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Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst

Het Huis Stoclet in Brussel - Academie voor Beeldende Kunsten Aalst

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G) Jean Prouvé<br />

Jean Prouvé <strong>in</strong>spires us as someone who knew what it meant to comb<strong>in</strong>e creativity,<br />

entrepreneurship and the ethics of work. In his oeuvre he coupled handicraft with <strong>in</strong>dustry<br />

and design with architecture extend<strong>in</strong>g his experience yet further with each new step - as<br />

craftsman of Art déco, as manufacturer and constructer of furniture and architecture and,<br />

f<strong>in</strong>ally, as a highly valued teacher. He never sought to evolve his own unique style but<br />

consistently sought logical answers to desired functions and the available means for their<br />

realisation. And yet it is precisely this which accounts for the authentic, unmistakable<br />

characteristic stamp that all his works bear.<br />

Today, Prouvé is prized as one of the most <strong>in</strong>novative architectural and furniture<br />

draftsman of the 20th century. Thanks to his technical knowledge of production, he<br />

consistently developed detachable, light constructions - from small barracks to large halls,<br />

multifunctional facade systems as well as movable or dismountable, extremely solid<br />

furniture. As a consequence of the <strong>in</strong>creas<strong>in</strong>g enthusiasm for technology <strong>in</strong> recent years<br />

Prouvé's <strong>in</strong>fluential <strong>in</strong>ventions <strong>in</strong> build<strong>in</strong>g construction and simple <strong>in</strong>dustrial functional<br />

furniture have been acknowledged once aga<strong>in</strong> and hence experienced a renewed<br />

appreciation.<br />

In conception, this first comprehensive and systematic tour<strong>in</strong>g exhibition on the<br />

furniture and architecture, which Jean Prouvé (1901-1984) created between 1924 to the<br />

mid 1970s, is very much <strong>in</strong> keep<strong>in</strong>g with Prouvés own ideas. Thus, guest curator Prof.<br />

Bruno Reichl<strong>in</strong> draws on the famous courses, which Prouvé held between 1957 to 1970 at<br />

the Paris CNAM (Conservatoire National des Arts et Métiers). The most important orig<strong>in</strong>al<br />

furniture pieces will be exhibited together with several orig<strong>in</strong>al architectural elements<br />

(among them a reconstructed "Maison de S<strong>in</strong>istrés") as well as numerous architectural<br />

models, photographs and orig<strong>in</strong>al sketches on architecture and furniture.<br />

The majority of exhibition pieces are drawn from the Vitra Design Museum's<br />

<strong>in</strong>ventory. In addition, important loans have been contributed by the Paris gallerists<br />

Philippe Jousse and Patrick Segu<strong>in</strong>, the archives of the Départementales de Meurthe et<br />

Moselle <strong>in</strong> Nancy as well by the Prouvé family.<br />

A comprehensive catalogue, edited by Cather<strong>in</strong>e Dumont d'Ayot, has been<br />

published on the exhibition. The exhibition which was organised under the direction of the

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