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The ballad - Index of

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<strong>The</strong> Ballad<br />

<strong>ballad</strong>s which contain legends and traditions<br />

about the mighty ones <strong>of</strong> old. With some such<br />

legendary <strong>ballad</strong>s we have already dealt. King<br />

Orfeo 1 is<br />

perhaps the only survival we have <strong>of</strong><br />

what is obviously a classical tradition, but we<br />

cannot stay to trace its course through the centuries,<br />

and the possibility <strong>of</strong> an early confusion<br />

or amalgamation <strong>of</strong> the classical story with an<br />

2<br />

ancient Celtic parallel.<br />

At least it is possible to<br />

say that we are now in a range <strong>of</strong> our <strong>ballad</strong>s in<br />

which we may expect to find kindred matter<br />

amongst the earliest records <strong>of</strong> story-material.<br />

Hind Horn* though a proper <strong>ballad</strong>, comes<br />

straight from the romance <strong>of</strong> King Horn.<br />

<strong>The</strong> relationship <strong>of</strong> Thomas Rymer with the<br />

romance <strong>of</strong> Thomas <strong>of</strong> Ercildoune may be<br />

much the same. We have a couple <strong>of</strong> mutilated<br />

Arthurian <strong>ballad</strong>s and a whole one, 4 but<br />

these have had the fingers <strong>of</strong> a minstrel laid<br />

upon them.<br />

Sacred legends in <strong>ballad</strong>s are not very common.<br />

If they ever existed in any number, we may suppose<br />

that the Church tried to suppress them, as<br />

it diverted secular lyrics<br />

to religious use. How-<br />

1<br />

See p. 35<br />

a For a short study see my Sources and Analogues <strong>of</strong> A<br />

Midsummer Night's Dream, pp. 4957.<br />

3 First Series, 185.<br />

* King Arthur and King Cornwall, <strong>The</strong> Marriage <strong>of</strong> Sir<br />

Gaivaine, and <strong>The</strong> Boy and the Mantle (the two last in First<br />

Series, 107 and 119).<br />

52

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