The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
The Metropolitan Museum of Art Bulletin, v. 37, no. 4
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THOMAS NAST<br />
"Let Us Prey," 1871<br />
EDWIN AUSTIN ABBEY In a Tavern, 1886<br />
I<br />
credited with Tweed's initial overthrow in<br />
1871 and his conviction-on 204 counts <strong>of</strong><br />
fraud-in 1873. Three weeks after the<br />
public investigation began, Nast published<br />
"Let Us Prey" to warn that Tweed<br />
and his henchmen were merely lying low,<br />
waiting for public outrage to "blow over."<br />
<strong>The</strong> year Nast tackled Boss Tweed,<br />
touched on modern subjects. His illustrations<br />
<strong>of</strong> Shakespeare, Herrick, and Goldsmith<br />
became internationally famous,<br />
partly because they were photographically<br />
reproduced in Harper's Monthly and then<br />
published in elegant gift books. In a<br />
Tavern, from the book Old Songs (1889),<br />
was the second <strong>of</strong> eight drawings for the<br />
<strong>of</strong> a flashy cavalier. <strong>The</strong> poem suggested<br />
the seventeenth century to Abbey, who<br />
carefully researched and lovingly rendered<br />
the evocative period setting. His lively,<br />
splintered line recorded a delightful range<br />
<strong>of</strong> textures and values, suggesting both<br />
color and motion. Such naturalism, informed<br />
by a sensitive narrative vision,