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Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst

Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst

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The Vitra Design Museum<br />

Follow<strong>in</strong>g a major fire <strong>in</strong> 1981, the company Vitra has pursued a conscious approach to its<br />

own architecture, start<strong>in</strong>g with the commission awarded to the English architect Nicholas<br />

Grimshaw to build a new factory hall. His high-tech architecture was seen as uphold<strong>in</strong>g<br />

the vision of Vitra as an enterprise synonymous with technical excellence.<br />

After completion of the first structure, he was assigned the task of develop<strong>in</strong>g a master<br />

plan for the Vitra grounds. This idea of "corporate identity architecture" was called <strong>in</strong>to<br />

question, however, by the 1984 erection of the sculpture "Balanc<strong>in</strong>g Tools" by Claes<br />

Oldenburg and Coosje van Bruggen. It served as the trigger for an entirely new<br />

architectural concept: deliberately contrast<strong>in</strong>g works of architecture were to confront one<br />

another and imbue the site with vitality and a dist<strong>in</strong>ctive identity. In keep<strong>in</strong>g with this idea,<br />

Vitra commissioned a different architect for each build<strong>in</strong>g project. Such as Frank O. Gehry,<br />

for example, who designed the expressive ma<strong>in</strong> build<strong>in</strong>g of the Vitra Design Museum with<br />

its towers, ramps and cubes that was dedicated on 3 November 1989.<br />

Even though there is certa<strong>in</strong>ly no lack of significant contemporary build<strong>in</strong>gs <strong>in</strong> the Basel<br />

region: for some years now, the biggest draw and place with the most far-reach<strong>in</strong>g<br />

<strong>in</strong>ternational presence has been the premises of the Vitra company's factory <strong>in</strong> Weil am<br />

Rhe<strong>in</strong>. This is not solely due to the illustrious architects like Frank O. Gehry, Tadao Ando,<br />

Zaha Hadid, Nicholas Grimshaw and Alvaro Siza who have all realised significant designs<br />

here at the <strong>in</strong>vitation of company head Rolf Fehlbaum. It is primarily because of the<br />

unique density and quality of the build<strong>in</strong>gs assembled here <strong>in</strong> such a compact space. No<br />

wonder, then, that the company grounds have emerged as a Mecca for architecture lovers<br />

from all over the world <strong>in</strong> the past one and a half decades. To accommodate the extensive<br />

public <strong>in</strong>terest <strong>in</strong> the build<strong>in</strong>gs on the Vitra site, the Vitra Design Museum offers regular<br />

guided architectural tours <strong>in</strong> numerous languages.<br />

The start<strong>in</strong>g po<strong>in</strong>t for the tour is Gehry's sculptural-expressionistic museum build<strong>in</strong>g,<br />

completed <strong>in</strong> 1989 - the first of the California architect's build<strong>in</strong>gs to be realised <strong>in</strong> Europe.<br />

The Conference Pavilion by Japan's Tadao Ando was also a European premiere. The<br />

<strong>in</strong>troverted structure is visually impressive with its formal restra<strong>in</strong>t and reduction to a few<br />

materials. Along with the museum and Conference Pavilion, the Fire Station by Londonbased<br />

Zaha Hadid is one of the highlights of the tour. Long an icon of deconstructivist<br />

architecture, this was the first work ever to be realised by the master architect who is<br />

today entrusted with prestigious major commissions throughout the world.

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