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REVIEW<br />
But in a small- to medium-sized room,<br />
you may not need the extra bass.<br />
These speakers are positively heavenly<br />
in my new small listening room (10<br />
by 13 feet) powered by the Devialet<br />
120. Penaudio speakers have always<br />
needed a little bit of juice to give their<br />
all, and the 120 watts per channel<br />
provided by the Devialet gets the job<br />
done, no matter what the musical<br />
faire. The opening bass drum beats<br />
from Led Zeppelin’s “No Quarter” are<br />
delivered solidly, without overhang. As<br />
the cymbals linger in the air and fade<br />
off into black, the sparkle remains<br />
potent, which leads me to believe that<br />
these little speakers move some serious<br />
air.<br />
It’s worth noting that Devialet<br />
owners that are running the current<br />
firmware can now take advantage<br />
of their new S.A.M. (Speaker Active<br />
Matching) system, which offers phase<br />
alignment for a list of speakers, like<br />
the Cenya, custom tailored to the<br />
individual speaker. S.A.M. also offers<br />
bass equalization/compensation<br />
in the DSP domain that extends the<br />
frequency response cleanly down to<br />
25hz. This had just become available<br />
at the end of this review, so watch for<br />
a follow up when we’ve spent more<br />
seat time with it. The short story is<br />
that it works incredibly well. You’ll<br />
swear there is a subwoofer in the<br />
room!<br />
My history with Penaudio goes<br />
way back to the Serenades that we<br />
reviewed in issue 4 and that ended<br />
up as my reference speakers for a<br />
couple years. I’ve always appreciated<br />
Penaudio founder Sami Pentilla’s ability<br />
to build speakers that combine<br />
understated good looks and natural<br />
tonality in a compact form.<br />
REVIEW<br />
The tiny Cenya is no exception. It<br />
looks like a slice of the Serenade,<br />
with a 6-inch woofer and a 1.25-inch<br />
soft dome tweeter, and it is available<br />
in a wide variety of finishes.<br />
This particular pair comes in<br />
the high-gloss white that was the<br />
rage at this year’s Munich High End<br />
show. Considering psychoacoustics,<br />
this may be the best color for these<br />
mini monitors, as it lets them disappear<br />
even further into my listening<br />
environment, which is painted Ralph<br />
Lauren Studio White. A knuckle rap<br />
demonstrates cabinet rigidity, which<br />
contributes to the speakers’ stellar<br />
bass response and freedom from<br />
cabinet-induced vibration.<br />
Super Simple Setup<br />
As with any high-quality pair of mini<br />
monitors, the Cenyas benefit from<br />
doing two things: placing them on<br />
massive stands and providing a<br />
solid coupling between the speaker<br />
and stand. Though not as attractive<br />
as the Cenyas deserve, a pair<br />
of 24-inch sand-filled Sound Anchor<br />
stands works perfectly, with a set of<br />
small Isonode feet ($19.95 for a set<br />
of 4; available from Bright Star Audio)<br />
providing an ideal mechanical interface.<br />
The Cardas Clear Light speaker<br />
cables also work well with these<br />
speakers, but for those requiring<br />
a bit more zip and high-frequency<br />
extension, the Graditech speaker<br />
cables provide it. They prove a perfect<br />
match for the Conrad Johnson<br />
LP125sa power amplifier, while the<br />
Clear Light cables are a more balanced<br />
solution (for these ears, anyway)<br />
with the Devialet. (continued)<br />
190 TONE AUDIO NO.64<br />
July 2014 191