Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst
Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst
Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
esult of the experience of sea travel and the desire to reach new shores. The seafarer<br />
had to develop solutions to a different set of challenges than the stay-at-home<br />
“landlubber”: the ability to harness the w<strong>in</strong>d, to navigate by the stars and cont<strong>in</strong>uously to<br />
improve the ability of ships and their navigational <strong>in</strong>struments to cope with what Fuller<br />
described as the “Fluid Geography” of the oceans.<br />
After leav<strong>in</strong>g the navy <strong>in</strong> 1922, Fuller co-founded the Stockade Build<strong>in</strong>g Company to<br />
produce lightweight build<strong>in</strong>g materials. The knowledge he acquired there was to prove<br />
<strong>in</strong>valuable to his later experiments with design and architecture. Disaster struck <strong>in</strong> 1927<br />
when Fuller lost his job at Stockade. At the age of 32 he found himself on the shore of<br />
Lake Michigan wonder<strong>in</strong>g whether to end his life there. Fuller took a decision to devote his<br />
life to others by embark<strong>in</strong>g on “an experiment to discover what the little, penniless,<br />
unknown <strong>in</strong>dividual might be able to do effectively on behalf of all humanity”.<br />
Fuller decided to concentrate on the field he knew best, construction. The follow<strong>in</strong>g<br />
year he made his first patent application for the 4D tower, a lightweight, prefabricated,<br />
multi-storey apartment tower to be delivered anywhere <strong>in</strong> the world by airship. Once<br />
delivered the towers would generate their own light and heat with an <strong>in</strong>dependent sewage<br />
disposal system.<br />
From then on, ideas and <strong>in</strong>ventions seemed to flow from him <strong>in</strong> a cont<strong>in</strong>uous<br />
stream. Driven by his philosophy of “more for less”, Fuller threw himself wholeheartedly<br />
<strong>in</strong>to a quest for a new way of hous<strong>in</strong>g mank<strong>in</strong>d, <strong>in</strong> “Lightful Houses” so-called because<br />
they were full of light, lightweight, delightful and so forth. This programme and his<br />
accompany<strong>in</strong>g vision of a world united by the most modern means of transport and<br />
telecommunication evolved <strong>in</strong>to Fuller’s philosophy of four-dimensional, or 4D design. He<br />
def<strong>in</strong>ed this as th<strong>in</strong>k<strong>in</strong>g <strong>in</strong> time <strong>in</strong>stead of only the three dimensions of space: th<strong>in</strong>k<strong>in</strong>g of<br />
consequences for humanity <strong>in</strong>stead of only immediate personal ga<strong>in</strong>.<br />
The project that made Fuller’s name was the 1929 Dymaxion House, which he<br />
unveiled <strong>in</strong> the <strong>in</strong>terior decorat<strong>in</strong>g department of the Chicago department store, Marshall-<br />
Field. The name Dymaxion – Dy(namic)max(imum)ion – was co<strong>in</strong>ed by the marketer<br />
Waldo Warren who, after listen<strong>in</strong>g to Fuller talk for two days, devised endless<br />
comb<strong>in</strong>ations of syllables taken from his highly idiosyncratic vocabulary. F<strong>in</strong>ally he found<br />
the word which seemed to him best to dramatise Fuller’s personality. Made from<br />
lightweight steel, duralum<strong>in</strong>ium and plastic and suspended from a central mast from which<br />
the rooms radiated <strong>in</strong> a hexagonal plan, the Dymaxion House was conceived not as private<br />
property, but rather as temporary, transportable space that could be rented – rather like a<br />
telephone issued by a telephone company.<br />
As well as hous<strong>in</strong>g, Fuller was determ<strong>in</strong>ed to design a revolutionary new car. In<br />
1928 he had conceived a fly<strong>in</strong>g car with <strong>in</strong>flatable w<strong>in</strong>gs which was modified <strong>in</strong><br />
subsequent draw<strong>in</strong>gs <strong>in</strong>to a streaml<strong>in</strong>ed road vehicle the rear of which would rise <strong>in</strong> an<br />
aerodynamic lift to ‘fly’ steered by a rudder as the front rolled. In 1933 he presented his<br />
plans for the three-wheeled Dymaxion Car with rear steer<strong>in</strong>g and front-wheel drive<br />
powered by a Ford eng<strong>in</strong>e. The aerodynamic shape, most closely related to high<br />
performance yachts, came partly from Fuller’s co-designer, the shipbuilder Starl<strong>in</strong>g<br />
Burgess. The rave reviews of the car’s styl<strong>in</strong>g, speed and manoeuvrability were tragically<br />
underm<strong>in</strong>ed when the first of three prototypes was rammed and overturned, kill<strong>in</strong>g the<br />
driver, outside the entrance to the 1933 Chicago World’s Fair.<br />
Undeterred, Fuller cont<strong>in</strong>ued his experiments and ga<strong>in</strong>ed an <strong>in</strong>ternational reputation<br />
for his work <strong>in</strong> lightweight, <strong>in</strong>expensively and speedily constructed hous<strong>in</strong>g. In 1940, <strong>in</strong><br />
anticipation of the bomb<strong>in</strong>g of British cities, he was asked by the British War Relief<br />
Organization to design an emergency shelter. Fuller worked with the Butler Company of<br />
Kansas City, which manufactured gra<strong>in</strong> silos of curved galvanised steel, to develop a self-