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IS<br />

Tbearhitc<strong>of</strong> H<strong>of</strong>fmann (1870-<br />

5r)ewas rin the forefront <strong>of</strong> the<br />

crtindtoward rectilinear modernism, far<br />

removed from French <strong>Art</strong> Nouveau, that<br />

appeared in Vienna at the turn <strong>of</strong> the<br />

century. This desk set, dating from 1905,<br />

the year H<strong>of</strong>fmann received the commission<br />

to build his masterpiece, the Palais<br />

Stoclet in Brussels, embodies his architectural<br />

vision. It illustrates his doctrine that<br />

aesthetic principles should be applied<br />

equally to architecture and the decorative<br />

arts. H<strong>of</strong>fmann insisted that an object, no<br />

matter its category or material, could<br />

attain the highest level through the quality<br />

<strong>of</strong> its design and workmanship.<br />

Inkstand, note-pad holder, pencil holder,<br />

candlestick, and seal. Mother-<strong>of</strong>-pearl,<br />

ebony leather, and silver, greatest height<br />

41/4 in. Purchase, Anonymous Gift,<br />

1977. 72.1-5<br />

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