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Peter Watts 134 Blindsight<br />

stuck to me..."<br />

Almost there. "Cruncher, listen," Bates snapped. "Are you with<br />

m—"<br />

"Get it off!"<br />

We stuffed the Gang into the tent. Bates moved aside as I dove<br />

in after them. Amazing, the way she held it together. Somehow<br />

she kept the demons at bay, herded us to shelter like a border collie<br />

in a thunderstorm. She was—<br />

She wasn't following us in. She wasn't even there. I turned to<br />

see her body floating outside the tent, one gloved hand grasping the<br />

edge of the flap; but even under all those layers of Kapton and<br />

Chromel and polycarbonate, even behind the distorted halfreflections<br />

on her faceplate, I could tell that something was<br />

missing. All her surfaces had just disappeared.<br />

This couldn't be Amanda Bates. The thing before me had no<br />

more topology than a mannequin.<br />

"Amanda" The Gang gibbered at my back, softly hysteric.<br />

Szpindel: "What's happening"<br />

"I'll stay out here," Bates said. She had no affect whatsoever.<br />

"I'm dead anyway."<br />

"Wha—" Szpindel had lots. "You will be, if you don't—"<br />

"You leave me here," Bates said. "That's an order."<br />

She sealed us in.<br />

It wasn't the first time, not for me. I'd had invisible fingers<br />

poking through my brain before, stirring up the muck, ripping open<br />

the scabs. It was far more intense when Rorschach did it to me,<br />

but Chelsea was more—<br />

—precise, I guess you'd say.<br />

Macramé, she called it: glial jumpstarts, cascade effects, the<br />

splice and dice of critical ganglia. While I trafficked in the reading<br />

of Human architecture, Chelsea changed it—finding the critical<br />

nodes and nudging them just so, dropping a pebble into some<br />

trickle at the headwaters of memory and watching the ripples build<br />

to a great rolling cascade deep in the downstream psyche. She<br />

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