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A Landscape of Events, Installation View, May.2008 Opening Reception (up), Critic (down), New Wight Gallery, Los Angeles, USA Photography by Rebeca Méndez
5. Conclusion A Landscape of Events Before the exhibition, I had a tight schedule to develop the robot, build the installation, and solve the problems involved in doing so. I have not yet had the chance to think about the shape of results and how people will react. Exhibiting this project in the gallery was a good opportunity to observe peoples’ reactions as well as the results of corrosion. Both hearing from people and watching traces of corrosion were delightful experiences. One Canadian woman, Dawn, said that she would like to sit for a while near the installation, and take a rest while thinking, imaging, reading and whatever. That was one of the best comments I received, and exactly what I had been looking for. James Turrell said in his statement in Mapping Space, “I am interested in posing questions than in answering them.” One purposes of the project is to explore natural scapes that can pose questions as opposed to answering and explaining them, like nature itself. Likewise, I encourage viewers to question their sense of the surroundings, I am questioning it myself - how can there be virtual without real, human without nature, here without there, today without tomorrow and yesterday, and always without never How can we recognize them This project is to explore landscapes within contemporary urban and art context and interrogate J.KIM_A LANDSCAPE OF EVENTS 61
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UNIVERSITY OF CALIFORNIA Los Angele
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J.KIM_A LANDSCAPE OF EVENTS 4
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Abstract A Landscape of Events The
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Table of Contents Abstract Table of
Page 10 and 11: 1. Introduction 1.1. Background Ne
Page 12 and 13: our current engagements with techno
Page 14 and 15: a subjective scene that allows a fu
Page 16 and 17: 2. Absence of Landscapes HAMM: Natu
Page 18 and 19: y an automated ideal of scientifici
Page 20 and 21: can be applied in a new space/place
Page 22 and 23: Tehnological Living In the 1960s, A
Page 24 and 25: 2.3. Air and wind In this thesis pr
Page 26 and 27: Figure 17. Wind Flow (between West
Page 28 and 29: 3. Framing to Mapping The greatest
Page 30 and 31: History of GIS *GIS class notes, 20
Page 32 and 33: With new digital technologies for m
Page 34 and 35: data collection and visualization c
Page 36 and 37: innovative ways of visualizing data
Page 38 and 39: Figure 32. Isles Blossom, 2007, Det
Page 40 and 41: which has real time kinetic movemen
Page 42 and 43: A Landscape of Events Details, May/
Page 44 and 45: 4.1. Virtual Process: Data and Tool
Page 46 and 47: Tools In fall 2007, I took a course
Page 48 and 49: Figure 44. Wind Observation and Vis
Page 50 and 51: eleasing. I used a coated stainless
Page 52 and 53: applications. These motors basicall
Page 54 and 55: 4.3. Aesthetic Process: Forms and M
Page 56 and 57: Figure 67. Results form the second
Page 58 and 59: Figure72. Initial Mapping plans Ins
Page 62 and 63: the physical and emotional aspects
Page 64 and 65: Bibliography Auge, Marc. Non-places
Page 66 and 67: Potere, David and Annemarie Schneid
Page 68 and 69: Figure 23. Golan Levin and RSG, JJ
Page 70: \ The moving device, after 7days, O
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