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The ballad - Index of

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<strong>The</strong> Ballad<br />

the early style <strong>of</strong> his author, another in the<br />

mature style, just as surely as your banker knows<br />

when you have signed a cheque with an unfamiliar<br />

pen or under the stress <strong>of</strong> emotion.<br />

Le style,<br />

in fact, c'est Vhomme. It is the personality<br />

<strong>of</strong> the individual author gleaming through<br />

his words that stamps the poems with his signmanual.<br />

Now, the first and foremost quality about the<br />

Ballad, in any language, is not its personality, but<br />

its impersonality. <strong>The</strong>re can be no disagreement<br />

about that. But we need not at once jump to<br />

the conclusion that the author was no-person<br />

:<br />

it is conceivable that an artistic composition<br />

might acquire, in the process <strong>of</strong> oral tradition, a<br />

similar impersonality. Yet this elusive Author <strong>of</strong><br />

the Ballads must have lived a very long while<br />

ago for his works have<br />

;<br />

thoroughly permeated<br />

the world, and in each language appear to be so<br />

native to that tongue that it is<br />

impossible to say<br />

which is the original and which the translation.<br />

Possibly he was an Aryan bard, who from the<br />

primeval Pamir sang songs for all time, songs <strong>of</strong><br />

universal popularity, songs which despite their<br />

origin in his one mouth have never since borne<br />

any appearance <strong>of</strong> having an author. Again,<br />

this supposed individual put a style into his<br />

works, a style unique in the fact that it<br />

does not suffer by translation, a style which<br />

reveals not a<br />

personality, but a universality.<br />

ii

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