PPM revisits Manchester's Belle Vue amusement park - Picture ...
PPM revisits Manchester's Belle Vue amusement park - Picture ...
PPM revisits Manchester's Belle Vue amusement park - Picture ...
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Books <br />
Llangollen artist - the life, work and postcards<br />
of Ernest Burrows (Christopher<br />
Burrows) is published by Bridge Books,<br />
Wrexham.<br />
The picture postcard boom of the early<br />
20th century gave an opportunity for<br />
artists and photographers all over the<br />
world to express and showcase their<br />
skills, sometimes on a national stage,<br />
more often quite locally or regionally.<br />
This 96-page beautifully-produced hardback<br />
book with colourful dustjacket is the<br />
author’s homage to his grandfather,<br />
Ernest Burrows, whose comic observations<br />
of Welsh life sold in huge quantities<br />
to amused tourists in the first two<br />
decades of the 20th century.<br />
The book sets the scene<br />
with a critique of Llangollen<br />
(“not a pretty town” -<br />
though it attracted plenty of<br />
tourists a century ago, keen<br />
to explore its surrounding<br />
countryside). Ernest’s father<br />
William, who hailed from<br />
Manchester, met his future<br />
wife Mary Jane in Llangollen,<br />
one of the places<br />
where his travels as a salesman<br />
took him. The couple<br />
lived in Manchester - where<br />
Ernest was born - until Wiliam’s<br />
ill-health persuaded<br />
the family, by then five in<br />
number, to settle in Llangollen<br />
with Mary’s father.<br />
William’s early death left<br />
his wife looking after the<br />
three children and making<br />
ends meet by turning their<br />
house into a bed-and-break-<br />
Clubscene extra<br />
Flo McCarthy, chairman of<br />
the SOUTH DOWNS club,<br />
took the audience on a trip<br />
around his homeland of Ireland.<br />
He began with a range<br />
of mainly pre-1910 urban<br />
scenes, including coloured<br />
cards. For inter-war rural<br />
views, he turned to cards<br />
published by Judges of<br />
Hastings, their photographs<br />
giving atmospheric views.<br />
Flo concluded with a range<br />
of cards from William<br />
Lawrence, who opened a<br />
photographic studio in<br />
Dublin in 1865 and over the<br />
years covered the length<br />
and breadth of Ireland.<br />
Many of his 40,000 glass<br />
plates were subsequently<br />
turned into postcards.<br />
Torbay Postcard Club<br />
have just released the 100th<br />
edition of their newsletter.<br />
The full-page edition features<br />
an article on the River<br />
Dart and pictorial shorts on<br />
the artists Evelyn Stuart<br />
Hardy and Albert Carnell,<br />
Hands Across The Sea and<br />
Romance.<br />
fast establishment.<br />
Like so<br />
many Edwardian<br />
artists<br />
whose work<br />
appeared on<br />
postcards, Ernest’s artistic<br />
and inventive talents blossomed<br />
early, and he began<br />
painting postcard-size<br />
comic sketches which he<br />
sent off to various publishers<br />
in the hope of a commission.<br />
He was signed up<br />
by Liverpool firm Thomas<br />
Brothers, who subsequently<br />
issued about 100 of his<br />
designs in their ‘Everton’<br />
series. Initially the comic<br />
sketches had English captions,<br />
but Ernest developed<br />
the habit of adding Welsh<br />
words onto the cards to<br />
give them a more ‘authentic’<br />
feel. The fact he had no<br />
knowledge of the Welsh<br />
language and relied on his<br />
wife Melinda, whom he<br />
married in 1904, for translations<br />
sometimes led to<br />
peculiar spellings on the<br />
cards! Of course, Ernest’s<br />
income came mainly from<br />
illustration work he did for<br />
books and from the sales of<br />
watercolours he painted of<br />
