Layer and add a new empty Effect Layer above it. This is similar to the<br />

behavior of PhotoTools.<br />

Hiding <strong>Effects</strong><br />

An effect may be temporarily hidden by pressing the eye icon next to the effect in the Stack.<br />

You can reveal a hidden effect by pressing the where the icon was a second time. When you<br />

hide an effect you are not removing it from the Stack and you can reactivate it at anytime.<br />

Keep in mind that hiding an effect in the middle of the Stack may take a moment to re-render<br />

and update your preview.<br />

Changing Effect Order<br />

<strong>Effects</strong> may be reordered in the Stack by simply clicking and dragging them into the desired<br />

position. Reordering effects can have a huge difference on the results of the image.<br />

Reordering effects will cause the Stack to re-render, which may take a few moments.<br />

Removing and Effect<br />

You can remove an effect by selecting it and then pressing the Delete button at the bottom<br />

of the <strong>Effects</strong> Stack Pane or by pressing the delete key on your keyboard.<br />

Using <strong>Perfect</strong> <strong>Effects</strong> . 15<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


16 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

Tip: You can clear all the effects from the Frame Stack at once by option (alt)<br />

clicking on the delete button<br />

Adjusting the Strength<br />

The Strength slider controls how the selected effect blends with the previous effect or the<br />

original image. You can adjust the Strength for any effect in the Stack by selecting it and<br />

then adjusting the Strength slider. In many cases adjusting the Strength slider effectively<br />

adjusts the strength of an effect. For example if you add a black and white conversion<br />

effect, sliding the Strength down will reveal some of the color from the previous state. In<br />

most cases the Strength slider will be set to 100% when you add an effect, however with<br />

some effects like vignettes and soft focus effects it may be set at 50%. Adjusting the<br />

Strength slider to greater than 50% will make the effect stronger, while adjusting it to less<br />

than 50% will make the effect weaker. The Strength slider is the key to achieving a great<br />

deal of control and variability with <strong>Perfect</strong> <strong>Effects</strong>.<br />

Expanding a Preset<br />

If your current Effect Layer contains a user-created preset you can expand it, revealing all<br />

of the steps (Effect Layers) in the preset. This allows you to adjust the strength, blending<br />

options or Effect Options for each Effect Layer.<br />

Adjusting Blending Options<br />

Blending options are available when the user mode is set to Advanced. The Blending<br />

Options dialog is opened by pressing the Blending Options button at the bottom of the<br />

<strong>Effects</strong> Stack.<br />

Blending Options control how one effect layer blends with the previous. Not only can you<br />

adjust the Strength (opacity) of and effect but many other options:<br />

See also<br />

Blending Mode: Sets the blending mode of the current effect layer. By default the<br />

blending mode is Normal but you have access to all the blending modes from<br />

<strong>Perfect</strong> Layers.<br />

Apply Effect to: Limits the effect to only certain color or tonal ranges of the<br />

image. These automatically generated masks are very useful. If you only want<br />

your effect to change the midtones, or the reds, or only the saturated colors you<br />

amazing control. The Fuzziness slider under the Apply Effect To pop-up sets how<br />

precise the range to be affected will be. A large fuzziness setting will create the<br />

most natural transitions.<br />

Protect: The protect sliders are used to shield certain color or tonal ranges. These<br />

ranges include the highlights, shadows and skin colors. If you adjust the Flesh<br />

Colors control you can also narrow the color range down by selected a specific<br />

ethnicity.<br />

Using the <strong>Effects</strong> Library<br />

Using Effect Options<br />

Using the Masking Tools<br />

Presets<br />

Lightroom Use<br />

Aperture Use<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using Effect Options<br />

Using Effect Options<br />

New in <strong>Perfect</strong> <strong>Effects</strong> is completely new processing engine. Rather than<br />

relying on Photoshop, <strong>Perfect</strong> <strong>Effects</strong> has its own image-processing<br />

engine. This allows you to control the settings for each effect down to the<br />

smallest detail. There are eleven base filters that do all of the work in<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


<strong>Perfect</strong> <strong>Effects</strong>. Stacking and blending these filters are what create the<br />

effects and presets you see in the bottom Library. These filters are<br />

accessed in the Effect Options pane when advanced mode is enabled. The<br />

filters are:<br />

Black and White<br />

Blur<br />

Borders<br />

Color Enhancer<br />

Duotone<br />

Glow<br />

Photo Filter<br />

Sharpen<br />

Texturing<br />

Tone Enhancer<br />

Vignette<br />

Many of the effects in the Library are basic presets for a single filter.<br />

When you select the effect in the Library, the Effect Options pane will<br />

switch to the correct filter and will show the settings used. You can then<br />

adjust the settings as needed.<br />

Some of the effects in the Library are complex factory presets that use<br />

multiple filters at the same time. When you select one of these, the Effect<br />

