Rumbling on performativity_Frits Simon
Rumbling on performativity_Frits Simon
Rumbling on performativity_Frits Simon
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Apparently an ir<strong>on</strong>ic or mocking stance is part of a greater palette of skills. Merely<br />
ir<strong>on</strong>y would have had unproductive c<strong>on</strong>sequences regarding the assignments I had<br />
and unproductive c<strong>on</strong>sequences regarding what happened in the discussi<strong>on</strong>s with<br />
regard to dissent. Merely ir<strong>on</strong>y is not taking anything seriously and runs the risk of not<br />
being taken serious. Being a trickster ir<strong>on</strong>y is effective by rec<strong>on</strong>figuring instead of<br />
obliterating social reality (Frentz, 2008).<br />
If I look back <strong>on</strong> my career and some of my own descripti<strong>on</strong>s I see a lot of different<br />
things I did. I see myself doing odd jobs, and fiddling around with many subjects,<br />
positi<strong>on</strong>s and activities. Strictly speaking there is no clear line in my career, coincidence,<br />
curiosity, needed variati<strong>on</strong> and challenges, and a more or less str<strong>on</strong>g inclinati<strong>on</strong><br />
towards aut<strong>on</strong>omy play their part. I was often assigned as and felt myself some sort of<br />
a handyman. At the same time I am very c<strong>on</strong>nected to the UAS, quite loyal, and able<br />
and enabled to do very different things.<br />
My c<strong>on</strong>clusi<strong>on</strong> is that as far as it c<strong>on</strong>cerns my advisory work neither I am a jester nor<br />
working as a jester within my organizati<strong>on</strong>. If anything, then I would prefer to be<br />
labelled as a bricoleur, a handyman-like or tinkering figure which I came across in the<br />
literature of OMS. Indeed a bricoleur with a touch of ir<strong>on</strong>y, and of course a bricoleur<br />
within the c<strong>on</strong>text of the UAS.<br />
Advisory work: bricolage with an ir<strong>on</strong>ic touch<br />
It was the French anthropologist and ethnologist Lévi-Strauss (1908-2009) who<br />
introduced the c<strong>on</strong>cept of bricolage. Bricolage is used to describe the activity of some<strong>on</strong>e<br />
who uses what is at hand to accomplish a task. Lévi-Strauss used the c<strong>on</strong>cept as a<br />
c<strong>on</strong>trast between the science of the c<strong>on</strong>crete and the analytic or rati<strong>on</strong>al way of<br />
acti<strong>on</strong> within Western cultures. It was Weick (2001) who in 1982 introduced bricolage<br />
in OMS. In research bricolage is introduced as an emergent way of doing research with<br />
m<strong>on</strong>tages as result (Denzin and Lincoln, 1994). Within OMS bricolage has a more or<br />
less elaborated profile through which the result of the work of the bricoleur can be<br />
interpreted as emerging from his practical efforts (Duymedjian and Ruling, 2010;<br />
Fuglsang and Sørensen, 2011; Gabriel, 2002).<br />
If I look again at the narratives I could say that there is a lot more of bricolage than<br />
assumed from the perspective of rati<strong>on</strong>al planning or <strong>performativity</strong>. I would even<br />
c<strong>on</strong>jecture that bricolage is far more the rule if we change - or innovate (Fuglsang and<br />
Sørensen, 2011) - our reality by adjusting at the spot. Therefore it is interesting to know<br />
why managers - or politicians or civil servants - might be keeping up the suggesti<strong>on</strong><br />
that an educati<strong>on</strong>al organizati<strong>on</strong>al reality can be planned in a rati<strong>on</strong>al way, even when<br />
it is known that in most circumstances that is not the case (Hooge, 2013).<br />
However, looking at the three narratives I did more than adjusting. I was busy enabling<br />
processes by c<strong>on</strong>necting and mediating am<strong>on</strong>g people, and redefining and putting in<br />
perspective subjects, and apparently not avoiding to discuss touchy subjects.<br />
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