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The ballad - Index of

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<strong>The</strong> Ballad<br />

It is naturally objectionable to the scientific<br />

mind to be confronted with the existence <strong>of</strong><br />

something for which it cannot account ;<br />

the<br />

theorist's ultimate question, " How can it be<br />

"<br />

otherwise is to him simply a refuge for the<br />

destitute. But it is the comparative triviality <strong>of</strong><br />

the <strong>ballad</strong> a form <strong>of</strong> mere human amusement<br />

that has allowed its origin and history to become<br />

obscured, and has challenged, in the last century<br />

or so, the investigation <strong>of</strong> scholars. We have<br />

gradually awakened to the fact that there are in<br />

existence, the world over, a number <strong>of</strong> narrative<br />

tales in stanzaic verse, essentially simple and impersonal,<br />

which display not only a distinctive<br />

stylepbut a common international stock <strong>of</strong> subjects,<br />

ideas, conventions and phraseology. To<br />

put it at the lowest, it is queer that the various<br />

European races should tell the same story<br />

in the<br />

same metre in several different languages. It is<br />

curious that in the twentieth century you should<br />

be able to hear an illiterate rustic sing a song<br />

almost in the very words in which you have read<br />

it in an ancient manuscript. It seems to require<br />

the attention <strong>of</strong> students, when English peasants<br />

<strong>of</strong> to-day shyly evoke from their memories a<br />

carol containing legends recorded in the pseudo-<br />

Gospels. Surely the scientist is more needed<br />

than the literary scholar <br />

<strong>The</strong> Miltonic investigator, to recur to our<br />

former instance, having before him a number <strong>of</strong>

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