Options will display preset. Factory created presets can still be masked and<br />

have their strength and blending options adjusted.<br />

<strong>User</strong> created presets will also appear as a preset in the Effect Options<br />

pane. However factory presets can not be masked or have their overall<br />

strength or opacity adjusted. You can expand a user preset into the Effect<br />

Layers that created it by pressing the expand the button in the bottom of<br />

the stack. You can then adjust the effect options for each Effect Layer.<br />

See also<br />

Using the <strong>Effects</strong> Library<br />

Using the <strong>Effects</strong> Stack<br />

Using the Masking Tools<br />

Presets<br />

Lightroom Use<br />

Aperture Use<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the Masking Tools<br />

Using the Masking Tools<br />

New in <strong>Perfect</strong> <strong>Effects</strong> is the ability to selectively apply each effect in the <strong>Perfect</strong> <strong>Effects</strong> stack. <strong>User</strong>s can use the new Masking Brush to selectively apply<br />

each effect to the image. This opens a whole new world of control for <strong>Perfect</strong> <strong>Effects</strong> users. Using the Masking Brush is just like using a layer mask in<br />

Photoshop to hide or reveal the effect in specific, user-defined areas of the image. The Masking Brush even supports pressure-sensitive Wacom tablets for<br />

the ultimate in control.<br />

Each effect that you add to the Stack has a hidden mask already applied so you can grab the Masking Brush and paint-in or paint-out an effect on an effectby-effect<br />

basis.<br />

Viewing the Mask<br />

Using <strong>Perfect</strong> <strong>Effects</strong> . 17<br />

<strong>Perfect</strong> <strong>Effects</strong> allows you to view the mask for each layer that you have created with the Masking Brush and Masking Bug. You can view the mask in several<br />

modes, which are accessible from the Show Mask pop-up in the Masking Pane, from the Masking menu, the masking tool inspectors or from the preview window<br />

mode pop-up in the bottom left of each preview pane. Below are examples of the different mask view modes. You can toggle mask view on and off with the<br />

command (Mac OSX) or control (Windows) plus m keyboard shortcut.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


18 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

Overlay<br />

The masked area appears as 50% red. This is similar to the Quick Mask view in Photoshop<br />

White<br />

The masked area appears as solid white.<br />

Dark<br />

The masked area appears as 90% black.<br />

Grayscale<br />

The masked area appears as black, the unmasked areas appear as white. This is the same as<br />

viewing a layer mask in Photoshop.<br />

See also<br />

Using the <strong>Effects</strong> Library<br />

Using the <strong>Effects</strong> Stack<br />

Using Effect Options<br />

Presets<br />

Lightroom Use<br />

Aperture Use<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the Masking Tools > Masking Brush Controls<br />

Masking Brush Controls<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


The Masking Brush is accessed from the brush icon in the toolwell on the left of the preview<br />

window. When you select the brush, the icon will highlight and the tool will appear as a circular<br />

brush in the after preview window. The brush will appear as two concentric circles.<br />

The outer circle represents the outer edge, or soft edge of the brush<br />

The inner circle represents the hard edge of the brush<br />

The relationship between the hard edge and soft edge are controlled with the brush size and<br />

brush feather controls.<br />

The Masking Brush options are controlled from the Masking Brush Inspector. You can open and<br />

close the inspector by pressing the "i" key on your keyboard or pressing the "i" icon at the<br />

bottom of the toolwell. The Masking Brush Inspector contains the following controls:<br />

See also<br />

Brush Size: The Brush Size slider adjusts the overall size of the brush. This is the outer<br />

circle of the brush.<br />

You can adjust the brush size using the left and right bracket keys ( [ or ] ) on<br />

your keyboard just like you would in Photoshop<br />

Brush Feather: The Feather slider adjusts how hard the edge of the brush is or how<br />

hard the edge of the Masking Bug is.<br />

At a low setting the brush will have a hard, distinct edge. The inner and outer<br />

circles will be close together<br />

At a higher feather setting the brush will have a softer, feathered<br />

appearance. The inner and outer circles will be farther apart. Generally, a softedged<br />

brush will blend the effect in or out in a more realistic way<br />

You can adjust the brush feather using the shift + left or right bracket keys ( [<br />

or ] ) on your keyboard just like you would in Photoshop<br />

Brush Opacity: The Opacity slider adjusts how much "paint" is applied with each brush<br />

stroke, or how strong the overall Masking Bug is.<br />

At a low opacity it will take many strokes to paint-in or paint-out an effect. Low<br />

settings are good when fine control is required or you want the effect to be<br />

subtle<br />

Higher opacity settings are good when you need to quickly change the<br />

strength of an effect<br />

You can adjust the brush opacity using the number keys on your keyboard (1-<br />

