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Figure72. Initial Mapping plans Installation Again, the wind just exists as things ‘between’ everything, in the middle, amid considerations as a potential territory. To present this concept effectively, it took me a long time to decide things such as the size of the module, the thickness of the aluminum sheet, the height of the cement frame and so on. These were decided both according to my personal aesthetic sense, and for functional reasons. If possible, I have a concept of applying this work to physical public spaces in the future, for example to the exterior facades of buildings. Imagine living in outer space, or in a new type of living space such as in Foster’s Crystal Island; there should be other types of nature in the ordinary environment rather than landscape paintings and photographs. Figure 73. Final Mapping diagram with 10 stations J.KIM_A LANDSCAPE OF EVENTS 58
Molding concrete frames and preparing installation, April-May.2008 Installation room, DMA at UCLA, Los Angeles, USA
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UNIVERSITY OF CALIFORNIA Los Angele
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J.KIM_A LANDSCAPE OF EVENTS 4
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Abstract A Landscape of Events The
Page 8 and 9: Table of Contents Abstract Table of
Page 10 and 11: 1. Introduction 1.1. Background Ne
Page 12 and 13: our current engagements with techno
Page 14 and 15: a subjective scene that allows a fu
Page 16 and 17: 2. Absence of Landscapes HAMM: Natu
Page 18 and 19: y an automated ideal of scientifici
Page 20 and 21: can be applied in a new space/place
Page 22 and 23: Tehnological Living In the 1960s, A
Page 24 and 25: 2.3. Air and wind In this thesis pr
Page 26 and 27: Figure 17. Wind Flow (between West
Page 28 and 29: 3. Framing to Mapping The greatest
Page 30 and 31: History of GIS *GIS class notes, 20
Page 32 and 33: With new digital technologies for m
Page 34 and 35: data collection and visualization c
Page 36 and 37: innovative ways of visualizing data
Page 38 and 39: Figure 32. Isles Blossom, 2007, Det
Page 40 and 41: which has real time kinetic movemen
Page 42 and 43: A Landscape of Events Details, May/
Page 44 and 45: 4.1. Virtual Process: Data and Tool
Page 46 and 47: Tools In fall 2007, I took a course
Page 48 and 49: Figure 44. Wind Observation and Vis
Page 50 and 51: eleasing. I used a coated stainless
Page 52 and 53: applications. These motors basicall
Page 54 and 55: 4.3. Aesthetic Process: Forms and M
Page 56 and 57: Figure 67. Results form the second
Page 60 and 61: A Landscape of Events, Installation
Page 62 and 63: the physical and emotional aspects
Page 64 and 65: Bibliography Auge, Marc. Non-places
Page 66 and 67: Potere, David and Annemarie Schneid
Page 68 and 69: Figure 23. Golan Levin and RSG, JJ
Page 70: \ The moving device, after 7days, O
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