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The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

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ASHER BROWN DURAND Ariadne, 1835<br />

EDWARD SAVAGE <strong>The</strong> Eruption <strong>of</strong> Mt. Etna in 1787, 1799<br />

Printed full-color mezzotints like Savage's<br />

Eruption <strong>of</strong> Mount Etna were rare even in<br />

England. Few impressions <strong>of</strong> this image<br />

were probably made, since the artist<br />

applied the color by hand to the plate prior<br />

to printing. Although it is unlikely that<br />

Savage was present at the 1787 eruption,<br />

he created a vivid view <strong>of</strong> the roiling cloud<br />

k<strong>no</strong>wn for his portraits <strong>of</strong> Washington,<br />

Franklin, Jefferson, Dr. Rush, David Rittenhouse,<br />

and General Wayne, and for the<br />

print <strong>of</strong> the signing <strong>of</strong> the Declaration <strong>of</strong><br />

Independence.<br />

As a printmaker, Durand is <strong>no</strong>ted for<br />

his excellent portrait and bank<strong>no</strong>te engravings.<br />

His most famous print, however,<br />

Island <strong>of</strong> Naxos (Pennsylvania Academy<br />

<strong>of</strong> the Fine <strong>Art</strong>s, Philadelphia). <strong>The</strong> care<br />

and control lavished on this plate are<br />

indicative <strong>of</strong> Durand's great admiration<br />

for the original work, which was in his<br />

possession for almost twenty years. In<br />

addition, he made a copy in oils, which is<br />

also in the <strong>Museum</strong>'s collection.

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