0, 1=10%, 2=20% etc.) just like you would in Photoshop.<br />

With the Masking Bug, an opacity of 100% of the Masking Bug mask is strong,<br />

at a lower opacity the mask becomes weaker.<br />

Wacom Controls: The Masking Control in <strong>Perfect</strong> <strong>Effects</strong> supports Wacom® pressure<br />

sensitive drawing tablets. This allows you to control both the brush size and opacity<br />

with your Wacom tablet.<br />

If Brush Size is selected the harder you press with your stylus the larger the<br />

brush will appear, up to the maximum size set by the Brush Size slider<br />

If the Opacity is selected the harder you press with your stylus the stronger,<br />

or more opaque the brush stroke will appear, up to the maximum opacity set<br />

by the Opacity Slider<br />

Show Mask: The Show Mask pop-up lists several mask preview modes so you can<br />

understand the effect of your painting.<br />

Keep in mind that in grayscale mode, white areas of the mask show the current<br />

effect, while black areas hide the current effect<br />

You can toggle the viewing of the mask using the command - M (Mac) or<br />

controls - M (Windows) keyboard shortcut.<br />

Painting Mode: The Paint-in/Paint-out/Erase Toggle changes the "color" that the brush<br />

uses.<br />

In the paint-in mode, the brush paints in white revealing the current effect<br />

In paint-out mode, the brush paints with black paint which will hide the current<br />

effect<br />

In Erase mode, the brush paints away any brush stroke, either paint in or paint<br />

out.<br />

You can change the paint mode by pressing the "x" keyboard short-cut<br />

Invert: The Invert Mask button will invert the current mask. This can be useful if you<br />

wish to paint an effect in that normally applies to the entire image.<br />

For example if you want to paint-in the Auto Skin Smoother effect to only a<br />

small part of the image you could add the effect to your stack and then press<br />

the invert mask button to hide the effect and then use the Masking Brush set<br />

to paint-in to apply the effect only where you want it<br />

You can invert the mask using the command - I (Mac) or control - I (Windows)<br />

keyboard shortcut<br />

Reset: The Reset Mask button will reset the mask to completely white, revealing the<br />

current effect.<br />

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20 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

Painting with the Masking Brush<br />

About the Masking Bug<br />

Adjusting the Masking Bug<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the Masking Tools > Painting with the Masking Brush<br />

Painting with the Masking Brush<br />

Painting-In<br />

Any effect can be painted-in only where you like. This is useful for making small changes like burning, dodging or sharpening. The key to painting an effect in is<br />

to press the invert button in the Masking Brush Inspector. This will hide the results of the effect and set the brush mode to paint-in. Now paint on your image<br />

where you want the effect to appear. Follow these steps to paint an effect in:<br />

1. Select an effect from the Library<br />

2. Select the Masking Brush<br />

3. Press the Invert button in the Masking Brush Inspector<br />

4. Paint in the After side of the preview window to see your effect appear. You may need to adjust the brush size and opacity to get the control you<br />

desire.<br />

5. If you make a mistake with the brush you can toggle to Paint-Out and paint your mistake away.<br />

Painting-Out<br />

All of the effects in <strong>Perfect</strong> <strong>Effects</strong> can be painted-out. This is useful if you want to protect part of an image from the results of an effect. A good example<br />

would be removing an effect from skin on your subject. You can use the Masking Brush set to Paint-Out to brush away the effect from these areas. Follow<br />

these steps to paint an effect out:<br />

1. Select an effect from the Library<br />

2. Select the Masking Brush (note the brush mode is automatically set to Paint-Out)<br />

3. Paint in the After side of the preview window over the areas that you want to remove the effect from. You may need to adjust the brush size and<br />

opacity to get the control you desire.<br />

4. If you make a mistake with the brush you can toggle to Paint-In and paint your mistake away.<br />

See also<br />

Masking Brush Controls<br />

About the Masking Bug<br />

Adjusting the Masking Bug<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the Masking Tools > About the Masking Bug<br />

About the Masking Bug<br />

The Masking Bug is a fast way to create a mask that blends the current Effect Layer with those under it. This<br />

allows you to quickly apply effects such as vignettes and graduated filters in an adjustable, customizable<br />

shape and position. The Masking Bug technology comes from FocalPoint and if you have ever used it there it<br />

will be familiar in <strong>Perfect</strong> <strong>Effects</strong> It appears as a wire-frame representation of an insect. It has a body, legs<br />

and antennae. The Masking Bug gives you a fast and tactile way to control the most commonly used masking<br />

controls in <strong>Perfect</strong> <strong>Effects</strong>. The Masking Bug controls the position, size and shape of the mask as well as the<br />

fade amount, opacity and feather.<br />

Once you have played with the Masking Bug for a few minutes you will get the hang of using it. And it will<br />

become fast and intuitive for you to a use, just like adjusting a zoom lens on a camera.<br />

Masking Bug Shapes<br />

The Masking Bug has two shapes, round or rectangular. The bug shape is controlled in the Masking pane from the shape pop-up. The Masking Bug tool<br />

changes appearance from a round body to a square body depending on which shape is used. The round shape is the default. This creates a round or oblong<br />

mask.<br />

The second shape, rectangular, creates a rectangular or graduated filter appearance.<br />

Round Masking Bug Round Masking Bug with grid visible Round Masking Bug with grid and mask<br />

visible<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Rectangular Masking Bug Rectangular Masking Bug with grid visible Rectangular Masking Bug with grid and mask visible<br />

Tip: You can use the Invert button to flip the mask for the Masking Bug. This will apply the effect in the opposite way.<br />

