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REVIEW<br />

But in a small- to medium-sized room,<br />

you may not need the extra bass.<br />

These speakers are positively heavenly<br />

in my new small listening room (10<br />

by 13 feet) powered by the Devialet<br />

120. Penaudio speakers have always<br />

needed a little bit of juice to give their<br />

all, and the 120 watts per channel<br />

provided by the Devialet gets the job<br />

done, no matter what the musical<br />

faire. The opening bass drum beats<br />

from Led Zeppelin’s “No Quarter” are<br />

delivered solidly, without overhang. As<br />

the cymbals linger in the air and fade<br />

off into black, the sparkle remains<br />

potent, which leads me to believe that<br />

these little speakers move some serious<br />

air.<br />

It’s worth noting that Devialet<br />

owners that are running the current<br />

firmware can now take advantage<br />

of their new S.A.M. (Speaker Active<br />

Matching) system, which offers phase<br />

alignment for a list of speakers, like<br />

the Cenya, custom tailored to the<br />

individual speaker. S.A.M. also offers<br />

bass equalization/compensation<br />

in the DSP domain that extends the<br />

frequency response cleanly down to<br />

25hz. This had just become available<br />

at the end of this review, so watch for<br />

a follow up when we’ve spent more<br />

seat time with it. The short story is<br />

that it works incredibly well. You’ll<br />

swear there is a subwoofer in the<br />

room!<br />

My history with Penaudio goes<br />

way back to the Serenades that we<br />

reviewed in issue 4 and that ended<br />

up as my reference speakers for a<br />

couple years. I’ve always appreciated<br />

Penaudio founder Sami Pentilla’s ability<br />

to build speakers that combine<br />

understated good looks and natural<br />

tonality in a compact form.<br />

REVIEW<br />

The tiny Cenya is no exception. It<br />

looks like a slice of the Serenade,<br />

with a 6-inch woofer and a 1.25-inch<br />

soft dome tweeter, and it is available<br />

in a wide variety of finishes.<br />

This particular pair comes in<br />

the high-gloss white that was the<br />

rage at this year’s Munich High End<br />

show. Considering psychoacoustics,<br />

this may be the best color for these<br />

mini monitors, as it lets them disappear<br />

even further into my listening<br />

environment, which is painted Ralph<br />

Lauren Studio White. A knuckle rap<br />

demonstrates cabinet rigidity, which<br />

contributes to the speakers’ stellar<br />

bass response and freedom from<br />

cabinet-induced vibration.<br />

Super Simple Setup<br />

As with any high-quality pair of mini<br />

monitors, the Cenyas benefit from<br />

doing two things: placing them on<br />

massive stands and providing a<br />

solid coupling between the speaker<br />

and stand. Though not as attractive<br />

as the Cenyas deserve, a pair<br />

of 24-inch sand-filled Sound Anchor<br />

stands works perfectly, with a set of<br />

small Isonode feet ($19.95 for a set<br />

of 4; available from Bright Star Audio)<br />

providing an ideal mechanical interface.<br />

The Cardas Clear Light speaker<br />

cables also work well with these<br />

speakers, but for those requiring<br />

a bit more zip and high-frequency<br />

extension, the Graditech speaker<br />

cables provide it. They prove a perfect<br />

match for the Conrad Johnson<br />

LP125sa power amplifier, while the<br />

Clear Light cables are a more balanced<br />

solution (for these ears, anyway)<br />

with the Devialet. (continued)<br />

190 TONE AUDIO NO.64<br />

July 2014 191

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