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r - The Metropolitan Museum of Art

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ormal elegance permeated <strong>Art</strong> Deco,<br />

down to the smallest item. <strong>The</strong> spontaneous<br />

convolutions <strong>of</strong> <strong>Art</strong> Nouveau were<br />

abandoned in favor <strong>of</strong> tightly organized<br />

patterns, such as the flower, volute, and<br />

raindrop configurations on these vases,<br />

confined within simple, <strong>of</strong>ten spherical or<br />

ovoid shapes. Geometry ruled throughout,<br />

but arcs and ovals yielded over a decade<br />

to angles. <strong>The</strong> influence <strong>of</strong> recent trends<br />

in painting was reflected in the gradual<br />

replacement <strong>of</strong> stylized flowers with cubist<br />

motifs. Small, unique objects, like these<br />

vases, executed in a wide variety <strong>of</strong> techniques,<br />

played an important role in the<br />

larger context <strong>of</strong> interior design. <strong>The</strong>y<br />

were <strong>of</strong>ten used, with theatrical flair, as<br />

the focal points for entire ensembles<br />

by artistes decorateurs, the master<br />

designers and interior decorators who<br />

dominated <strong>Art</strong> Deco.<br />

(Left to right) Vase: About 1923. By Jean<br />

Dunand (1877-1942). Brass plated with<br />

silver, h. 10/4 in. Vase: 1925-30. By Rene<br />

Buthaud (b. 1886). Glazed stoneware, h.<br />

131/2 in. Vase: 1925. By Emile Lenoble<br />

(1875-1939). Glazed stoneware, h. 121/2<br />

in. Jar: About 1929. By Henry Simmen<br />

(18 79-1963); cover by Mme O'Kin<br />

Simmen. Glazed stoneware, wood, and<br />

ivory h. 6 in. Purchase, Edward C. Moore,<br />

Jr. Gift, 23.206,69.289.1, 25.210,29.127.2ab<br />

,,.,..<br />

I<br />

19

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