Masking Bug Inspector<br />

The Masking Bug Inspector contains several useful controls that are not available by<br />

adjusting the legs or antennae of the Masking Bug. If the inspector is hidden you can open it<br />

using the "i" keyboard shortcut or by pressing the "i" icon at the bottom of the tool well.<br />

See also<br />

Edge Feather: Controls the feather, or hardness, of the mask.<br />

Opacity: Controls the opacity, or thickness of the mask. The default is 100% which<br />

will completely hide the selected Effect Layer.<br />

Shape: Controls the Masking Bug shape, either Round or Rectangle<br />

Show Mask: Shows a selection of mask preview modes. These are useful for<br />

understanding the affect of the Masking Bug<br />

Show Grid: Toggles the visibility of the Masking Bug grid on and off<br />

Invert: Inverts the Masking Bug mask.<br />

Reset: Resets the mask to completely white.<br />

Masking Brush Controls<br />

Painting with the Masking Brush<br />

Adjusting the Masking Bug<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Using the Masking Tools > Adjusting the Masking Bug<br />

Adjusting the Masking Bug<br />

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22 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

Adjusting the Size, Shape and Position<br />

To position the Masking Bug make sure you have it selected from the toolwell and that you have the correct Effect Layer selected in the Stack. Then click to<br />

place a Masking Bug on your image. Click, hold and drag inside the body of the bug to reposition it.<br />

To control the size and shape of the mask you will need to manipulate the legs of the Masking Bug. The legs are the shorter appendages that extend out of the<br />

Masking Bug body. On the round Masking Bug there will be four legs. On the rectangular Masking Bug there will be only two legs. To adjust a leg click, hold and<br />

drag it with your mouse. You will know when you can select a leg by the end of it glowing blue when your mouse pointer approaches it. The length of the legs<br />

control the size and shape of the sweet-spot. You can also rotate the legs around the body to change the angle of rotation of the sweet-spot.<br />

There are several keyboard modifiers that are useful when adjusting the size of the Masking Bug:<br />

Holding down option (Mac) or Alt (Windows) When you are changing the size, locks the proportions and grows equally from the center.<br />

Holding down shift will lock the rotation so you can adjust the length of a leg without rotating the mask.<br />

Tip: It is often useful to turn on the grid when adjusting the Masking Bug. This will allow you to see the exact size, shape and position of the sweetspot.<br />

You can turn on the grid by going to View > Masking Bug Grid and selecting Auto or On. The grid is set to Auto by default, meaning it will only<br />

appear when you are adjusting the Masking Bug.<br />

Using the Antennae<br />

The antennae of the Masking Bug control the Strength amount as well as the opacity and feather of the mask. You adjust the antennae the same as the legs.<br />

Click, hold and drag the antenna you wish to adjust.<br />

The right antenna controls strength amount and feather. The length of the antenna controls the Strength amount. The longer the antenna the stronger the<br />

effect will be. The angle of the antenna in relation to the body controls the feather or the transition between the sweet-spot and the rest of the image.<br />

You can lock the antenna so you only adjust one of its variables at a time.<br />

By holding down the shift key while adjusting an antenna it will be locked to adjust only the antenna length.<br />

You may hold down shift and command (Mac) Control (Windows) to constrain the adjust to the angle instead.<br />

The length of the left antenna controls the opacity of the mask.<br />

Adjusting the 3-D Tilt<br />

You can also use the Masking Bug to tilt the plane of the mask. This will vary the gradation on each side of the mask. To control the tilt click and hold the option<br />

(Mac) alt (Windows) key and then click and drag inside inside the body of the Masking Bug. You will notice the grid will appear and as you move your cursor<br />

inside the Masking Bug’s body the grid will tilt in three dimensions. You can reset the tilt by holding option (Mac) alt (windows and double­clicking inside the<br />

Masking Bug’s body.<br />

Round Masking Bug tilted to the right Round Masking Bug tilted to the right with mask visible<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Rectangular Masking Bug tilted to the right Rectangular Masking Bug tilted to the right with mask visible<br />

Adjusting the Masking Bug Feather<br />

The feather controls how hard the edge of the sweet-spot is. The harder the edge, the more obvious the transition is between the sweet-spot and the rest of<br />

the image. Generally a setting of 25-50 is used. The feather is also controlled the angle of the right antenna.<br />

Small feather, hard edge High feather, soft edge<br />

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24 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

Adjusting the Masking Bug Opacity<br />

The opacity controls the opacity of the sweet-spot. At a setting of 100%, the sweet-spot is completely protected from or completely applying the effect. As the<br />

opacity is decreased, the sweet-spot begins to soften. In most cases you will want the opacity to remain at 100%. The opacity is also controlled with the left<br />

antenna.<br />

100% Opacity 50% Opacity<br />

See also<br />

Masking Brush Controls<br />

Painting with the Masking Brush<br />

About the Masking Bug<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Presets<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Presets<br />

Presets are vital to use <strong>Perfect</strong> <strong>Effects</strong> effectively in your workflow. Presets store the entire stack of effects and all of their strength, blending options and<br />

