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3PMjournal_2010s2

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3pm Journal of Digital Research & Publishing<br />

that which is virtual.<br />

COLORS online component not only alters the relationship of the user to the content but<br />

also it alters the identity of the printed form. The printed form is no longer confined to ink<br />

and paper and it now has a virtual umbilical cord to the online form. Its online presence<br />

has a place in offline existence yet now so does the reader/user. The on/offline magazine<br />

are linked and what links them is a creative community therefore a definition of a magazine<br />

must accommodate this community which exists across media forms.<br />

Summing up<br />

In conclusion we can see from the analysis of the three publications that the presence of<br />

the magazine’s online counterpart changes how the reader interacts with the content of the<br />

magazine. As we have identified the reader is central to how a magazine works therefore if<br />

an online presence is changing the nature by which readers interact there should also be a<br />

change in the way we define what a magazine is.<br />

The presence of the online does not mean that magazines are disappearing. Anything<br />

but. Rather the online helps cement even stronger bonds with the reader and its content.<br />

The notion that a magazine is defined by paper has to be left behind. “Old media rarely dies:<br />

their original functions are adapted and absorbed by newer media, and they themselves<br />

may mutate into new cultural niches and new purposes.” (Thorburn and Jenkins, 2003:<br />

12) As in the case of the Independent magazine the mutated form, “becomes a part of the<br />

culture, a way to develop the culture, not a neutral media commentator.” (Le Masurier,<br />

2010: 11)<br />

A magazine title now represents a larger entity which is not restricted to just one media<br />

form rather it positions a contemporary subject in a multimedia environment. Within<br />

this creative community of readers and makers the magazine is artifact but the online<br />

component, “has allowed the indies(independents) to develop what could be called a<br />

‘global niche’ of readers whose specialized interests are not limited by location but connect<br />

horizontally across national borders.” (Le Masurier, 2010: 19)<br />

Therefore a magazine is linked to the idea of a community. Their shared values are those<br />

of the editorial philosophy and in this new media domain these values are developed and<br />

explored not just in one media form but, across many.<br />

COLORS website succinctly gives a new definition for our once trusted printed friend,<br />

”the word magazine takes on a new meaning made of both paper and screen, photography<br />

9

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