The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
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ASHER BROWN DURAND Ariadne, 1835<br />
EDWARD SAVAGE <strong>The</strong> Eruption <strong>of</strong> Mt. Etna in 1787, 1799<br />
Printed full-color mezzotints like Savage's<br />
Eruption <strong>of</strong> Mount Etna were rare even in<br />
England. Few impressions <strong>of</strong> this image<br />
were probably made, since the artist<br />
applied the color by hand to the plate prior<br />
to printing. Although it is unlikely that<br />
Savage was present at the 1787 eruption,<br />
he created a vivid view <strong>of</strong> the roiling cloud<br />
k<strong>no</strong>wn for his portraits <strong>of</strong> Washington,<br />
Franklin, Jefferson, Dr. Rush, David Rittenhouse,<br />
and General Wayne, and for the<br />
print <strong>of</strong> the signing <strong>of</strong> the Declaration <strong>of</strong><br />
Independence.<br />
As a printmaker, Durand is <strong>no</strong>ted for<br />
his excellent portrait and bank<strong>no</strong>te engravings.<br />
His most famous print, however,<br />
Island <strong>of</strong> Naxos (Pennsylvania Academy<br />
<strong>of</strong> the Fine <strong>Art</strong>s, Philadelphia). <strong>The</strong> care<br />
and control lavished on this plate are<br />
indicative <strong>of</strong> Durand's great admiration<br />
for the original work, which was in his<br />
possession for almost twenty years. In<br />
addition, he made a copy in oils, which is<br />
also in the <strong>Museum</strong>'s collection.