MaskingBug settings. Using a preset helps you reproduce your favorite looks quickly. Presets are also accessible from the <strong>onOne</strong> menu in Photoshop and the<br />

Export dialog in Lightroom.<br />

You can also share your presets with other users of <strong>Perfect</strong> <strong>Effects</strong>. This could be as simple as placing them on the computers in your studio so your staff can<br />

access them, or sharing them online for other users of <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>onOne</strong> also makes available add-on preset packs that contain additional presets you can download from the <strong>onOne</strong> website.<br />

Browsing Presets<br />

You can browse presets just like you browse for any effect. Presets appear in the Presets category in the <strong>Effects</strong> Library at the bottom of the window.<br />

You can see details such as description and author by lingering over the thumbnail of a preset in the library.<br />

Your last six used Effect Stacks are automatically saved as recently used presets in the Recently Used category in the presets category.<br />

Using Presets<br />

You can use a preset just like using any other effect. Just click on it to replace the effect in the current Effect Layer. Preset names appear in italics in the Effect<br />

Stack. Presets do not allow you to set their strength, blending options, effect options or use the masking tools unless you expand them. Expanding a preset<br />

shows all of the effects used to create it. You can then adjust the strength, blending options, effect options and masking on an Effect Layer basis.<br />

You can also apply presets directly from the <strong>onOne</strong> menu or the Export dialog in Lightroom<br />

Saving Presets<br />

Saving a preset is simple. Once you have a stack that you wish to save, go to the<br />

Preset menu and select Save Preset.<br />

The New Preset dialog will appear (shown to the right). There are several fields to<br />

complete including the preset name, the category, creator and description.<br />

In the category pull-down you can select which existing category the preset should<br />

saved into. You can also create a new category this way by selecting new category<br />

from the bottom of the list.<br />

You can edit a preset's name, creator, description or keywords by selecting it and then selecting Edit Preset Info from the Preset menu. If you want<br />

to edit the effects in a preset, load it into your stack, make your adjustments and then re-save the preset with the same name and location.<br />

Deleting Presets<br />

You can remove a preset from <strong>Perfect</strong> <strong>Effects</strong> if you no longer want to have access to it. To remove a preset, follow these steps:<br />

1. Open <strong>Perfect</strong> <strong>Effects</strong><br />

2. Select the preset you wish to remove in the Library<br />

3. Select Delete Preset from the Preset menu.<br />

Note: Deleting presets removes them from your hard drive and you will no longer be able to use them. If you need to reload a preset you have<br />

deleted, follow the instructions in the sharing presets section.<br />

Importing and Sharing Presets<br />

You can import presets you have downloaded from the <strong>onOne</strong> website or other site using these steps.<br />

1. Download and if needed unzip the presets. <strong>Perfect</strong> <strong>Effects</strong> presets will have a .ON<strong>Effects</strong> extension.<br />

2. Simply double-click on a preset. If you want to add multiple presets at the same time, select all of them first.<br />

3. <strong>Perfect</strong> <strong>Effects</strong> will open and you will be asked which category you want to place the presets into. Select a category.<br />

Using <strong>Perfect</strong> <strong>Effects</strong> . 25<br />

4. That's it, next time you use <strong>Perfect</strong> <strong>Effects</strong> the new presets will be located in the category you selected. You can delete the files you downloaded, they<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


26 . Using <strong>Perfect</strong> <strong>Effects</strong><br />

have been copied into <strong>Perfect</strong> <strong>Effects</strong>.<br />

You can share presets like you would share any other file, such as email or posting them to a website. First you need to find the preset files. The easiest way it<br />

to open <strong>Perfect</strong> <strong>Effects</strong>, then from the Preset menu select Show Presets Folder. A Finder (Mac) or Explorer (Win) window will open and will display the presets<br />

folder. In the presets folder are sub-folders for your preset categories. Inside each sub-folder are the individual preset files, with a .ON<strong>Effects</strong> extension. You<br />

can copy these presets to another computer, attach them to an email or post them on a website.<br />

See Also<br />

Using the <strong>Effects</strong> Library<br />

Using the <strong>Effects</strong> Stack<br />

Using Effect Options<br />

Using the Masking Tools<br />

Lightroom Use<br />

Aperture Use<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Lightroom Use<br />

Lightroom Use<br />

To Apply <strong>Perfect</strong> <strong>Effects</strong> with manual, custom interaction to an image or group of images in Photoshop Lightroom follow these instructions:<br />

1. Open Photoshop Lightroom<br />

2. Select an image(s)<br />

3. Go to File > Plug-in Extras<br />

4. Select <strong>Perfect</strong> <strong>Effects</strong><br />

5. <strong>Perfect</strong> <strong>Effects</strong> will appear. You can now select a preset or manually adjust the image. When you select apply, the settings used for the first image will<br />

be applied automatically to any other images you had selected.<br />

See also<br />

Batch Processing<br />

Tip: The file handing when working in Lightroom is controlled in the Preferences.<br />

Tip: If you have the <strong>Perfect</strong> Photo Suite, you access <strong>Perfect</strong> <strong>Effects</strong> through it inside of Lightroom. You will see <strong>Perfect</strong> Photo Suite instead of<br />

