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The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

The Metropolitan Museum of Art Bulletin, v. 37, no. 4

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THOMAS NAST<br />

"Let Us Prey," 1871<br />

EDWIN AUSTIN ABBEY In a Tavern, 1886<br />

I<br />

credited with Tweed's initial overthrow in<br />

1871 and his conviction-on 204 counts <strong>of</strong><br />

fraud-in 1873. Three weeks after the<br />

public investigation began, Nast published<br />

"Let Us Prey" to warn that Tweed<br />

and his henchmen were merely lying low,<br />

waiting for public outrage to "blow over."<br />

<strong>The</strong> year Nast tackled Boss Tweed,<br />

touched on modern subjects. His illustrations<br />

<strong>of</strong> Shakespeare, Herrick, and Goldsmith<br />

became internationally famous,<br />

partly because they were photographically<br />

reproduced in Harper's Monthly and then<br />

published in elegant gift books. In a<br />

Tavern, from the book Old Songs (1889),<br />

was the second <strong>of</strong> eight drawings for the<br />

<strong>of</strong> a flashy cavalier. <strong>The</strong> poem suggested<br />

the seventeenth century to Abbey, who<br />

carefully researched and lovingly rendered<br />

the evocative period setting. His lively,<br />

splintered line recorded a delightful range<br />

<strong>of</strong> textures and values, suggesting both<br />

color and motion. Such naturalism, informed<br />

by a sensitive narrative vision,

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