r - The Metropolitan Museum of Art
r - The Metropolitan Museum of Art
r - The Metropolitan Museum of Art
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i'<br />
s<br />
aurice Marinot (1882-1960) was<br />
the first artist <strong>of</strong> the modern<br />
period to master the arduous skill <strong>of</strong><br />
glassblowing. Originally a Fauvist<br />
painter, who participated in the 1913<br />
Armory Show, he became fascinated<br />
with the molten medium in 1911 on a<br />
visit to a glass factory owned by friends<br />
at Bar-sur-Seine. With these facilities put<br />
at his disposal he first worked on the<br />
decoration <strong>of</strong> finished pieces while<br />
apprenticing himself to the glassblowers,<br />
or gaffers. It was not until 1922<br />
that he felt he could exhibit glass he had<br />
blown himself. His interpretations <strong>of</strong> the<br />
life <strong>of</strong> the material, recording in the<br />
finished piece its transmutation from<br />
liquid to solid, earned him great esteem.<br />
Within simple shapes that relate to <strong>Art</strong><br />
Deco, he captured galaxies <strong>of</strong> change-<br />
able light and substance, surfaces<br />
exploding one within the other. Upon<br />
the closing <strong>of</strong> the Bar-sur-Seine factory<br />
in 1937, Marinot's work in glass<br />
ceased. It would be another 25 years,<br />
and then in the United States, before<br />
glassmaking would become available to<br />
the independent artist.<br />
Jar and bottle: 1925-29. H. 9 in., 43/4 in.<br />
Rogers Fund, 1970.198.2,3ab<br />
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