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1 Regulating Sex Work Adrienne D. Davis VERY ROUGH DRAFT ...

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taped prostitution “acts” and posted them on the internet, would the acts then qualify for<br />

the pornography exemption? 18 Finally, pornography is itself increasingly in question as<br />

work. As many have noted, the internet is eroding the line between the conventional<br />

pornography industry and non-commodified sex. <strong>Sex</strong>-act videos are increasingly likely<br />

to be available at no cost and the “actors” unpaid, thereby calling into real question the<br />

extent to which it continues to comprise work. 19 Hence, for all of these reasons, although<br />

there is a sophisticated discourse and academic literature on labor dynamics in adult<br />

films, this paper will largely not engage with them. 20<br />

The fifth and final caveat is one about language. I use the term professional sex<br />

because [fill in]. I use commercial sex, sexual commerce, and commodified sex<br />

interchangeably with professional sex. On the demand side, I call consumers of paid<br />

sexual services customers, patrons, and clients interchangeably. I self-consciously use<br />

the “customer” language to confront and unsettle how a full embrace of market logic and<br />

norms can be unsettling. The denomination “customer” suggests the possible legitimacy<br />

of their preferences for different kinds of sexual services, putting purposeful pressure on<br />

those who advocate for legalizing sex markets to contemplate the logical end of<br />

commodifying sex.<br />

I. DISCOURSES OF LABOR & LIBERTARIANISM<br />

The commodification of activities conventionally associated with women—care,<br />

sex, and reproduction—has long generated debate and controversy, especially among<br />

those whose first principles are feminist, i.e., to sex equality and destabilizing the<br />

sex/gender system. 21 While subject to much critique, care activities have long been<br />

heavily commodified and are largely unregulated, or, more precisely, occur in what<br />

18 Also rejecting the compensation dichotomy, Sherry Colb notes that, “Odd as it may seem, what appears<br />

finally to make all of the difference is the mode of gratification for the person who is paying but not<br />

himself seeking money.” Colb, supra note [x]. Colb contends that the true distinction may lie in the<br />

mechanics of sexual excitement and gratification. [check these quotes: “The ultimate demand for<br />

pornography comes from the viewer of pornography, and what excites him is the watching of the adult<br />

film, rather than any physical act performed on him by another person. The "enjoyment" of pornography is<br />

therefore as "speech," rather than as action.” Though real sex occurred in the making of the pornographic<br />

film, this fact is only relevant insofar as it is known (or believed) by the viewer. If, for example, the entire<br />

film were created with highly realistic computer graphics, but the viewer believed that what he saw was<br />

real, then he would enjoy the material just as much.; Because the impact of pornography occurs through the<br />

mediation of an audience witnessing a performance, rather than an audience receiving physical services<br />

from a performer, pornography and its making qualify as First-Amendment protected speech.]<br />

19<br />

[add academic cites if available]; see also Drowning in Porn, New York Mag. 26 (Feb. 7, 2011) [add a<br />

parenthetical].<br />

20<br />

See, e.g., [please find the iconic cites for academic work on pornography. Look at Constance Penley and<br />

she should be a guide to other scholars. I want to do a race string cite to my colleague, Mireille Miller<br />

Young’s work on race and porn]<br />

21<br />

There are, of course, many, contested definitions of feminism. I use Jodi Green’s adaptation of Gayle<br />

Rubin that feminism is dedicated to destabilizing the sex/gender system. [add cites to Jodi Green and<br />

Gayle Rubin; see if other leading feminists also use this or a similar definition]<br />

6

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