The Fine Art of Finishing - Hot Press
The Fine Art of Finishing - Hot Press
The Fine Art of Finishing - Hot Press
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8<br />
HEATSEAL LAMINATES<br />
HEATSEAL LAMINATES<br />
Although this process is sometimes overlooked,<br />
the <strong>Hot</strong> <strong>Press</strong> range <strong>of</strong> laminates has many<br />
benefits that can yield higher value orders for<br />
framers, photographers and print shops. For<br />
one thing, all <strong>Hot</strong> <strong>Press</strong> laminates contain UV<br />
inhibitors to increase the fade resistance <strong>of</strong> the<br />
artwork. <strong>The</strong>y also are unbreakable, easy to keep<br />
clean and come in a variety <strong>of</strong> popular finishes.<br />
GLOSS (LUSTRE) 50µ<br />
<strong>The</strong> most popular heatseal laminate, this film <strong>of</strong>fers a unique finish<br />
that conforms to the surface it is pressed against (under heat). <strong>The</strong><br />
normal result is a lustre finish transferred from the surface <strong>of</strong> the foam<br />
blanket in the press, but other textures can easily be applied. This film<br />
is also used as the top coating when prints are bonded to canvas.<br />
SATIN MATT 50µ<br />
This film is <strong>of</strong>ten used to laminate posters and prints, as its subtle<br />
finish closely mimics that <strong>of</strong> the printed piece. <strong>The</strong> satin sheen finish<br />
reduces glare, but does not reduce contrast, as the film is relatively<br />
thin. Also suitable for canvas bonding.<br />
MATT 75µ<br />
This film is characterised by a full matt finish that completely eliminates<br />
reflections. It <strong>of</strong>fers additional UV protection when used behind glass,<br />
but is almost invisible. Matt film is most <strong>of</strong>ten used where lighting is<br />
unpredictable and uncontrollable, such as exhibition halls and other<br />
public areas. Additional heat applied during processing will give the<br />
matt film a textured surface.<br />
SAND TEXTURE 90µ<br />
This film is ideal for graphics that will be subjected to prolonged<br />
exposure in public places. It displays a pleasing sandy texture that<br />
is also scuff resistant. Sand Texture film is also ideal for social<br />
photographers who wish to show samples and copies to clients.<br />
FINE LINEN 90µ<br />
This delicate, fabric-textured laminate is <strong>of</strong>ten preferred by<br />
photographers wishing to <strong>of</strong>fer a subtle yet decorative finish to their<br />
work. It is also useful for disguising minor creases and cracks in<br />
prints and posters.<br />
COARSE LINEN 90µ<br />
This film displays a mid-gauge fabric texture resembling rough<br />
cotton. It is <strong>of</strong>ten used on larger format artwork where a finer finish<br />
may be lost. <strong>The</strong> rougher gauge <strong>of</strong> this film is capable <strong>of</strong> hiding<br />
large imperfections in prints and posters.<br />
CANVASTEX 190µ<br />
Due to its heavy canvas texture, Canvastex is <strong>of</strong>ten used as an<br />
economical alternative to actual canvas bonding.<br />
DUE TO ITS THICKNESS THIS FILM IS UNPIERCED,<br />
BUT SHOULD BE PIERCED BEFORE USE.<br />
POLYESTER GLOSS 36µ<br />
This film has a heat-resistant gloss finish that is popular for the<br />
production <strong>of</strong> tablemats. It is also useful for imparting a gloss finish<br />
to paper prints. Please note that the heat resistance <strong>of</strong> this film is<br />
only sufficient for hand-hot items, and not items just removed from<br />
a hot oven.<br />
THIS FILM IS UNPIERCED and SHOULD NOT BE PIERCED,<br />
AS IT WILL NOT HEAL.<br />
All material comes pre-pierced as standard (unless otherwise stated).<br />
Un-pierced films are available on request.