The ballad - Index of
The ballad - Index of
The ballad - Index of
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<strong>The</strong> Ballad<br />
Gray's eulogy <strong>of</strong> the <strong>ballad</strong>, written about the<br />
same time as the production <strong>of</strong> the play, both<br />
illuminates the methods <strong>of</strong> dramatic construction<br />
in 1756 and pounces on a marked characteristic<br />
<strong>of</strong> all<br />
good <strong>ballad</strong>s. <strong>The</strong> <strong>ballad</strong>, says Gray,<br />
"<br />
begins in the fifth act <strong>of</strong> the play." A short<br />
study <strong>of</strong> an index <strong>of</strong> first lines <strong>of</strong> any collection<br />
will testify that this is<br />
just<br />
what good<br />
<strong>ballad</strong>s do.<br />
Child, Maurice begins with no hint <strong>of</strong> tragedy ;<br />
we are simply introduced to the Child (which<br />
"<br />
means no more than the Knight) hunting in the<br />
silver wood." He sends a message, by the " little<br />
foot-page " so common in <strong>ballad</strong>s, to John<br />
Steward's wife, to come to the silver wood to<br />
hunt with him. <strong>The</strong> boy delivers the message<br />
faithfully (it is a long one), and the lady bids him<br />
hold his peace, lest<br />
my lord should hear. My<br />
lord, in fact, is is listening even writing down<br />
the message. He takes horse, finds Child Maurice<br />
combing his hair in the silver wood, and challenges<br />
him. <strong>The</strong>y fight. John Steward kills<br />
Child Maurice, cuts <strong>of</strong>f his head, and carries it<br />
home to confront his lady with it. Now, up to<br />
this point we may suspect that John Steward is<br />
But<br />
justified.<br />
"When she looked on Child Maurice' head,<br />
She never spoke words but three :<br />
' I never bare no child but one,<br />
And you have slain him truly.'<br />
"<br />
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