02.07.2015 Views

PPM revisits Manchester's Belle Vue amusement park - Picture ...

PPM revisits Manchester's Belle Vue amusement park - Picture ...

PPM revisits Manchester's Belle Vue amusement park - Picture ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Books <br />

Llangollen artist - the life, work and postcards<br />

of Ernest Burrows (Christopher<br />

Burrows) is published by Bridge Books,<br />

Wrexham.<br />

The picture postcard boom of the early<br />

20th century gave an opportunity for<br />

artists and photographers all over the<br />

world to express and showcase their<br />

skills, sometimes on a national stage,<br />

more often quite locally or regionally.<br />

This 96-page beautifully-produced hardback<br />

book with colourful dustjacket is the<br />

author’s homage to his grandfather,<br />

Ernest Burrows, whose comic observations<br />

of Welsh life sold in huge quantities<br />

to amused tourists in the first two<br />

decades of the 20th century.<br />

The book sets the scene<br />

with a critique of Llangollen<br />

(“not a pretty town” -<br />

though it attracted plenty of<br />

tourists a century ago, keen<br />

to explore its surrounding<br />

countryside). Ernest’s father<br />

William, who hailed from<br />

Manchester, met his future<br />

wife Mary Jane in Llangollen,<br />

one of the places<br />

where his travels as a salesman<br />

took him. The couple<br />

lived in Manchester - where<br />

Ernest was born - until Wiliam’s<br />

ill-health persuaded<br />

the family, by then five in<br />

number, to settle in Llangollen<br />

with Mary’s father.<br />

William’s early death left<br />

his wife looking after the<br />

three children and making<br />

ends meet by turning their<br />

house into a bed-and-break-<br />

Clubscene extra<br />

Flo McCarthy, chairman of<br />

the SOUTH DOWNS club,<br />

took the audience on a trip<br />

around his homeland of Ireland.<br />

He began with a range<br />

of mainly pre-1910 urban<br />

scenes, including coloured<br />

cards. For inter-war rural<br />

views, he turned to cards<br />

published by Judges of<br />

Hastings, their photographs<br />

giving atmospheric views.<br />

Flo concluded with a range<br />

of cards from William<br />

Lawrence, who opened a<br />

photographic studio in<br />

Dublin in 1865 and over the<br />

years covered the length<br />

and breadth of Ireland.<br />

Many of his 40,000 glass<br />

plates were subsequently<br />

turned into postcards.<br />

Torbay Postcard Club<br />

have just released the 100th<br />

edition of their newsletter.<br />

The full-page edition features<br />

an article on the River<br />

Dart and pictorial shorts on<br />

the artists Evelyn Stuart<br />

Hardy and Albert Carnell,<br />

Hands Across The Sea and<br />

Romance.<br />

fast establishment.<br />

Like so<br />

many Edwardian<br />

artists<br />

whose work<br />

appeared on<br />

postcards, Ernest’s artistic<br />

and inventive talents blossomed<br />

early, and he began<br />

painting postcard-size<br />

comic sketches which he<br />

sent off to various publishers<br />

in the hope of a commission.<br />

He was signed up<br />

by Liverpool firm Thomas<br />

Brothers, who subsequently<br />

issued about 100 of his<br />

designs in their ‘Everton’<br />

series. Initially the comic<br />

sketches had English captions,<br />

but Ernest developed<br />

the habit of adding Welsh<br />

words onto the cards to<br />

give them a more ‘authentic’<br />

feel. The fact he had no<br />

knowledge of the Welsh<br />

language and relied on his<br />

wife Melinda, whom he<br />

married in 1904, for translations<br />

sometimes led to<br />

peculiar spellings on the<br />

cards! Of course, Ernest’s<br />

income came mainly from<br />

illustration work he did for<br />

books and from the sales of<br />

watercolours he painted of<br />

Llangollen and area scenes.<br />