<strong>Perfect</strong> <strong>Effects</strong> in the Plug-In Extras menu. Don't select multiple images in Lightroom unless you want to stack them into a single layered file. See the<br />

Opening <strong>Perfect</strong> <strong>Effects</strong> section.<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Lightroom Use > Batch Processing<br />

Batch Processing<br />

You can also use <strong>Perfect</strong> <strong>Effects</strong> from inside the Export Dialog in Lightroom to batch process multiple images. To use <strong>Perfect</strong> <strong>Effects</strong> from the Export Dialog<br />

follow these steps:<br />

1. Open Photoshop Lightroom<br />

2. Select the images you would like to process<br />

3. Go to File > Export...<br />

4. From the export module pop-up, select <strong>onOne</strong> <strong>Perfect</strong> <strong>Effects</strong><br />

5. Set your options each of the module sections<br />

6. Press Export<br />

Most of the module sections are the same as the standard Lightroom export module. These include options for the location, name, size, file type, etc. of the<br />

files you are exporting. See the Lightroom user guide for details on these options.<br />

In the <strong>Perfect</strong> <strong>Effects</strong> section you can select the category and preset that you would like to use.<br />

See also<br />

Home > Using <strong>Perfect</strong> <strong>Effects</strong> > Aperture Use<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Aperture Use<br />

To Apply <strong>Perfect</strong> <strong>Effects</strong> with manual, custom interaction to an image or group of images in Aperture follow these instructions:<br />

1. Open Aperture<br />

2. Select an image(s)<br />

3. Right-click and select Edit with...<br />

4. Select <strong>Perfect</strong> <strong>Effects</strong><br />

5. <strong>Perfect</strong> <strong>Effects</strong> will appear. You can now select a preset or manually adjust the image. When you select apply, the settings used for the first image will<br />

be applied automatically to any other images you had selected.<br />

See also<br />

Using <strong>Perfect</strong> <strong>Effects</strong> . 27<br />

Tip: If you have the <strong>Perfect</strong> Photo Suite, you access <strong>Perfect</strong> <strong>Effects</strong> through it inside of Aperture. You will see <strong>Perfect</strong> Photo Suite instead of<br />

<strong>Perfect</strong> <strong>Effects</strong> in the edit with menu. Don't select multiple images in Aperture unless you want to stack them into a single layered file. See the<br />

Opening <strong>Perfect</strong> <strong>Effects</strong> section.<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


28 . Preferences<br />

Home > Preferences<br />

Preferences<br />

The preferences dialog for <strong>Perfect</strong> <strong>Effects</strong> is shared with other members of the <strong>Perfect</strong> Photo Suite. It contains general application settings that are used by<br />

<strong>Perfect</strong> <strong>Effects</strong>. The <strong>Perfect</strong> <strong>Effects</strong> preferences are accessed from the <strong>Perfect</strong> <strong>Effects</strong> or <strong>Perfect</strong> Photo Suite menu on Mac or the Edit menu on Windows. The<br />

preferences contain the following controls:<br />

General Settings<br />

1. Working Color Space: When a file is opened in standalone mode<br />

and has no color profile associated with it, this is the assumed<br />

color profile for the image. Images that come from other hosts or<br />

have tagged or embedded profiles will use the associated profile<br />

instead.<br />

2. Scrolling Controls: Let's you select how the mouse scrollwheel or<br />

scrolling gesture works. The options are:<br />

1. Adjust Zoom: Adjusts the zoom of the preview window.<br />

Scrolling up increases the zoom, scrolling down decreases<br />

the zoom. It is important that the zooming is comfortable,<br />

not too fast or slow or jerky.<br />

2. Pan Image: Pans the image, like using the pan tool or<br />

navigator. It is important that the panning is comfortable,<br />

not too fast or slow or jerky.<br />

3. Adjust Tool Size: Adjusts the size of the current tool if<br />

relevant, such as a brush tool.<br />

3. Preview Background Color: You may select the color of the<br />

background behind the preview image. The default color is black.<br />

There should be options for black, white, light gray, dark gray and<br />

custom... The custom option a color picker where you can select<br />

your own background color.<br />

Lightroom Plug-In Settings<br />

1. Color Space: Specifies the color space to use when processing<br />

copies from Lightroom. This is similar to the working color space<br />

pop-up in the general preferences tab, however there are only<br />

the three options supported by Lightroom: sRGB, Adobe RGB 1998<br />

and ProPhotoRGB.<br />

2. Bit Depth: Sets the bit depth for the copies created by Lightroom,<br />

the options are 8 and 16 bit.<br />

3. Resolution: Sets the resolution of copies created by Lightroom.<br />

4. Stack with Original: Enabled by default, copies created by<br />

Lightroom are stacked with their original or source image.<br />

5. Use Original for Single PSDs. Enabled by default. If your selection<br />

is a single PSD file, the original PSD is opened rather than creating<br />

a copy.<br />

See also<br />

Welcome<br />

Installation<br />

What is New <strong>Perfect</strong> <strong>Effects</strong> 3<br />

Getting Started<br />

Using <strong>Perfect</strong> <strong>Effects</strong><br />

Menus<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Home > Menus<br />

Menus<br />

Pages in this Section<br />

<strong>Perfect</strong> <strong>Effects</strong> File Edit Mask Preset View<br />

