The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
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JOHAN HENRICH OTTO Fraktur Motifs, about 1780-90<br />
NATHANIEL CURRIER <strong>The</strong> Favorite Cat, about 1840-50<br />
<strong>The</strong> Favorite Cat captures the essence <strong>of</strong><br />
the animal in a manner associated more<br />
with country or "naive" artists than with<br />
the firm <strong>of</strong> Nathaniel Currier, later<br />
Currier & Ives. Its bold iconic frontality<br />
has an abstractio <strong>no</strong>t <strong>no</strong>rmally found in<br />
the lithographs <strong>of</strong> these famous printmakers.<br />
<strong>The</strong> palest watercolor washes give<br />
did the design above. He may have come<br />
from Ephrata, Pennsylvania, and he<br />
worked in Lancaster and Bucks counties<br />
between 1772 and 1778. Watercolors <strong>of</strong><br />
this type are called frakturs because they<br />
usually adorn documents-such as birth<br />
and marriage certificates-bearing the old<br />
German script <strong>of</strong> that name. This one is<br />
flowers were probably done purely for the<br />
artist's amusement. Created primarily for<br />
the Pennsylvania German community,<br />
fraktur continued a tradition dating back<br />
to illuminated manuscripts <strong>of</strong> the middle<br />
ages. This work, which was gradually<br />
supplanted by printing techniques, is a<br />
rare example <strong>of</strong> pure folk art, or that