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The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

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JOHAN HENRICH OTTO Fraktur Motifs, about 1780-90<br />

NATHANIEL CURRIER <strong>The</strong> Favorite Cat, about 1840-50<br />

<strong>The</strong> Favorite Cat captures the essence <strong>of</strong><br />

the animal in a manner associated more<br />

with country or "naive" artists than with<br />

the firm <strong>of</strong> Nathaniel Currier, later<br />

Currier & Ives. Its bold iconic frontality<br />

has an abstractio <strong>no</strong>t <strong>no</strong>rmally found in<br />

the lithographs <strong>of</strong> these famous printmakers.<br />

<strong>The</strong> palest watercolor washes give<br />

did the design above. He may have come<br />

from Ephrata, Pennsylvania, and he<br />

worked in Lancaster and Bucks counties<br />

between 1772 and 1778. Watercolors <strong>of</strong><br />

this type are called frakturs because they<br />

usually adorn documents-such as birth<br />

and marriage certificates-bearing the old<br />

German script <strong>of</strong> that name. This one is<br />

flowers were probably done purely for the<br />

artist's amusement. Created primarily for<br />

the Pennsylvania German community,<br />

fraktur continued a tradition dating back<br />

to illuminated manuscripts <strong>of</strong> the middle<br />

ages. This work, which was gradually<br />

supplanted by printing techniques, is a<br />

rare example <strong>of</strong> pure folk art, or that

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