Window Help Keyboard Shortcuts<br />

Home > Menus > <strong>Perfect</strong> <strong>Effects</strong><br />

<strong>Perfect</strong> <strong>Effects</strong><br />

About...: Opens the about box. This dialog contains your serial number, version number and<br />

information on contacting <strong>onOne</strong> <strong>Software</strong> for support.<br />

Preferences...: Opens the preferences dialog.<br />

Quit: Quits the application<br />

See also<br />

File<br />

Edit<br />

Mask<br />

Preset<br />

View<br />

Window<br />

Help<br />

Keyboard Shortcuts<br />

Home > Menus > File<br />

File<br />

Tip: On Windows, the preferences can be found in the Edit menu, the About Box can be found in the Help menu.<br />

Apply: Applies the current effect Stack and options to your image and returns to the host application.<br />

Cancel: Cancels <strong>Perfect</strong> <strong>Effects</strong> and returns back to the host application with no changes.<br />

Menus . 29<br />

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30 . Menus<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

Edit<br />

Mask<br />

Preset<br />

View<br />

Window<br />

Help<br />

Keyboard Shortcuts<br />

Home > Menus > Edit<br />

Edit<br />

Undo: Reverses the last user action<br />

Redo: Reapplies the last user action if it has been undone.<br />

Undo Stroke: If the last action was a brush stroke, this reverses the entire brush stroke<br />

Redo Stroke: If you last action was an undo of a Brush Stroke, this reapplies the entire stroke<br />

Copy: Copies the current text into the clipboard.<br />

Cut: Cuts the current text into the clipboard.<br />

Paste: Pastes the content of the clipboard.<br />

Reset All: Resets all the floating palette controls back to their default settings.<br />

Preferences (Windows Only): Opens the <strong>Perfect</strong> <strong>Effects</strong> preferences dialog.<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Mask<br />

Preset<br />

View<br />

Window<br />

Help<br />

Keyboard Shortcuts<br />

Home > Menus > Mask<br />

Mask<br />

Show Mask: Flyout menu with mask preview options.<br />

Copy Mask: Copies the mask on the selected Effect Layer<br />

Paste Mask: Pastes the mask in the clipboard onto the selected Effect Layer<br />

Invert Mask: Inverts the mask, what was hidden is revealed and vice versa.<br />

Reset Mask: Resets the mask to plain white<br />

Masking Bug Tool Opacity: Sets the opacity of the Masking Bug tool overlay. This has no<br />

effect on the image, just how obvious the Masking Bug tool is on screen.<br />

Masking Bug Grid: Sets the grid mode for the Masking Bug<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Preset<br />

View<br />

Window<br />

Help<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Help<br />

Keyboard Shortcuts<br />

Home > Menus > Preset<br />

Preset<br />

Save Preset: Saves the current Effect Stack as a new preset.<br />

Import Preset: Opens the import preset dialog to help you import presets you have downloaded.<br />

Show Presets Folder: Opens a Finder or Explorer window showing the presets folder.<br />

Delete Preset: Deletes the current preset.<br />

Edit Preset Info: Opens the preset dialog so you can edit the name, author or description information.<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask Mask<br />

View<br />

Window<br />

Help<br />

Keyboard Shortcuts<br />

Home > Menus > View<br />

View<br />

Zoom In: Zooms the preview window in one increment. This will make the preview image larger.<br />

Zoom Out: Zooms the preview window out one increment. This will make the preview images smaller.<br />

Fit to Screen: This sets the preview image so that the entire image is on screen at once. Think of this<br />

as an overview of the entire image. This is the setting you will use most of the time.<br />

Fill: If the target layer is smaller than the canvas size, it sets the zoom to fill the preview with the target<br />

layer.<br />

Actual Pixels: This sets the preview image so that it zooms to actual pixels or 1:1 also called 100%.<br />

This setting allows you to see every pixel in the image. This is useful when making precision adjustments.<br />

Preview: Toggles the preview of the after pane on/off to show the original. Useful when working in<br />

Single Image view mode.<br />

Preview Area Mode<br />

Single Image: Sets the preview area to show a single image.<br />

Left/Right: Sets the preview area to show a side-by-side compare of your before and after image. This<br />

is the default mode.<br />

Left/Right Split: Sets the preview area to show a split-screen preview of your before and after results<br />

on a single image.<br />

Top/Bottom: Sets the preview area to show a side-by-side compare of your before and after image.<br />

This is the default mode.<br />

Top/Bottom Split: Sets the preview area to show a split-screen preview of your before and after<br />

results on a single image.<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask<br />

