r - The Metropolitan Museum of Art

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: --..I- '", "p:- -m *:.i-3Y` _tB :; .,t- a;i 9 ibtr` . :BIl,: '";" -i `rl 4 W.l'ri::L ` ;:L-; i' "", -.. . . :I;pCU, d 2: -' ;: " ''' -t :'-i::-:i * e.:ep
, . .... . --*.tt:- : . ::: ::-i':i:. ; .121b-: iY i% 1a2::: O IslaO r-" - '13p ci7 .P. Oati "; ,Y, II: -;, 55.: '' 41 Er 1 . - 3' : I Ir. I,' ( Jacques-Emile Ruhlmann (1879- 1933) was generally acknowledged as the leader of the Art Deco style. The artiste decorateur par excellence, he showed furniture in the salons of the Societe des Artistes Decorateurs from 1913 and undertook interior design with his own firm of Ruhlmann et Laurent after the war. His pavilion, tellingly titled "I'Htel d'un Riche Collectionneur," was the most popular exhibit at the 1925 Exposition. Ruhlmann used ebenisterie. the technique of veneered furniture perfected in eighteenth-century France, to execute designs distilled from earlier furniture forms. The Metropolitan's desk and file cabinet were commissioned by David David-Weill, president of the National Museums of France, for use in his own home, where they.were surrounded by the eighteenth-century art of which David-Weill was a renowned collector. I ri 41 Desk: About 1918-19. Amboyna, ivory. and sharkskin, I. 4 7/2 in. Purchase. Edgar Kaufmann. Jr. Gift, 1973.154.1. File cabinet: About 1918-19. Amboyna and ivory. h. 271/2 in. Purchase, Bequest of Collis P Huntington. by exchange, 1973.154.3. Chair: 1918-28. Amboyna, silvered bronze, and leather, h. 29% in. Purchase, Bequest of Mr. and Mrs. Graham F Blandy. Bequest of Jeanne King de Rham, in memory of her father, David King, and Gift of Vera Bloom, in memory of her father, Congressman Sol Bloom, by exchange, 1973.154.2
Page 1 and 2: The Metropolitan Museum of Art Bull
Page 3 and 4: he Metropolitan Museum's involvemen
Page 5 and 6: he decorative arts of the twentieth
Page 7 and 8: A rt Nouveau, the first decorative
Page 9 and 10: AWc
Page 11 and 12: An early center of Art Nouveau deve
Page 13 and 14: I F avrile glassware, patented in 1
Page 15 and 16: IS Tbearhitcof Hoffmann (1870- 5r)e
Page 17 and 18: *' : :
Page 19: Art Deco, succeeding Art Nouveau in
Page 24 and 25: ,,t 01 8! ; r a% 5 :a ;1- "i 9 Q- I
Page 26 and 27: cquired in 1923, Ruhlmann's fallfro
Page 28 and 29: 22^' !4^"^^ Art Deco style. The ori
Page 30 and 31: i' s aurice Marinot (1882-1960) was
Page 32 and 33: he couturier Jacques Doucet was an
Page 34 and 35: ; /.", 'V 4 / 1/..
Page 36 and 37: The Normandie was the last great ex
Page 38 and 39: I~1mmm I
Page 41 and 42: he impact of the 1925 Paris Exposit
Page 43 and 44: T he Moderne style found its most c
Page 45: enmark entered the world market in
Page 48 and 49: - 7 - ~ - - ~ - - - I:~~~~~~~~~~~~~
Page 50 and 51: 1 j 1. hough he refused to teach, W
Page 52 and 53: --, N o movement has had more than
Page 54: Ascientist. Dominick Labino (b. 191

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