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Digital Processing Platform
MUSIC
performance >
the parts
Whoop Dee Doo, her trio’s first album
since 2004 and most consistent since
1997’s Happy Birthday To Me, bursts with
bounding melodies, crunchy tones, and
bash-and-slap raucousness that have been
Shattuck signatures since the group released
a self-titled effort on Warner Bros.
more than 20 years ago and immediately
announced itself as one of the most fun,
catchy, and happy-go-lucky acts in poppunk
history. Too raw for the mainstream
and too sugary for the underground, the
Muffs attracted a cult following smitten by
Shattuck’s sweet-and-tart vocals, goofy
sensibility, and hummable hooks that would
be the envy of Cheap Trick, Big Star, or any
other formidable power-pop band.
The Digital Processing Platform
is a powerful system built
around state of the art Field
Programmable Gate Arrays and
Digital Signal Processing ICs.
It allows almost any logical or signal
processing function to be configured
within the hardware simply by
reprogramming the processor ICs.
This arrangement is so flexible
that it allows us to configure a
multitude of products on the same
hardware platform and, because
it is programmable, it allows new
functionality to be enabled by means
of a simple software upgrade. It is this
platform at the heart of dCS products
that allow us to implement our unique
signal processing and Ring DAC
topologies that are the very essence
of what makes our systems sound
so wonderful.
The Muffs
Whoop Dee Doo
Burger/Cherry Red, LP or CD
Kim Shattuck will forever be the
answer to the trivia question: “Who
replaced original bassist Kim Deal
in the Pixies” Never mind that
the former’s tenure in the onceimpeccable
band lasted only a few
months before she was terminated,
the fall girl for an embarrassing run
of shows short on energy, purpose,
and inspiration. As it happens,
the Pixies’ decision to end the
relationship with Shattuck is the
best move they’ve made in nearly
a decade—and they’re not even
the direct beneficiaries. Rather,
the dissolution prompted Shattuck
to re-start her primary band, the
Muffs, after an extended hiatus.
These hallmarks course throughout this
12-track set in which concise songs go off
like Black Cat fireworks behind a school
and put grins on the faces of all the sly
neighborhood kids watching the disruption.
Carefree, punchy, and comedic, the
Muffs give listeners permission to cause
silly trouble, partake in shenanigans, and
hang around in pajamas all day because,
well, why not Musically, fuzz-drenched
chords, chiming tambourines, and broken
notes stem from garage tradition. Shattuck’s
come-hither coos and persuasively
sultry hiccups suggest romantic girl-group
swooning until she shatters any such illusions
with guttural roars and husky growls
that belong on a riot-grrl seven-inch.
Dynamic and pronounced, the contrasts
lend to the group’s playful energy and
sense that no matter the subject at hand—
boys and their ignorant ways are a common
theme, and fittingly so, since the Muffs’
fizzy tunes mirror the ups and downs of
the rollercoaster emotions associated
with fleeting crushes—Shattuck sings as if
she’s completely infatuated and unable to
concentrate on anything else. (continued)
info@dcsltd.co.uk | dCSonlythemusic | www.dcsltd.co.uk | www.onlythemusic.com
Imported by dCS North America
T +1 617 314 9296
Manufactured in the UK by Data Conversion Systems Ltd
Unit 1, Buckingway Business Park, Anderson Road, Swavesey, Cambridge, CB24 4AE
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