Preset<br />

Window<br />

Help<br />

Menus . 31<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


32 . Menus<br />

Keyboard Shortcuts<br />

Home > Menus > Window<br />

Window<br />

Window Mode: Sets the window mode, Basic or Advanced.<br />

Navigator: Hides or shows the navigator pane.<br />

<strong>Effects</strong> Stack: Hides or shows the Effect Stack pane.<br />

Effect Options: Hides or shows the Effect Options pane. Effect Options is only available in<br />

Advanced mode.<br />

Show/Hide Inspector: Opens or closes the inspector.<br />

Show/Hide Library: Opens or closes the <strong>Effects</strong> Library.<br />

Welcome Dialog: Opens the Welcome Dialog which shows basic step-by-step instructions for using<br />

<strong>Perfect</strong> <strong>Effects</strong>.<br />

Document Name: Shows the name, zoom level and bit depth of the open image.<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask<br />

Preset<br />

View<br />

Help<br />

Keyboard Shortcuts<br />

Home > Menus > Help<br />

Help<br />

Search: Not used, Mac OSX only<br />

<strong>Perfect</strong> <strong>Effects</strong> Help...: Opens this html help in your default web browser.<br />

Check for Updates...: Checks with the <strong>onOne</strong> update server to see if you<br />

are running the current version. If there is a newer version you will be notified<br />

and be walked through the update process.<br />

Activate/Deactivate: Opens the activation dialog. These are used to<br />

deactivate your software for moving it to another computer or for a return.<br />

Registration: Opens the default web browser and navigates to the<br />

registration page of the <strong>onOne</strong> website.<br />

Show Keyboard Shortcuts...: Opens the keyboard shortcut inspector.<br />

About <strong>Perfect</strong> <strong>Effects</strong> (Windows Only): Opens the about box with the<br />

version number and license code displayed.<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask<br />

Preset<br />

View<br />

Window<br />

Keyboard Shortcuts<br />

Home > Menus > Keyboard Shortcuts<br />

Keyboard Shortcuts<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


<strong>Perfect</strong> <strong>Effects</strong> has many keyboard short-cuts to make it faster to access common buttons and menu items. It also uses many of the keyboard shortcuts that<br />

Photoshop uses, making it intuitive to learn. Here is a list of the most commonly used keyboard shortcuts:<br />

Action Mac Win<br />

Apply cmd s ctl s<br />

Cancel esc, cmd w, cmd . esc, ctl w<br />

Save Preset cmd shift s ctl shift s<br />

Preferences cmd , ?<br />

Undo cmd z ctl z<br />

Redo cmd shift z ctl shift z<br />

Cut cmd x ctl x<br />

Undo Stroke cmd opt z ctl alt z<br />

Redo Stroke cmd shift opt z ctl shift alt z<br />

Copy cmd c ctl c<br />

Paste cmd v ctl v<br />

Reset All cmd opt z ctl alt z<br />

Open/Close Navigator cmd 1 ctl 1<br />

Open/Close Effect Stack cmd 2 ctl 2<br />

Open/Close Effect Options cmd 3 ctl 3<br />

Select Pan Tool h h<br />

Select Zoom Tool z z<br />

Select MaskingBrush b b<br />

Select MaskingBug n n<br />

Zoom-In cmd + or cmd = ctl + pr ctl =<br />

Zoom-Out cmd - ctl -<br />

1:1 cmd opt 0 ctl alt 0<br />

Fit to Screen cmd 0 ctl 0<br />

Fill cmd shift 0 ctl shift 0<br />

Brush Size<br />

Brush Feather<br />

Brush Opacity<br />

larger ]<br />

smaller [<br />

softer shift ]<br />

harder shift [<br />

opt 1 (10%)<br />

opt 2 (20%)<br />

opt 0 (100%)<br />

etc or<br />

opt ]<br />

opt [<br />

Toggle Brush Mode x x<br />

larger ]<br />

smaller [<br />

Show Mask cmd m ctl m<br />

softer shift ]<br />

harder shift [<br />

opt 1 (10%)<br />

opt 2 (20%)<br />

opt 0 (100%)<br />

etc or<br />

alt ]<br />

alt [<br />

Toggle Mask View cmd opt m ctl alt m<br />

Preview on/off cmd p ctl p<br />

Preview Modes<br />

- Single Image<br />

- Left/Right<br />

- Left/Right Split<br />

- Top/Bottom<br />

- Top/Bottom Split<br />

Change Effect Layer Strength<br />

cmd Y<br />

cmd L<br />

cmd opt L<br />

cmd T<br />

cmd opt T<br />

number keys<br />

1 - 10%<br />

2 - 20%<br />

etc<br />

ctl Y<br />

ctl L<br />

ctl opt L<br />

ctl T<br />

ctl opt T<br />

number keys<br />

1 - 10%<br />

2 - 20%<br />

etc<br />

Toggle preset group mode cmd down arrow ctl down arrow<br />

See also<br />

<strong>Perfect</strong> <strong>Effects</strong><br />

File<br />

Edit<br />

Mask<br />

Preset<br />

View<br />

Menus . 33<br />

<strong>Perfect</strong> <strong>Effects</strong> 3 <strong>User</strong> <strong>Guide</strong>


Window<br />

Help


Index

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