The postcards he left,<br />

though, are a distinctive<br />

and important legacy.<br />

Christopher Burrows has<br />

provided a fitting tribute,<br />

and plenty of Ernest’s postcards<br />

are pictured in the<br />

book. Some - such as his<br />

‘Mixed bathing’ and ‘Full up<br />

at...’ have something of the<br />

flavour of Scottish artist<br />

Cynicus’s cartoons, and<br />

Both side of Ernest Burrows’ classic<br />

postcard ‘Travelling in Wales’, no. 230 in<br />

the ‘Everton’ series<br />

Burrows’ gently poking fun<br />

at the natives of his adopted<br />

country definitely mirrors<br />

the style of the Tayportbased<br />

artist/publisher.<br />

* available at Llangollen Museum<br />

for £12.99 or from Christopher<br />

Burrows, Fernlea, Market<br />

Street, Llangollen, Denbighshire<br />

LL20 8PY at £15.99<br />

inc. p/p.<br />

chriseburrows@tiscali.co.uk<br />

Bookshelf<br />

A selection of recent titles:<br />

British Postcards of The<br />

First World War (Peter<br />

Doyle) £5.99 (+ £1.25 UK<br />

post)<br />

Sussex Railway Stations<br />

on old postcards (James<br />

Young) £3.95 (+ 80p post)<br />

Postcards from Utopia<br />

(Andrew Roberts) £8.99 (+<br />

£1.25 post)<br />

Ask for a full list of available<br />

postcard-related<br />

books.<br />

Reflections of a Bygone<br />

Age, 15 Debdale Lane,<br />

Keyworth, Nottingham<br />

NG12 5HT<br />

Below: two examples of<br />

Frank Burridge’s distinctive<br />

artwork on his ‘Dalkeith’<br />

series of postcards. Some<br />

of the railway ones are now<br />

particularly sought-after.<br />

Obituaries <br />

Frank Burridge, who died on<br />

May 30th at the age of 80,<br />

was well-known in the postcard<br />

trade. In the 1980s he<br />

designed and published the<br />

famous Dalkeith series.<br />

These were in sets of six<br />

and covered many aspects<br />

of early railways, in particular<br />

railway companies such<br />

as Somerset and Dorset.<br />

Many of the sets were his<br />

own original paintings,<br />

while others were taken<br />

from old posters. He followed<br />

up the 103 sets in this<br />

series with Classic Posters,<br />

which ran to 52 sets, and<br />

then began a further series<br />

titled Cards of Style. These<br />

covered classic cars, various<br />

sports and others. Later<br />

Frank issued some unlimited<br />

series. He was meticulous<br />

in the production of his<br />

cards and his researches<br />

took him to many libraries<br />

and archives, including York<br />

Railway Museum, where he<br />

was a regular visitor. His<br />

enthusiasm for the job in<br />

hand was reflected in the<br />

accuracy of his work; every<br />

detail of his subject mattered<br />

and he built up a fine<br />

reputation.<br />

Frank also became<br />

famous for the railway<br />

museum he created in the<br />

1970s, the Big Four Railway<br />

Museum in Bournemouth.<br />

This was bulging with railway<br />

artefacts, not least<br />

Frank’s collection of locomotive<br />

nameplates. This<br />

attracted collectors from far<br />

and wide and was full of<br />

treasures for the collector,<br />

even football enthusiasts<br />

who come to drool over the<br />

nameplates of LNER locomotive<br />

‘Manchester United’.<br />

This led to Frank producing<br />

a fine illustrated<br />

book “Nameplates of the<br />

Big Four”. In his later years<br />

he was still producing railway<br />

literature. He will be<br />

long remembered - Garnet<br />

Langton.<br />

Ian Aspinall of Stevenage<br />

has died. He and his wife<br />

Patricia were frequent visitors<br />

to Bloomsbury, York<br />

and Bipex,<br />

and had a<br />

keen interest<br />

in<br />

Stevenage<br />

postcards<br />

and child<br />

r e n ’ s<br />

artists.<br />

56 <strong>Picture</strong> Postcard Monthly July 2010

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!