Llangollen and area scenes.<br />
The postcards he left,<br />
though, are a distinctive<br />
and important legacy.<br />
Christopher Burrows has<br />
provided a fitting tribute,<br />
and plenty of Ernest’s postcards<br />
are pictured in the<br />
book. Some - such as his<br />
‘Mixed bathing’ and ‘Full up<br />
at...’ have something of the<br />
flavour of Scottish artist<br />
Cynicus’s cartoons, and<br />
Both side of Ernest Burrows’ classic<br />
postcard ‘Travelling in Wales’, no. 230 in<br />
the ‘Everton’ series<br />
Burrows’ gently poking fun<br />
at the natives of his adopted<br />
country definitely mirrors<br />
the style of the Tayportbased<br />
artist/publisher.<br />
* available at Llangollen Museum<br />
for £12.99 or from Christopher<br />
Burrows, Fernlea, Market<br />
Street, Llangollen, Denbighshire<br />
LL20 8PY at £15.99<br />
inc. p/p.<br />
chriseburrows@tiscali.co.uk<br />
Bookshelf<br />
A selection of recent titles:<br />
British Postcards of The<br />
First World War (Peter<br />
Doyle) £5.99 (+ £1.25 UK<br />
post)<br />
Sussex Railway Stations<br />
on old postcards (James<br />
Young) £3.95 (+ 80p post)<br />
Postcards from Utopia<br />
(Andrew Roberts) £8.99 (+<br />
£1.25 post)<br />
Ask for a full list of available<br />
postcard-related<br />
books.<br />
Reflections of a Bygone<br />
Age, 15 Debdale Lane,<br />
Keyworth, Nottingham<br />
NG12 5HT<br />
Below: two examples of<br />
Frank Burridge’s distinctive<br />
artwork on his ‘Dalkeith’<br />
series of postcards. Some<br />
of the railway ones are now<br />
particularly sought-after.<br />
Obituaries <br />
Frank Burridge, who died on<br />
May 30th at the age of 80,<br />
was well-known in the postcard<br />
trade. In the 1980s he<br />
designed and published the<br />
famous Dalkeith series.<br />
These were in sets of six<br />
and covered many aspects<br />
of early railways, in particular<br />
railway companies such<br />
as Somerset and Dorset.<br />
Many of the sets were his<br />
own original paintings,<br />
while others were taken<br />
from old posters. He followed<br />
up the 103 sets in this<br />
series with Classic Posters,<br />
which ran to 52 sets, and<br />
then began a further series<br />
titled Cards of Style. These<br />
covered classic cars, various<br />
sports and others. Later<br />
Frank issued some unlimited<br />
series. He was meticulous<br />
in the production of his<br />
cards and his researches<br />
took him to many libraries<br />
and archives, including York<br />
Railway Museum, where he<br />
was a regular visitor. His<br />
enthusiasm for the job in<br />
hand was reflected in the<br />
accuracy of his work; every<br />
detail of his subject mattered<br />
and he built up a fine<br />
reputation.<br />
Frank also became<br />
famous for the railway<br />
museum he created in the<br />
1970s, the Big Four Railway<br />
Museum in Bournemouth.<br />
This was bulging with railway<br />
artefacts, not least<br />
Frank’s collection of locomotive<br />
nameplates. This<br />
attracted collectors from far<br />
and wide and was full of<br />
treasures for the collector,<br />
even football enthusiasts<br />
who come to drool over the<br />
nameplates of LNER locomotive<br />
‘Manchester United’.<br />
This led to Frank producing<br />
a fine illustrated<br />
book “Nameplates of the<br />
Big Four”. In his later years<br />
he was still producing railway<br />
literature. He will be<br />
long remembered - Garnet<br />
Langton.<br />
Ian Aspinall of Stevenage<br />
has died. He and his wife<br />
Patricia were frequent visitors<br />
to Bloomsbury, York<br />
and Bipex,<br />
and had a<br />
keen interest<br />
in<br />
Stevenage<br />
postcards<br />
and child<br />
r e n ’ s<br />
artists.<br />
56 <strong>Picture</strong> Postcard Monthly July 2010